Ragazze interrotte

"Borderline personality disorder" is one of those phrases that says more about the people who invented it than it does about the patient it's supposed to describe. When Susanna Kaysen (Winona Ryder) the 18-year old heroine of "Girl Interrupted" enters Claymoore hospital, a psychiatric facility outside Boston, she is diagnosed with the syndrome - but in fact, all she's done is made a hapless suicide attempt and acted slack and mopey and lost in her sober daydreams. Her personality isn't borderline -- it's self-pitying and indulgent. Fortunately, the film understands this. Set in 1967, and adapted from Kaysen's memoir of her two-year experience as an adolescent in the throes of a middle-class crack up, "Girl Interrupted" is shrewd, tough and lively - a junior-league "One Flew Over the Cuckoo's Nest" that never makes the mistake of portraying its protagonist as a victim-naif. She's more like the original poster child for Prozac Nation: a girl who'd rather interrupt her own life, even if it means going a little crazy, than grow up.

Susanna is thrown in with a turbulent gallery of disturbed young women. They range from a girl who tried to burn her own face off to one who won't eat anything but chicken from her father's deli (she stores the carcasses under the bed). Most of the patients are harmless, but Lisa (Angelina Jolie) a heartless, charismatic sociopath, delights in her destructive power. Jolie brings the kind of combustible sexuality to the screen that our movies, in the age of Meg Ryan have been missing for too long. As Susanna and Lisa become comrades, then enemies, Susanna becomes like a space cadet fighting a secret war with herself, and through Lisa she plays out that war. The film allows Ryder to trace Susanna's gradual emergence from her "borderline" state as she confronts the cruel truth of mental illness.

Directed with satisfying authority by James Mangold, "Girl Interrupted" is really about the thorny neurotic underside of a contemporary young woman's struggle to leave childhood behind. By the end, you feel that Ryder, at long last, has done that as an actress.

This is definitely one of the best films to deal with life inside a mental institution. This was the career maker for Angelina Jolie and it solidified Wynona Ryder's career. The person I really enjoyed in this film was Britanny Murphy as Daisy. She was a person who had a tough exterior but after you chipped away at that shell there was really a fragile little girl underneath. This film is definitely something I would watch again.

I loved this movie from on the first day I saw it. This story is so unique in its way showing the problems many people have to face when being young. The best thing about this movie is, that it's based upon the experience of the real Susanna Kaysen, which means that the story is not only real but also natural and not "brightened up" for entertainment. It shows reality as it is! The actors do a really great job and among other acting personalities we can find Whoopie Goldberg, Winona Ryder and Jared Leto which seem just perfect for the roles they embody. The story, which seems to me loving and cruel at the same time, is pictured by a wonderful musical score and great songs more or less known from those hard days known as the 60's. This movie is a MUST for everyone who is seeking for a deep, thoughtful and emotional film as well as great actors!

How good is Angelina Jolie in this film? It is a testament to this young actor's presence that even as dark and soul sickened and gloriously decaying as her character is, there is not a frame in this film that doesn't feel her infection.

Winona Rider is equally excellent as the psychologically confused (or is it enlightened?) hero forced to navigate the depths of her own psyche. The interplay between these two is somehow able to range from the enchanting to the exquisitely painful; but from beginning to end remains capable of leaving you breathless.

Presented with the softly rendered and absorbing visualization of a young girl's decent into psychological insecurity; it is a hauntingly supple progression toward the half understood disturbance of what we might have experienced. If you've ever questioned your own sanity or escaped periods of exceptional melancholy in your life, this film is certain to trigger old fears. But it is also certain to remind you how exquisite and simple salvation can often be.

Refreshingly unlike any of the myriad of fine 'expose' films detailing the darker side of madness (see Roman Polanski's 'Repulsion') or even those with a more poli-social agenda (see Milos Foreman's 'One Flew Over the Cookoo's nest'); 'Girl, Interrupted' achieves a very rare victory in modern film. It conjures enough unnerving insight to bring us scintilatingly close to its most macabre moments; while sewing atop this a spiritual safety net. One capable of the mental restoration that must bring us back to the security of our well cushioned theatre seat. All movement in between remains internal; a lingering memory of personal identification and cathartic resolution.

One look into Angelina Jolie's eyes and you will see the warm, jaundiced decay of a soul no longer battling with sanity. Fear is born of those eyes when you realize how strongly they've tempted your own tired efforts...even as the second look delves closer to a bleakness bearing fruition beyond existential suicide. This film deserves that second look, as well as its painful salvation: a jaundiced beauty whose tragic death is no less healing than the memory of a lost friend.

GIRL, INTERRUPTED / (1999) ***1/2 (out of four)

By Blake French:

"Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60's. Or maybe I was just a girl... interrupted."

Those are some of the most memorable lines from James Mangold's honest, heartfelt drama "Girl Interrupted." The speaker is Susanna Kaysen, played by Winona Ryder. The film is based on the memoir of Kaysen herself, re-encountering the experiences she actually spent in a mental institution after an attempted suicide. The book of the same name was published in 1993; it spent time on almost every best-seller list, including 11 weeks on the New York Times.

It was in the 1980's when Kaysen began to revisit the most formative time in her life-20 years after the actual hospitalization. Memories of a nearly two-year stay at McLean Psychiatric Hospital, a private and exclusive institution near Cambridge, resurfaced while constructing her second book. She began writing vignettes of her experiences in the hospital, writing short stories about a time in her life she had not discussed for two decades.

"The only thing that ever made me less loony was writing," remembers Cambridge, Massachusetts-based writer Susanna Kaysen, author of her memoir, "Girl, Interrupted." Set in the turbulent 60's, the film details the young Kaysen, who finds herself at a mental institution for disturbed young women. Susanna makes friends, including a seductive and dangerous regular named Lisa (Angelina Jolie).

I have never read this book, but after watching "Girl, Interrupted" I am seriously considering it. The film is a powerful exploration into a depressing, bleak situation. When this movie was released theatrically in late 1999, I wondered how many people would want to see something about a young writer who tries to kill herself and then spends time in a nut-house. However, I was wrong to presume anything. "Girl, Interrupted" contains a vivid, convincing world for its characters, but never do we feel awkward while watching this film, but involved and concerned.

Screen-adapters James Mangold, Lisa Loomer, and Anna Hamilton Phelan construct a central character that is both consistent and empathetic. As the movie opens, we never see Kaysen's suicide attempt-there is no need to show it. This is a film about the results, not the action. We gradually learn about Kaysen as the movie progresses, thus the lack of initial character development. Even with little introductory material to establish her character, Winona Ryder creates a soothing, intriguing sole for Kaysen. The audience cares about Susanna before we even understand why she was sent to the mental institution.

The film's supporting cast, including Jared Leto, Clea Duvall, Elizabeth Moss, Jeffrey Tambor, Whoopi Goldberg, Vanessa Redgrave, and Angelina Jolie, who won an Academy Award for her performance, actually develops the mood of the film-an essential aspect of its overall impact. James Mangold ("Copland") has a ambiguous style here, but it works extraordinarily well in this film. "Girl, Interrupted" should do wonders for Susanna Kaysen's book; after watching the film, it is hard not to want to read the memoir.