Spaced

"Spaced" has never been broadcast (to my knowledge) on French TV, so I bought the complete 2 seasons series on Amazon after seeing Shaun of the Dead, which I consider to be one of the best comedies ever. Well, even without any subtitles (I get around in English), "Spaced" appears to me as the exact epitome of what British TV can do at its best : a perfect brew of comedy, rhythm, political incorrectness, extraordinary acting, stylish writing, socially-oriented matters... I really was mesmerized at the creativity both screenwriters and director displayed all along the 14 episodes, always renewing what could be taken as pure show-off style on the first one. This is why I love British comedy, TV & cinema. Wit. Man do they have it. Simon Pegg if you ever read this : you ARE the Force !

Having just watched this series again, I am prepared to say that "Spaced" is definitely one of the greatest comedy shows EVER!

Funny, striking, imaginative, clever, compassionate, sarcastic, inventive, etc, etc, etc. You get the impression that co-stars and co-writers, Simon Pegg and Jessica Stevenson, just cannot write a boring line of dialogue or envisage a predictable scene. Using its "nothing new" premise (mismatched couple pretend to be romantically entangled to find a place to live), this show twists and turns its way off into many brilliant and original directions, while never failing to provide the required belly laughs along the way.

It uses movie in-jokes and references in a way that would make Tarantino envious, and the hipness of its execution makes it both a show that, paradoxically, is of the moment but is also certain to be talked about in ten or twenty years from now.

The cast are all first-rate: Pegg and Stevenson manage to be both madcap and touching, and are backed up by a sterling supporting cast of fresh and exciting talent. Julia Deakin as Marsha, the flirtatious middle-aged landlady and Mark Heap as the pretentious but vulnerable artist from hell, Brian, make a hilarious double act; Nick Frost is a real find as military mad Mike; and Katy Carmichael as the initially snobby Twist manages to be dotty without turning up the annoyance factor.

Even the guest appearances are great. My two personal favourites are Michael Smiley as the chemically enhanced Tyres O'Flaherty, a non-stop raver who even dances to the ringing of a telephone; and the excellent Charles Dale (II), who is usually cast as the heavy, but gives a marvellous comic performance here as the "yes man" security guard who helps our bumbling heroes rescue their beloved pooch, Colin, from an evil freelance vivisectionist!

Credit must also be given to director Edgar Wright who has created a unique and vivid look to the show, enhancing the script's wired look at the banalities of everyday life with his brilliant use of camera movement, lighting, cross-cutting, flashbacks, etc. Even if it wasn't funny (which it most emphatically is), "Spaced" would get top marks for being the best looking show on the box.

I could go on, but "Spaced" is a comedy that needs to be seen to be believed, and then seen again...and again...and again...

If there is one show you had to take with you to a deserted island, Spaced would be it. It sums up exactly how the minds of 20-somethings work. The fantasy world we would love to be in, but will never have. The only show to stand up to George Lucas and say that the phantom Menace was crap but at the same time cherish the magic of the first three.

Watch this show, try to count all the films and TV shows it mimics, and all the shows it references. 2001, Empire Strikes Back, The Matrix, One Flew Over The Cuckoo's nest, Scooby Doo, Robot Wars, Close Encounters and so many others.

The cast is top notch, and the writing is perfect. All I can say is "Roll on series 3"!!!

Okay, so I happen to be a partying, comic book reading, horror movie watching, video game playing, thirty something-year-old gal from the US, who is also a major Star Wars geek. And according to some that is the only audience that this show would appeal to. Well, I disagree. It really spoke to me, for obvious reasons, and I think that the characters of Tim and Daisy are much of an amalgam of the people in my generation who want to succeed but are either afraid to take the risk, feel like they can't get a break, or are just to damned lazy to do so! But there is also something about the relationship of the characters that I think could appeal to anyone. And the peripheral characters are deliciously strange. I think that it's well written and acted. I think that it's funny, and weird and bizarre and just really, really fun to watch! If you liked Shaun of the Dead then you will definitely like this series. I only had one problem with it. They didn't make enough episodes!!!

"Spaced" is like watching the cartoon of the life of the average SFX reader or Ain't-it-Cool UK talkbacker. It's the closest thing to fanboy (and fangirl) heaven there is. By that, I don't mean it's a perfect word for word film version of Lord of the Rings nor even a big BBC production of Asimov's Foundation trilogy. No, this is where really good fanboys (and fangirls) go when they die.

Set around the lives of Tim Bisley and Daisy Steiner sharing a ground floor flat somewhere in North London it shows in a disturbingly honest way the lives of the average late 20-something, recently moved to London, wannabe creative, painfully middle-class, skint people in much the same way that David Attenborough might bring to life the daily trials of a family of pandas. Their many rituals and habits are studied in detail as they go about carving their way in the cruel world around them. We see them go clubbing, going to sign on, in the pub, and rescuing dogs from animal testing laboratories. The one thing that leads me to think that this is only a sitcom and not real life is that their flat is always suspiciously clean.

As Tim is a struggling graphic artist trying to break into the world of comic illustration, it's appropriate that the characters are all cartoons themselves. They almost spew stylised behaviour, phrases and clothes. Some even have their own signature moves such as Brian's standardised description of his 'work' when he is asked what he paints. The editing follows this lead with many cut-aways into people's thoughts much in the manner of a thought bubble. The sheer quantity of cultural references is staggering. However, having lived a life similar to this, I know the number of cultural references in real life is at about the same level.

If you're currently aged between 27 and 34, this is the only sitcom you'll ever need to see again. Well, Black Books is pretty good too. Anyway, there are few things that make me laugh as much of this. If you know the words to the Ewok song, watch this.