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7,4/10
1482
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaZatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.Zatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.Zatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.
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In this new episode of the Zatôichi'a saga, the blind hero regains some of his charisma, in an adventure of gambling, gangsters and katanas of sublime quality.
Only the use of color prevents a complete return to the brightness of the first episode. Not that the cinematography of Senkichirô Takeda, an experienced and competent technician, is bad. The problem is that this Zatôichi is a lonely hero, a gambler and an adventurer who dabbles in the underworld of the Yakuza to settle disputes and protect the underdog. He is a ronin who shines most brightly in the shadows of black and white. As if it were a hybrid of a western and a film noir, transposed to feudal Japan.
The fashion for color has changed Zatôichi. But in this film it is still possible to find traces of the surprising character of the first episode.
After a romantic break, Zatôichi returns to his natural habitat in style. As if Clint Eastwood was temporarily transported by magic to the "western" ronin universe.
Only the use of color prevents a complete return to the brightness of the first episode. Not that the cinematography of Senkichirô Takeda, an experienced and competent technician, is bad. The problem is that this Zatôichi is a lonely hero, a gambler and an adventurer who dabbles in the underworld of the Yakuza to settle disputes and protect the underdog. He is a ronin who shines most brightly in the shadows of black and white. As if it were a hybrid of a western and a film noir, transposed to feudal Japan.
The fashion for color has changed Zatôichi. But in this film it is still possible to find traces of the surprising character of the first episode.
After a romantic break, Zatôichi returns to his natural habitat in style. As if Clint Eastwood was temporarily transported by magic to the "western" ronin universe.
This is one of the best Zatoichi movies. It has lots of humor, great action scenes and a history of Zatorichi's sword. Zatoichi gives up his sword when he discovers it is about to fail. Later, when gang of swordsmen attack him he must defend himself with just his bamboo cane. In another fight he defends himself against a knife attack with his pipe. After he gets a sword back, he finds himself sealed in a barrel by his attackers. But he defeats the attachers by stabbing through the barrel.
The best scene in the movie is Zatoichi doing a crazy song and dance about trying to catch ducks. Because it is completely out of character for Zatoichi, it is very funny. But at the same time you have to appreciate how good the performance is. When the dance is over, Zatoichi proceeds to "accidentally" insult the gang leader by mooning him, ignoring his offer of sake and then spilling sake on him.
The underlying story line is the same as most Zatoichi films. The villagers are being exploited by a violent gang and corrupt leader. Zatoichi kills enough bad guys until the town is saved.
The best scene in the movie is Zatoichi doing a crazy song and dance about trying to catch ducks. Because it is completely out of character for Zatoichi, it is very funny. But at the same time you have to appreciate how good the performance is. When the dance is over, Zatoichi proceeds to "accidentally" insult the gang leader by mooning him, ignoring his offer of sake and then spilling sake on him.
The underlying story line is the same as most Zatoichi films. The villagers are being exploited by a violent gang and corrupt leader. Zatoichi kills enough bad guys until the town is saved.
Zatoichi's Cane Sword is the fifteenth entry in the franchise about the clever gambler, blind masseur and skilled swordsman with a lowly yakuza background and I still can't get enough of this series with its authentic atmosphere bringing rural Japan of the mid-nineteenth century to life, with its unique lead character with a strong moral compass masterfully played by a credible Katsu Shintaro and the cool story lines involving conspiracies, greed, love, murder and redemption. As in many other films, Zatoichi comes across a dying boss who can only tell him his name. The blind masseur goes to the next town and stays in an old inn where he comes across the dead man's children. While the son is reluctant to take over his father's business, the daughter is determined to convince him and save their family's reputation. However, another boss named Iwagoro, supported by corrupt government official Inspector Kuwayama, wants to take over the dead man's business by any means necessary. Zatoichi tries to remain neutral in the conflict but when the dead man's son is brutally killed and the dead man's daughter lured away from the inn, Zatoichi decides to set things right. However, there is one big problem. The local blacksmith informs Zatoichi that his cane sword is about to break and that the blind masseur might only have one strike left before it snaps.
As usual, there are many positive elements about this film. First of all, the characters are very nicely developed in this film. The drunk blacksmith that rediscovers his art, the determined daughter who never gives up, the reluctant son who wants to avoid conflicts, the pervert government official and the wicked boss are all intriguing characters. The fact that Zatoichi has to fight without his usual cane sword at times adds some tension to the film. The movie has a few interesting twists that keep the viewers interested until the very end. The final fight sequence at night and in the snow when both Zatoichi and his opponents use numerous tricks to fight each other is particularly well-choreographed. In addition to this, the movie includes a few brief yet refreshing humorous scenes such as Zatoichi performing a chant and dance to make fun of the evil boss and Zatoichi playing a game of dice with an overtly self-confident loudmouth who challenges him to a duel.
However, the film also has a few flaws. The story is extremely similar to other movies and lacking some fresh originality. On the other side, the story is also more complex and at times a little bit hard to follow with its numerous characters, side stories and minor twists. It would have been better if the movie had been a few minutes longer to tell this complex story in greater detail.
Still, Zatoichi's Cane Sword is an above average entry in the franchise. The tense atmosphere in the inn where several key scenes take place is a very intriguing guiding line. The characters have depth and you either root for them or despise them quickly. The complex story is a little bit more challenging than usual which has positive and negative consequences. Collectors and fans of the franchise might appreciate this movie more than some of the weaker previous films but it's not strong enough in my book to be among the franchise's best entries. Those who aren't familiar with Zatoichi yet shouldn't start here and discover the series in chronological order.
As usual, there are many positive elements about this film. First of all, the characters are very nicely developed in this film. The drunk blacksmith that rediscovers his art, the determined daughter who never gives up, the reluctant son who wants to avoid conflicts, the pervert government official and the wicked boss are all intriguing characters. The fact that Zatoichi has to fight without his usual cane sword at times adds some tension to the film. The movie has a few interesting twists that keep the viewers interested until the very end. The final fight sequence at night and in the snow when both Zatoichi and his opponents use numerous tricks to fight each other is particularly well-choreographed. In addition to this, the movie includes a few brief yet refreshing humorous scenes such as Zatoichi performing a chant and dance to make fun of the evil boss and Zatoichi playing a game of dice with an overtly self-confident loudmouth who challenges him to a duel.
However, the film also has a few flaws. The story is extremely similar to other movies and lacking some fresh originality. On the other side, the story is also more complex and at times a little bit hard to follow with its numerous characters, side stories and minor twists. It would have been better if the movie had been a few minutes longer to tell this complex story in greater detail.
Still, Zatoichi's Cane Sword is an above average entry in the franchise. The tense atmosphere in the inn where several key scenes take place is a very intriguing guiding line. The characters have depth and you either root for them or despise them quickly. The complex story is a little bit more challenging than usual which has positive and negative consequences. Collectors and fans of the franchise might appreciate this movie more than some of the weaker previous films but it's not strong enough in my book to be among the franchise's best entries. Those who aren't familiar with Zatoichi yet shouldn't start here and discover the series in chronological order.
I love the Zatoichi movies, though I have found that because they made so many and the plots tended to blend together so often, it is hard to distinguish them apart. I would give all of them about the same score of a 7 or an 8--with a few exceptions (the return of the original in 1989 was a TERRIBLE and depressing movie, while the new Zatoichi movie starring Beat Takeshi is probably the best of any Zatoichi movies).
This movie features a unique plot--something many Ichi films do not feature. His relationship with the sword maker and what happens when his old blade ultimately breaks make this one stand out from the crowd. It's also nice to see that he is indeed NOT invincible.
This movie features a unique plot--something many Ichi films do not feature. His relationship with the sword maker and what happens when his old blade ultimately breaks make this one stand out from the crowd. It's also nice to see that he is indeed NOT invincible.
This is a fairly sedate but still interesting entry in the series. Zatoichi discovers that his trusty blade is about to break, and he decides to settle down as a domestic servant rather than risk losing his life and his sword. Naturally a spanner is thrown in the works by another naughty warlord, and complications ensue.
Lo sapevi?
- QuizIn the film they refer to a character receiving a hook. This refers to the Japanese jitte, which translated means 'ten hands', and was a weapon carried by police in the Edo Period of Japan and was given to Constables to denote rank.
- BlooperAfter Oshizu serves Zatoichi some food her brother comes to talk to her. In the background Zatoichi spills some of his rice as he's eating it from a bowl, twice. He picks up the first portion he spilled on his lap easily but while picking up the second portion he spilled off to his side, he tries to pick it up like the blind character he plays, without looking. Not finding that portion, he looks down to see where it's at, then proceeds to pick it up before the scene cuts.
- ConnessioniFollowed by Zatôichi rôyaburi (1967)
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- Zatoichi's Cane Sword
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- Tempo di esecuzione1 ora 33 minuti
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- 2.35 : 1
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By what name was Zatôichi tekka-tabi (1967) officially released in India in English?
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