VALUTAZIONE IMDb
6,7/10
1910
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaKrishna is very loyal to his master and treats him like God. Unfortunately, he gets thrown out of the house and the master becomes a pauper. But loyal Krishna returns to change things for th... Leggi tuttoKrishna is very loyal to his master and treats him like God. Unfortunately, he gets thrown out of the house and the master becomes a pauper. But loyal Krishna returns to change things for the master.Krishna is very loyal to his master and treats him like God. Unfortunately, he gets thrown out of the house and the master becomes a pauper. But loyal Krishna returns to change things for the master.
- Regia
- Sceneggiatura
- Star
Madhavi
- Mrs. Janki Kumar
- (as Maadhavi)
Bhagwan Palav
- Cameo (song "Filmon Ke Saare Hero")
- (as Bhagwan)
Arun Bakshi
- Director
- (as Arun Baxi)
Yunus Parvez
- Gardener
- (as Yunus Parwez)
Shehnaz Kudia
- Deepa
- (as Shahnaaz)
Mushtaq Merchant
- Thief
- (as Mustaq Merchant)
Recensioni in evidenza
10alokc
Rajesh Khanna plays the lead role in the movie.The movie is a tear jerker and a dramatic movie. The movie has Govinda, a popular star then, having more footage than Rajesh Khanna but he cannot compete with the mastery of Rajesh Khanna who has performed the role in his true style which reminds us of the old Rajesh Khanna Super Star. His certain scenes are memorable and the Director could have given a lot more footage to his role. The movie was a hit but could have had much better music and the production values could have been better. It is a one of the last movies of Rajesh Khanna which was a commercial success and with his fans coming out of the movie satisfied by the performance of the great superstar of the 1970s and 1980s who then decided to get into politics and forgot about films. A must see.
I must have watched Swarg a hundred time without getting bored. Rajesh Khannas performance as usual fantastic, however I think Govinda stole the show for me. The scene where Govinda is accused of robbery and told to leave, has left an everlasting memory which I can't forget. And I haven't seen the film since 1993. I don't know, it maybe just me but I had a tear in my eye. Govinda has since been one of my favourite actors; however, his recent films have not done justice to his acting ability.
The overall story will not be remembered as a classic as this type of stories have been done a lot of times before, nevertheless I'd still watch it for Govinda's and Rejesh Khanna's performances.
6/10
The overall story will not be remembered as a classic as this type of stories have been done a lot of times before, nevertheless I'd still watch it for Govinda's and Rejesh Khanna's performances.
6/10
Khanna, in one of his later roles, delivers a masterclass in restrained anguish, his eyes conveying volumes where dialogue falters. Govinda, pre-celebrity as the 90s' "Hero No. 1," showcases surprising nuance, balancing his trademark humor with tender vulnerability. Their dynamic evolves organically, from wary tension to paternal affection, avoiding clichéd sentimentality. Juhi Chawla, though underutilized, radiates warmth, her character serving as the moral compass bridging two disparate worlds.
Dhawan's direction here is uncharacteristically somber, favoring muted visuals and deliberate pacing that mirror the protagonist's internal stagnation. The film's aesthetic-shadowy mansions contrasted with vibrant street scenes-reflects the clash between privilege and authenticity. Lahiri's soundtrack, particularly the soulful "Kaate Nahi Kat Te", transcends era-specific synth beats, becoming a narrative device that underscores pivotal emotional shifts.
Dhawan's direction here is uncharacteristically somber, favoring muted visuals and deliberate pacing that mirror the protagonist's internal stagnation. The film's aesthetic-shadowy mansions contrasted with vibrant street scenes-reflects the clash between privilege and authenticity. Lahiri's soundtrack, particularly the soulful "Kaate Nahi Kat Te", transcends era-specific synth beats, becoming a narrative device that underscores pivotal emotional shifts.
David Dhavan first hit and Rajesh Khannas last Hit. One of the most emotional Films in Bollywood must watch if you like clean family drama with emotional scenes and dialogues y Rajesh khanna, Govinda and Juhi chawla it also feature one of the hit songs from this movie (kaise kattey din kaise Kati raatein) sung by Mohd Aziz and anuradha must watch it's available with English subtitles on amazon prime and YouTube..
Swarg was director David Dhawan's first hit. It was reported that initially Rajesh Khanna was hesitant to wear a wig for the role but later agreed.
It is the usual tale of a family getting divided & getting united by the servant. It is surprising that such a wealthy businessman becomes bankrupt when his factory is consigned to flames. Did he not insure the firm? However, logic in commercial cinema is usually not considered.
The film is a clean family entertainer with tear jerking scenes which appealed to the family audiences, particularly ladies. Madhavi & Juhi Chawla look beautiful & have done well.
Rajesh Khanna gives a matured performance which is only expected from an actor of his stature. But the scene stealer is Givinda who has given a memorable performance be it in comedy timing, dancing or melodrama.
Rajesh Khanna goes practically missing in the 2nd half, surfacing only towards the climax.
The songs are good, not great & other production values are OK.
The film was a hit mainly because it drew in the family audiences to the theatres.
It is the usual tale of a family getting divided & getting united by the servant. It is surprising that such a wealthy businessman becomes bankrupt when his factory is consigned to flames. Did he not insure the firm? However, logic in commercial cinema is usually not considered.
The film is a clean family entertainer with tear jerking scenes which appealed to the family audiences, particularly ladies. Madhavi & Juhi Chawla look beautiful & have done well.
Rajesh Khanna gives a matured performance which is only expected from an actor of his stature. But the scene stealer is Givinda who has given a memorable performance be it in comedy timing, dancing or melodrama.
Rajesh Khanna goes practically missing in the 2nd half, surfacing only towards the climax.
The songs are good, not great & other production values are OK.
The film was a hit mainly because it drew in the family audiences to the theatres.
Lo sapevi?
- QuizDavid Dhawan's first hit with Govinda and perhaps one of Rajesh Khanna's last hits.
- ConnessioniReferences Awaara (1951)
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