Obyknovennoe chudo

Phantasmagoria. The second film adaptation of the play of the same name by the famous Soviet playwright and writer Yevgeny Lvovich Schwartz, since the first was released already in the sixty-fourth year. I have not read the play itself, I have not watched the first film adaptation, so I will evaluate this film adaptation as an independent work. I first looked at this masterpiece of Mark Zakharov in 1915, when I began to collect a collection of Soviet classics, and then it made a favorable impression on me, since then I have revised it several times - and every time I got pleasure again. And here's my brief opinion - A wonderful and touching love story. I will say right away that I did not find any flaws in the picture, although I tried, therefore I intend to dwell on the expressive merits of this brilliant phantasmagoria of Mark Anatolyevich Zakharov. So, here they are: 1. Romantic story - the picture tells about the love between a young man named Bear and a beautiful princess, whose connection into a single whole is prevented by only one thing - the spell that the Wizard put on him - if he kisses the princess, he will again become a bear, which becomes the beginning of a series phantasmagoric situations, brilliant dialogues, a twisted story and a great ending. Here you and the throwing of the Wizard with his inventions and twists of history, irony over the monarchy, ridicule of vicious human qualities, but first of all, this story is about pure love, full of mental anguish and happy moments. And the monologue of the Wizard, performed by the magnificent Oleg Yankovsky, makes you each time amazed at the simplicity of everyday, but such important things, and re-perceive them as a gift from higher powers. Well, the romantic line itself turned out exactly as it should - sincere, emotional, replete with sharp turns, even a little predictable, but very memorable, and the actors themselves did their best! 2. The mood of the picture is melancholic, enthusiastic, philosophical, romantic. It includes all of this, mixing into a unique tone that I have not met anywhere else (there is something similar in "The Same Munchausen", but there is a different mood and a different message). This is precisely the phantasmagoria - the author's vision, where everything is literally mixed, but this does not cause dissonance or a feeling of slight discomfort in the viewer. 3. Music - not the last role in shaping the mood of the picture is played by music, for which Gennady Gladkov was responsible. And the songs were a success, although I don't like all of them. 4. Wonderful actors - real mastodons of Soviet cinema play here, who, thanks to their acting, pull them out of the meager scenery. Here you have Andrei Mironov as a charming scoundrel, Yevgeny Leonov as a tyrant and tyrant king, Ekaterina Vasilyeva as the first royal lama, Yuri Solomin as Emil, Vladimir Dolinsky as an executioner, Ervand Arzumanyan as a close-minded and charming first minister, and so on. ... Everyone is nice to look at. Everyone is interesting to watch. Each of them is not a "cardboard box", but a full-fledged character, endowed with his own character. A little about the main characters: 1. The Master (Magician) performed by Oleg Yankovsky is the main storyteller and storyteller who is responsible for all the vaudeville going on. A decent inventor, convinced that he is always right until he becomes a witness to something else, which fundamentally convinced him of the falsity of his own infallibility. Well, I already spoke about the monologue. Oleg Ivanovich pleased me again with his acting. Bravo! 2. The mistress, performed by Irina Kupchenko, is the Wizard's faithful wife, a muse, without whom he could not have composed even a third of his works. An example of femininity, gallantry, kindness and spirituality. And their relationship with the Wizard just needs to be seen. Graceful and beautiful Irina Petrovna pleased with her talent. Bravo! 3. The bear performed by Alexander Abdulov and the Princess performed by Evgenia Simonova - our couple in love, who experiences all the difficulties and joys of love. There is a "spark" between characters and actors. Great couple! Bravo! Despite the fact that I love this work of Mark Anatolyevich, my heart prefers his own painting "That same Munchausen", which is closer to me in spirit. As a result, we have Mark Zakharov's masterpiece phantasmagoria about the gateways of love, with an excellent story, unique atmosphere, great music and songs, and ingenious acting works.

Everything is right in this classic film. The music is gorgeous, the acting superb and the color photography entrancing. Add to this the direction of the great Mark Zakharov and you can't miss. A magician (Yankovsky) changes a bear into a handsome youth (Abdulov). This spell will be broken ONLY if the young man meets, falls in love with and is kissed by a princess. If that does happen the man will revert back to being a bear FOREVER!!!!! And at the 25 minute mark of a film over two hours long the princess meets the youth.

To me this is the second greatest Russian film and can be viewed again and again. You will love it!

An Ordinary Miracle has really stood out among the run of Russian films I've seen, which was at a very high standard. And I mean this in a very good way. An Ordinary Miracle is a beautiful-looking film, the fantasy settings are wondrous and the scenery like some of the other best of Russian films makes me wish I could go to Russia. The photography is of the kind that is simple but also very elegant. The music is orchestrated sensitively and to the extent that you wish you can buy it on CD alone, the songs also stick in your head for days and are just lovely. There is some satire in the dialogue and it's very sharp and hilarious, and there's a lot of thoughtful and touching moments too. The story made me laugh with the satire, cry or feel very touched with the three romances(very romantic and charming) and in awe with the fantasy elements. It is also swiftly told, I was impressed at how much there was, it's a quite long film but never tiresome. The characters are quirky engage hugely, all of them serving a point. The acting is theatrical but still very good, Oleg Yankovsky and Irina Kupchenko are excellent. Overall, beautiful film and a miracle really. 10/10 Bethany Cox

This movie has always been a romantic inspiration to me. I understand, that for Western movie fans it must look too simple in terms of effects (if any :), but Mark Zakharov is a theatric director, so it is actually a movie PLAY, having a touch of theater.

Øýü afraid that the half of the original flavor will be devoured by any however good translation - humor, romance, smallest shades of mood or feelings. But if you will get into the movie, if you will find the right tune for it - you will discover a lot of wonderful things about yourself, about feelings...

The only reason that I'm ranking it 9 instead of 10 is that fact that it's... not actually a movie.

It's based on a theatre play, directed by a theatre director, and it shows in everything: the dialogue, the set, the scenes, the costumes, the actors often talking and looking directly at the audience... However, if you're willing to disregard that little detail and instead watch it as a recorded theatre play, it's an absolutely breathtaking experience.

The movie is based on the play of the same name by Evgenyi Shvartz, one of the most significant Russian The story is painfully simple: two young people fall in love, even though they cannot be together. The literal magic and the magic of being human twist together to make a beautiful plot about love out of this world. People born in the Soviet Union know the iconic songs and quotes from this movie by heart. The cast is stellar, although a few of them are first and foremost theatre actors, which, again, shows.