Le avventure di Penelope Pitstop

I liked this series when I was a boy. The horrid cackle of the evil Hooded Claw (brilliantly voiced by veteran US actor the late Paul Lynde)used to give me goosebumps. I recently watched the whole series online and while I still very much enjoyed it,I was rather bemused at all the elaborate traps devised by HC to bump off his female victim The finale ending the series was inconclusive. I had hoped the evil Claw might himself be killed by one of his own devices thus ridding Penelope of him for good or being captured and unmasked as the treacherous Sneekley Indeed he did blow himself up at the very end by accidentally tripping and falling on a detonator plunger but sadly he survived it,and swearing to continue to think up further nefarious ideas to murder Penelope. Verdict? Still very watchable but disappointed there was no definite outcome to the series.

I've known about Wacky Races and this other Hanna Barbera cartoon for several years. I've never seen either of them growing up as they were before my time and I probably would've watched it sooner if my parents had gotten Boomerang (or if that cable channel had already been a part of our cable package). But I've always been curious about it and, if not the most curious, as well as interested in checking it out, more so than Wacky Races. The former show I might explore eventually in the future.

At last, instead of having access of viewing it via Boomerang, I did begin watching the first three episodes of it so far (on different late nights) at the Kiss Cartoon site. I'd like to start off by stating that this is one of the few H-B productions that stand out more, so I've got to give it that, as at least it isn't one nor does it follow any of the three formulas that were the norm of most H-B shows, especially throughout the 1960s and '70s: Talking animals who impersonate comics of the day, mysteries that crib from Scooby Doo, and family-centric series that came from the Flintstones. I haven't seen every H-B program growing up, but I learned and now know just how formulaic the majority of them were once I began reading about what others were saying about them on the 'net. Secondly, despite the few flaws there may be with it, according to some people's comments I read outside of this site, I still find it enjoyable. It's not the first nor one of the first by H-B that I'd have high on my list of favorites, as I like some of their movies and specials/one or two-off productions even more, which should've been expanded into series, but I still like it just the same and might at least consider it a late '60s/early '70s animated series favorite. I wouldn't say this is all bad nor a total loss.

The notion is a former race-car driving, blonde Southerner who frequently gets kidnapped by her guardian, Sylvester Sneakly, disguised as his alter ego, the Hooded Claw, and puts her in jeopardy one way or another in order to steal her inheritance. Somebody in one thread on a forum on another site compared her to Princess Peach of Super Mario Bros. fame, but times 10. Another person in a thread on a second forum on a second site complained about her never noticing her guards having gone missing. Although Penelope is a blonde, therefore the point is the creators of this may have been simply pandering to the ditsy blonde stereotype. I'll admit it would've been nice to see her wise up to that in due time, even though that recurring gag went on for too long. Her obliviousness to that fact is one bad quality about her but I've got to counter it with a good quality. What else I've got to say is that she hasn't always been totally incapable of getting herself out of predicaments nor has she always been reliant on the Ant Hill Mob, who are gangster parodies/versions of the seven dwarfs. I must admit that Penelope is also resourceful and sometimes gets herself out of jams. Did Princess Peach ever do that? I may be somewhat defending this, but I just have to give my take/viewpoint on it. Some may have beef with the Ant Hill Mob often failing to rescue Penelope as one of the shticks of the show. I know that they should've done better at their rescue attempts, but at the same time, the point of that shtick is to provide comic relief to balance out the perils. However, it would've been nice to see them succeed, at least once. Clyde, the leader, seems to be the most competent out of them though. Another good quality Penelope has about her is she is a lady of many talents and sometimes she uses her cleverness to her advantage. Somehow, things still manage to work out well for her in the end. In addition to those, she's not that bad of a protagonist/heroine. The settings in this show aren't too much of the same, which is another thing I like about it.

I, too, would still consider it to be one of the strongest productions as far as H-B series go. So I'd still check it out any way if anyone reading it is as curious as I was. Don't listen to what anybody outside this site says otherwise. It may not be one of the best, but it isn't one of the worst either. I rather this than any of the gross-out, sick-humored, mindless cartoons any day, even though I know there have been other shows that are free of those. One other thing: I wish this series had a more proper ending rather than being open-ended. It would've been nice to see just how this whole thing is resolved.

I used to enjoy this as a kid but it always puzzled me how the Hooded Claw hoped to bump off Penelope by tying her to a railway track when she inhabited the same world where Dick Dastardly could be run over by a train and although he might feel a bit flat for a while generally he was OK at the end of the day. What's more the Anthill Mob were often blown up by the dynamite the Claw had intended for Penelope and it didn't seem to do them much harm. Penelope has a big following and I upset this girl I know who used to be a fan by saying it was kinky the way the Claw was always tying her up. She said I'd spoiled her illusions! Still, great fun.

One of Hanna-Barbera's better comedies. It was a good parody of cliffhangers that were popular during the early 20th century. Penelope herself had feminist overtones. The Ant Hill Mob were supposed to be her saviors, yet they usually botched their rescue attempts and Penelope would save herself from her predicaments. Last Tuesday, I viewed an episode in which she saved the Ant Hill Mob.// Another highlight is the way she ran. The animators humorously displayed her femininity by having her run like a ballet dancer.// And Paul Lynde was at a peak in his career at this time by doing the voice of The Hooded Claw in this series and that of the prissy suburbanite in another Hanna-Barbera series Where's Huddles? Lynde was almost as much a creative asset to the studio as was Mel Blanc. Art fans should appreciate the mixture of expressionism and impressionism in the cartoon's backgrounds. Adults enjoyed this show as much as kids.

It's been many years since I saw this show, but as I recall it was a lot of fun with a combination of slapstick humor and clever dialog. I often caught my parents laughing at it. Penelope was a wealthy fashion plate Southern gal and The Hooded Claw (now there's a name!) was always cooking up ingenious ways to destroy her (e.g., explosive pastries called "bombs-bombs") and get his grubby hands, err, claws, on her fortune. He was aided by identical twins, the Bully Brothers, who did everything in unison, even when crying "Oh no!" when a plot backfired on them. But they always failed, often due to the timely intervention of the Ant Hill Gang in a smart car long before KITT came along.