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Aggiungi una trama nella tua linguaThe official World War II US government account of Nazi international aggression leading up to the British and French declarations of war.The official World War II US government account of Nazi international aggression leading up to the British and French declarations of war.The official World War II US government account of Nazi international aggression leading up to the British and French declarations of war.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Eduard Benes
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Neville Chamberlain
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Clementine Churchill
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Winston Churchill
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Galeazzo Ciano
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Édouard Daladier
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Léon Degrelle
- Self - Leader: Rexist Party, Belgium
- (filmato d'archivio)
- (non citato nei titoli originali)
Anthony Eden
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Joseph Goebbels
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Hermann Göring
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Konrad Henlein
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Rudolf Hess
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Heinrich Himmler
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Adolf Hitler
- Self - Führer und Reichskanzler
- (filmato d'archivio)
- (non citato nei titoli originali)
Walter Huston
- Narrator
- (non citato nei titoli originali)
Wilhelm Keitel
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
King George VI
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Fritz Kuhn
- Self - German-American Bund
- (filmato d'archivio)
- (non citato nei titoli originali)
Recensioni in evidenza
Sorry but this is way too one-sided, as the talker stated how Germany wanted to take over their neighbour's land and were willing to kill for it, and not once mention the British doing it in Ireland for 800 years and elsewhere for 100s, as seems to forget to mention his good guys the UK claimed ownership of NINE countries at the outbreak of WW2 and WW2 was also known as the "Death of the British Empire", France laid claim to Indo China and other parts of Asia and naturally not a word about USA refusal to enter the war till it was attacked at Pearl Harbour and even then it be 3 years before they went into Europe, at least give the real history as its out there.
Nazis Strike, The (1943)
** 1/2 (out of 4)
Part two of a seven film series taking a look at WW2. The film was produced by the American government so there's plenty of flag waving and the documentary is certainly one sided but that's to be expected since it's goal was to get people behind the war. It's a bit too over-dramatic for its own good but various executions and other deaths are quite disturbing to see. These real death scenes are something that were in a lot of this WW2 shorts. All of the Capra directed films are worth seeing as are the WW2 shorts by John Ford.
** 1/2 (out of 4)
Part two of a seven film series taking a look at WW2. The film was produced by the American government so there's plenty of flag waving and the documentary is certainly one sided but that's to be expected since it's goal was to get people behind the war. It's a bit too over-dramatic for its own good but various executions and other deaths are quite disturbing to see. These real death scenes are something that were in a lot of this WW2 shorts. All of the Capra directed films are worth seeing as are the WW2 shorts by John Ford.
Colonel Frank Capra of the United States Army is better known for his classic film, "It's a Wonderful Life!," but here is an American fighting for his country with the use of film. He compiled the actual German archival footage with Nazi newsreel propaganda to fool the German public and the world about the Nazis intentions. This documentary is told by narration over the stock and film footage. Please be aware that these films' quality may not be stellar or perfect. After all, time has taken a toll on the documentaries themselves. Without even talking about the Holocaust, Capra captures the Nazis Third Reich's true hidden agenda with their own footage. The propaganda footage fooled many into believing them. We all know the lies that was perpetrated among the world back then. Capra shows in this short documentary how the Nazis were really fooling the world.
The second of the Why We Fight Series concentrates on Hitler's grab of the Sudetanland and beyond as he makes a chump out of Neville Chamberlain and embarks on his conquest of Europe.
Clearly meant as propaganda in its day this series over the test of time has become an informative documentary as well with most of the "Allied bias" turning out to be historical fact. The Fuhrer hoists himself on his own petard with smug pronouncements before his people and the world as he says one thing and does another as his army moves East. The Czechs and Austrians quickly capitulate but the Poles put up an heroic struggle against overwhelming odds.
The disparity between Hitler's military might and Chamberlain waving the Munich treaty like a white flag, declaring "Peace in our time" to this day has durable propaganda qualities. Here in its original context it resonates even more powerfully as the darkness of World War ll sets in on Europe leaving the American viewer with two options, freedom or slavery. In 1943 there was no evading this simple truth and The Nazis Strike makes its point effectively.
Clearly meant as propaganda in its day this series over the test of time has become an informative documentary as well with most of the "Allied bias" turning out to be historical fact. The Fuhrer hoists himself on his own petard with smug pronouncements before his people and the world as he says one thing and does another as his army moves East. The Czechs and Austrians quickly capitulate but the Poles put up an heroic struggle against overwhelming odds.
The disparity between Hitler's military might and Chamberlain waving the Munich treaty like a white flag, declaring "Peace in our time" to this day has durable propaganda qualities. Here in its original context it resonates even more powerfully as the darkness of World War ll sets in on Europe leaving the American viewer with two options, freedom or slavery. In 1943 there was no evading this simple truth and The Nazis Strike makes its point effectively.
Frank Capra did a masterful job taking the propaganda tool of the Nazis and turning it against them. He devised the simple but effective means of taking captured Nazi propaganda newsreels and showing them with new narration and with music. The result -- showing the Nazi horror for what it was.
The WHY WE FIGHT series of 7 films is still very powerful and moving. We can only imagine how rousing the material was in the dark days of World War II when it was shown to the US troops in battle zones.
The difference between Capra's propaganda and Hitler's is that Capra used the tool to teach ideals rather than to seduce and entrance the minds of people. Capra's films were just as strong ammunition as and tanks and planes, and they are remarkably durable after all these years. They still stand for the ideals of democracy. Such is the art of a master moviemaker.
The WHY WE FIGHT series of 7 films is still very powerful and moving. We can only imagine how rousing the material was in the dark days of World War II when it was shown to the US troops in battle zones.
The difference between Capra's propaganda and Hitler's is that Capra used the tool to teach ideals rather than to seduce and entrance the minds of people. Capra's films were just as strong ammunition as and tanks and planes, and they are remarkably durable after all these years. They still stand for the ideals of democracy. Such is the art of a master moviemaker.
Lo sapevi?
- QuizIn the year 2000, the United States Library of Congress mandated that this film (and the other six documentaries in the 'Why We Fight' series)were "culturally significant" and selected them for preservation in the National Film Registry.
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by Frédéric Chopin
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