Twelfth Night, or What You Will

We won't go into the screenplay here...we're talking Shakespeare, after all. Now, the sets were very sparse, but then, this was live theater. So what can you criticise? The casting!!!

Paul Rudd is wonderful, just masculine and sexy and totally at ease with his dialogue and his role. I couldn't take my eyes off him when he was present, and missed him tremendously when he wasn't on stage.

But Helen Hunt? Whose idea was it to cast this brittle, TV-groomed actress in such a demanding role? The poor woman doesn't pull it off. She seemed to stamp around the stage like she was lost, that terrible wondering frown on her face making it look like she was trying to keep her lines straight. The magnificent Mr. Rudd looking twice at the asexual Miss Hunt? I don't think so. Their mismatching ruined what would have been a great presentation of this classic.

I'd still watch it again, though, for Paul Rudd.

Nicholas Hytner's production of "Twelfth Night" was performed in the summer of '98 at Lincoln Center in New York. I was lucky enough to see the play (from the front row), and it was spellbinding. The TV version (broadcast on PBS' "Live From Lincoln Center") was just as magical. It's a very funny play, and the incredible lighting, sets and music (especially Feste's songs) make it an experience I'll always remember.

THURSDAY, MAY 17, 2018 Twelfth Night (Live From Lincoln Center) Twelfth Night (Live From Lincoln Center) 1998 5/5 stars

This is a tale of twins, Viola (Helen Hunt) and Sebastian (Rick Stear), who are separated by a shipwreck. Viola disguises herself as a man (Cesario) and becomes an attendant to Duke Orsino (Paul Rudd), with whom she falls in love. He loves Olivia (Kyra Sedgwick), who in turn falls in love with Cesario. The plot is further complicated when Malvolio (Philip Bosco), Olivia's steward, is tricked into believing that she is in love with him.

This production is superb, played naturally and with joy and verve, emphasizing the humor of the play. Hunt and Rudd have good chemistry, adding spice to their relationship. Bosco is wonderful as Malvolio, playing comedy and drama with equal skill. David Patrick Kelly made an entertaining fool (Feste). The best performances were from Brian Murray (as Sir Toby Belch) and Max Wright (as Sir Andrew Aguecheek); their comic timing, expressions, and gestures were perfection.

My only complaint is with the play itself: so many subplots have to be tied up in the last act that it feels unwieldy at times. This was handled well by the director (Nicholas Hytner), so that it wrapped up smoothly.

Creatively relocated to the orient, this Illyria stage comes across fairly well on screen. However, one of Shakespeare's meatiest female roles, Viola, is flaccidly and awkwardly occupied by Helen Hunt. Ms. Hunt, although very good in films such as "As Good As it Gets," simply stumbles on the language, allowing it to completely overwhelm any humor or drama that might eke out of her performance. This is a very mature comedy, the holiday of Twelfth Night itself a metaphor for the humor in the play that eventually sates and then sickens the audience. I recommend the recent film version starring Ben Kingsley and Helena Bonham Carter for a first-time viewing of Twelfth Night. After all, there is only one first time.

I have enjoyed Helen Hunt in numerous productions and liked Paul Rudd in "Clueless", but was quite unprepared for their transformation in this lovely rendition. The staging, music, and direction all conspired to make this one of the most enjoyable productions I have seen.

When it was broadcast on PBS I taped it more as a matter of course than anything else, having no idea what a mesmerising and alluring production it would be of one of my favourite plays. Since then I have been jealously guarding my increasingly decrepit tape from the predations of my friends, and hoping against hope that it might be released on DVD or at least videotape so I could have a more enduring copy (and so could my friends). Any chance that will happen?