Second Sight

Clive Owen brings his almost complete absence of charisma and scant repertoire of nuances to "Second Sight" as a detective who may or may not be losing his sight depending on who you believe; host Diana Rigg or the doctor characters. A much too pat and uninspired Brit detective series about a workaholic divorced sleuth with personal issues, DCI Tanner (Owen), "Second Sight" is full of nonsequiturs, plot holes, and just plain shoddy work. Owen does the usual connecting of dots expected of mysteries while maintaining the pitiful I've-been-screwed-by-life attitude you would expect of a terminal cancer patient not one whose just may be going blind and especially not one who sees perfectly when required of the plot and otherwise when not. All the while, Tanner has what Rigg describes as a "torrid" affair with his sidekick which is little more than a few seconds in the sack and sees visions (the second sight thing) which are rationalized by some mumbo-jumbo about his medical condition. Pale in comparison with the Brit "Cracker" series, "Second Sight" is little more than par fodder for TV junkies. I gave up on it with about 10 minutes to go in the 2nd DVD. (C+)

If you are a favorite of British crime dramas, the Second Sight series are a "must see." They star Clive Owen who has become more well-known to US audiences from his roles in the exciting and thoughtful science fiction shocker Children of Men and in the action mystery Inside Man which I found to be thoroughly entertaining. Owen, at first, appears to be very rough hewn, but he has the ability to express a tough vulnerability (an oxymoron?) that makes him perfect for the role of DCI Ross Tanner in the Second Sight series.

Tanner is not a very likable man. He's a drunk, a womanizer, a neglectful father, and a tough boss, but he is very good at his job - thus he is the head of a police unit that investigates high-profile crimes - mostly homicides. Tanner begins to have some problems with his vision and finds that he has contracted a rare disease known as acute zonal occult outer retinopathy (AZOOR). The symptoms are blurred vision, blind spots, and flashes of light. In many cases, full vision returns after a period of time. Tanner - being the introspective, shut off man that he is - decides to hide his condition with the hope that his normal vision will return.

The flashes of light are used to dramatic effect in the series by taking on flashes of images that appear to Tanner which often help him to solve the crimes. This technique is overdone, but it serves to give us insight into the mind of this brilliant detective.

The first series concerns just one crime which is the complex tale of the murder of a young man. In this first series, Tanner accepts the help of a female detective in his unit who perceives the vision problem. He and the detective also have a sexual relationship. It is through this relationship and his strained relationship with his son that we get some insight into the more human side of the man.

In the first episode of the second series, Tanner's relationship with his paramour comes to an end. The second series comprises three different crimes and also offers us a further look into the human side of Tanner. All three are neatly tied together by Tanner's developing condition, and each crime offers exposes different aspects of the British personality and society. Especially notable in Kingdom of the Blind is a chilling performance by veteran actor, Peter Vaughan who his more often seen in lighter roles.

British television drama has a special way of portraying the women and men of the police forces who must deal with the criminal element. Second Sight certainly ranks near the top of those dramas.

Clive Owen stars as a police detective losing his sight in "Second Sight," a 1999 TV series.

Like Benedict Cumberbatch, Clive Owen first found popularity as a television actor. In Second Sight, he plays DCI Ross Tanner, a man who discovers he has a rare eye disease which may go into remission, stay the way it is, or ultimately he will go blind. The disease also gives him the ability to pick up when something is wrong in an interrogation, and he suffers from hallucinations.

He's terrified of his superiors and people working under him to find out the truth, so he enlists the help of his second in command, DI Catherine Tully (Claire Skinner).

Along the way Tanner learns to use his other senses to help his detecting, realizing that not every clue is visual.

Excellent series with wonderful acting by the very hunky Owen. I'd crawl to see him in anything. The subplot is about Tanner's relationship with his ex-wife and son.

Loved the story lines and wish this series lasted longer.

I have to take issue with one of the remarks here. Someone was angry that subtitles were suggested and thought it was awful.

I've been to England several times, I've seen so many mysteries and detective stories and movies from England it's not funny. But now I'm partially deaf. Also, the British idea of sound is to do it very naturally - it's really not filtered the way U.S. sound is. So some of those dialects can be hard to understand.

I used earphones with this, which I suggest for this very excellent series because it has no subtitles.

I loved Inspector Lynley, but the subtitles didn't show up on the disks and I missed probably 40%. Now that it's on streaming on Netflix, I plan to go back and see it. Sorry but this is reality. People love this stuff and it's too hard to hear and/or understand without some help.

Try having some understanding of an aging population and your fellow man.

My TV watching is confined almost exclusively to PBS and the British shows, which are usually the only things on TV worth watching. BUT... this particular show suffers from an excess of unintelligible dialogue that only added to the confusion of the muddled plot and story, the jerky handheld camera work, the appallingly choppy editing and uncertain direction. May I suggest to Rebecca Eaton that she add sub-titles to this show (which still has a few episodes to run) so that American viewers can truly enjoy rather than endure the British dialects and poor diction of the performers.

I watched this on Prime (with subtitles) but spent most of my time forwarding it by 10 seconds at a time. I didn't even last 10 minutes with it. Why? Refer to the title of the review.