O come Otello

The high point of "O" is that its probably the best "modern" adaptation of Shakespeare to date. However, given competition such as "10 Things I Hate About You", its not much of a compliment. Baz Luhrman's "Romeo and Juliet" was a wonderfully artistic movie, but keeping the original dialogue, a risky premise from the outset in a modern background, harmed the flow of the movie, making it seem incongruous. "O" gets it right, adapting modern language to emphatically convey emotion. For those who haven't picked up on it by now, "O" is a modernization of Shakespeare's "Othello".

O is Odin James(Mekhai Phifer), the protagonist, whose good intentions and tragic flaws work against him when provoked. James' fame comes from his incredible prowess on the basketball court. Odin is a knockout NBA prospect and the center of attention wherever he goes, and seems to have everything, including the dean's daughter as his girlfriend, Desi(Julia Stiles). The glory bestowed upon Odin draws ferocious envy one of his friends, Hugo(Josh Hartnett), who plots a scheme playing on Odin's jealous nature to break Odin and Desi up and, in the process, give him some sense of satisfaction. The story that ensues is stellar (naturally, as it is based off of one of Shakespeare's best works). But, as "Othello" is a tragedy, "O" can only come to a tragic end...

I felt the emotional prescence in this movie much more than I expected to, much more than I would have had had the movie toned its violence and sexual imagery down to snag a more desirable PG-13 rating. Phifer is very convincing in his role as Odin, especially in the dunk contest and the sex scene with Julia Stiles, breathing a murderous rage into a character tragically bound to demise despite his better efforts and honesty. His presence drives the movie, his raging jealousy a brash contrast with Hugo's cool and ruthless methods of deception.

I was very pleased that the issue of race wasn't expounded upon in the movie (as I expecting when I saw the first preview). It holds true to Shakespeare's original intention, which pictures Othello as a "Moor", a person with a strange fasion of dress and appearance. I don't believe Shakespeare meant to make an issue or a statement on race in Othello, and, despite what I'm sure was a juicy temptation, the writers hold true to this, except for one comment Odin makes, which makes sense. To ignore the issue would be foolish if making a true modernization of the play, but it never becomes a main focus of the film. The only thing I would change is to not make Hugo such a sympathetic character. Iago (Hugo's counterpart in "Othello") was an insanely evil character, with little reason to feel a bit of pity or sympathy for his deeds and his motives. Hugo's father clearly neglects his own son's well-being in deferrence to Odin, an important plot element in "O" that is absent from "Othello", making Hugo much more pitious than Iago. Also, some of the scenes felt a bit rushed. Other than this, I highly recommend this movie to anyone who can handle it; some of the scenes are very intense. I gave it an 8 out of 10.

This was generally a good film, well above average but no where near great. It definitely highlights the theme of 'Everything comes full Circle,' which the Title 'O,' implies. It also concentrates on minor themes such as racism and exploits the human emotions of jealousy and love and how it is such a tender thing which can be easily manipulated. It also portrays how dangerous love is ... as we understand that if Odin didn't really love Desi he wouldn't have gone to such extremes when he discovered her 'betrayal.'

Most of the acting was mediocre at best. I am surprised that Julia Stiles (playing Desi Brable) played an important character but had little screen time, her character Desi was also a little nondescript (compared to Shakespeare's version of her character, Desdemona, who is much more interesting and expresses the virtues of goodness and honesty much more effectively). Elden Henson, Andrew Keegan and Rain Phoenix (Roger Rodriguez, Michael Cassio and Emily respectively), playing supporting roles also gave mediocre performances, I found Rain Phoenix especially poor in parts. Mekhi Phifer (Odin James) and Josh Hartnett (Hugo Goulding) give superb performances, both expressing their characters effectively with great skill.

Of course adapting the script from Shakespeare's play would've been difficult but for a better version of Shakespeares' Othello the pace of the film should've been slower and should have concentrated more on the character's and their feelings...this film actually seemed to focus more screentime on action more than it should've...or needed to.

However the tragic tale was efficiently portrayed and extremely well delivered, it's an enjoyable film. The ending was also quite sad and was worthy of the build-up during the film. The tragedy of how Odin was twisted by Hugo into destroying the one thing he truly loved was sickeningly realised. Overall a nice film in its own way.

Watch it! You won't regret it, but in my opinion, some parts of the film could've been much better.

• Milla.

O is clearly the best telling of a Shakesphere tale set in a high school to ever hit the big screen. The cast also shine their roles. Mehki Pfefier in the lead proves his leading man status. While Josh Hartnett makes a wonderful villain and does the best acting in the movie. Juila Stiles plays the female lead very well and Andrew Keegan has a great supporting role. The script is true to life and the direction by Tim Blake Nelson is top notch. I highhly recommned this to everyone. I give it **** out of ****.

Retelling of Shakespeare's "Othello" set in the year 2000 with high school kids. I've never read "Othello" so I don't know how faithful this is. An alienated high school kid (Josh Hartnett) ignored by his basketball coach father (Martin Sheen chewing the scenery), plots to destroy Odin (Mekhi Phifer) a star player his father adores. Tragedy follows. Fast-paced, somber and disturbing. The characters talk and act like real kids--you get to know and understand them so the violence that erupts at the end is very upsetting. Excellent acting, especially by Julia Stiles (as Odin's girlfriend Desi), Phifer and Hartnett (who's absolutely chilling). The only bad acting is by Sheen--way too over the top. This is an extreme film--lots of swearing, a disturbing sex scene and the killings at the end. Worth seeing but depressing. Sat on the shelf for 2 years because Miramax was afraid of it. Good thing Lions Gate bought it and released it.

O / (2001) ***1/2 (out of four)

After the disastrous attempts the last decade has made at updating Shakespeare, I eventually thought that it was nearly impossible to successfully modernize anything of the genre. Shakespeare's themes and ideas can still relate with many aspects of society today, but seldom do filmmakers incorporate modern culture with the timeless stories told so long ago. "O" is like a slap in the face that proves my theory wrong. Based on Shakespeare's play "Othello," this isn't the first time Hollywood has tried to translate the tragic masterpiece onto film. In 1995, Laurence Fishburne starred in Oliver Parker's unsuccessful adaptation of the play. This time around, director Tim Blake Nelson has finally completed a victorious version of the story.and it's takes the form of a high school drama.

The film takes place in an elite private school located in the American South. Mekhi Phifer ("I Still Know What You Did Last Summer") stars as the title character, named Odin James, the only African American student at the school. That doesn't interfere with his reputation or image, however, because he's the school's defining figure. Rewarded MVP by the school's basketball team, he's a virtual celebrity with the student body, the basketball coach (Martin Sheen), as well as his beautiful girlfriend, Desi Brable (Julia Stiles of "Save the Last Dance"), the daughter of the Dean of Palmetto Grove Academy (John Heard).

Hugo Goulding (Josh Hartnett of "Pearl Harbor"), the son of the basketball coach, is Odin's best friend. He's asked by his father to look out for Odin because of the straining pressures of Palmetto Grove Academy. Little does anyone know, however, Hugo is dangerously envious of Odin and the attention he receives. On the outside, Hugo is friendly to all of his basketball teammates, including Odin, but on the inside, he's concocting a bitterly evil plan that will render more than just the social status of his classmates.

This tale of treachery, jealousy, and mistrust will introduce a new audience to the genius of William Shakespeare and some of his most intriguing and intelligent characters. In this version, the film changes the original metaphor of war into that of high school sports. It's startling how the themes of the classic story translate so well to the lives of modern young people. The film thoroughly examine the emotions of its characters. Through jealousy, favoritism, trust, and envy, to popularity, conformity, and the extreme measure some will take to fulfill their feelings, "O" looks into the heart of darkness, not through a sadistic serial killer or demonic monster, but through one of the most dangerous figures of all, a friend with ulterior motives.

Working against an inconsistent editing style and an uneven soundtrack, the actors do an exceedingly well job with their difficult characters. Josh Hartnett delivers a performance that isn't excessive or physically violent, but instead internal and intelligent. He gives his character a face for the complex emotions. He doesn't seek satisfaction through random temper tantrums, but through developing a full scale plan. Julia Stiles projects a charming, passionate chemistry with her supporting characters. Mekhi Phifer also furnishes a strong, convincing image of Odin.

Perhaps "O" doesn't fully exceed it's potential. It doesn't develop such possible themes as racism or one-sidedness. While creating a strong message on keeping friends close, but enemies closer, the film fails to examine a handful of themes that would have made the powerful, tragic conclusion even more effective.

"O" was originally completed in 1998, but because of the recent violence in real life high schools, the studios were uncertain about it's content and rescheduled its release date numerous times. Maybe these actions say something about the movie's impact and how influential it may become. In that case, why wait to release "O" if the message is something today's teens need to witness, both to inform them on Shakespeare and to demonstrate the dangerous results of envy and jealousy.