Frequency - Il futuro è in ascolto

This unique and interesting film is actually more of a suspense thriller than a science fiction, although I think fans of both genres will be pleased.

Dennis Quaid plays a heroic firefighter who was killed trying to rescue a runaway from a burning warehouse during the days of the Amazing Mets' World Series victory in October 1969. Jim Caviezel ("The Thin Red Line") plays his son, now a cop, thirty years later. Through some quirk of physics involving abnormal solar activity and the Aurora Borealis, the two make contact with each other across the 30-year span over a ham radio. The son is able to prevent his father's death, but changing the past also turns out to have unexpected consequences with which the two must deal.

The film really works on all levels with good action sequences and suspense, a nice dose of humor and some very touching exchanges between father and son. It explores the "what if" scenario of one's being presented with the opportunity to change an event in the past and the way in which those affected must deal with the consequences in a very intelligent and thought-provoking manner.

The acting is uniformly strong, with Quaid very appealing as the courageous firefighter and loving father who has an almost-childlike love for baseball (he even pulls off a Brooklyn accent nicely!); Caviezel is equally good as the present day version of Quaid's character's son. Caviezel brings a subtle sadness to the character, a quality one might expect from someone whose life hasn't quite worked out quite as well as it might have, possibly due to a void created by the absence of his father. One of the strongest aspects of Caviezel's performance was a subtle shift in personality following the changing of events in the past (a change which left him with memories both of his father's death and of time spent with his father in the intervening years).

I have a good feeling about this film and think it has a chance to be a real surprise hit. It's certainly one of the best films of the year thus far.

Changing the past to affect the future may not be a new concept in film, but "Frequency" handles it deftly and with heart. The acting is superb, and as far as I can tell the plot is nearly airtight. It keeps you on your toes as the story twists in what feels like six directions at once and keeps you in emotional sync with the characters. The past/present connections are stirring and intriguing, especially the single-flash cuts at pivotal moments. This is one of the few movies about which I can honestly say, "I laughed, I cried, I was scared stupid." Truly the only good movie so far this year.

You can't help it!! You have to cheer and applaud this movie. I can't remember the last time the whole audience clapped at the end of a movie. It has been such a long time since a movie was made that warmed your heart, while keeping you at the edge of your seat. This movie will make you laugh, get a little misty in the eyes, and you won't even notice the time. You're almost sad to see it end. Dennis Quaid is excellent, this is his best movie in years. This movie also has some new faces you won't soon forget. Don't take my word on this, see it your self. You will be thinking about this movie for weeks.

The idea of this film is pretty original; I don't think I've ever heard of a story so well-thought out about time-travel/alternate time-lines before. The idea is based on the main character being able to communicate with his father, who's been dead for 30 years. His father hears it then, 30 years earlier. They quickly do some things that shouldn't have happened back then, which then changes the future(or present). The movie deals very well with how they change the future back and forth. The plot is very good, the acting is superb and the characters are all believable. The special effects are very good. The very idea behind the film is very good, but the way it develops so much further is amazing. The ending, while it may seem corny too some, and is, by all means, a bit of a typical Hollywood ending(some might even call it a cop-out), but personally I just think it worked better than anything else could have. I'd recommend this to pretty much anyone who can watch a movie where they have to suspend disbelief, but especially anyone into time-travel or alternate time-lines, as this is, in my opinion, one of the best movies made, concerning this subject. 8/10

FREQUENCY / (2000) ***1/2

It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.

One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.

The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.

"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.

Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.

Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.

Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.