Haunting - Presenze

* and 1/2 stars out of ****

The Haunting is actually a relatively decent film for the first 45 or so minutes. The setup is promising, the production design of the mansion is a sight to behold, and the cast seems to be enjoying themselves. It's unfortunate, however, because after that the film begins to fall apart, leading all the way to the ridiculously bad finale.

Dr. David Marrow (Liam Neeson) is conducting a test on fear, using the bait-and-switch method. By doing so, he's pretending to do a study on insomnia at the Crain estate, a manor 9 miles from the closest town. The "test subjects" that arrive include Eleanor (Lili Taylor), a hard-working woman who has had little success in life, Theo (Catherine Zeta-Jones), an adventuress and proclaimed bi-sexual, and Luke (Owen Wilson), an all-around jokester.

On the first night in the mansion, Eleanor and Theo hear thundering sounds in the walls, but pass it off as a problem in the plumbing. But events get even more bizarre, as Eleanor sees some sort of a figure inside the fireplace, that just as soon disappears. Slowly, Eleanor begins to believe that there are ghosts in the house, ghosts of dead children and the owner of the mansion himself, the evil Hugh Crain. She also makes a discover about her connection with the mansion that could help free the children's spirits.

The Haunting never features one scary moment. Rather than going for subtle chills or all-out shocks like in House on Haunted Hill, Jan De Bont prefers to rely everything on the special effects, which really are rather unconvincing, particularly the statues that come to life and the CGI ghosts.

It even manages to get worse. Now, to be fair, the film was getting dull by the 90-minute mark so I was initially entertained by the effects-filled finale. But everything gets positively ridiculous in the last ten minutes, as we find out evil ghosts like to play hide-and-seek and smash things up real good.

The blame should fall on director Jan De Bont and writer David Self. De Bont seems to care more about what special effect to use next to "wow" the audience rather than actually trying anything innovative. Self really can't seem to write a good story or truly interesting characters. The dialogue is perhaps the worse of his writing skills.

The only thing that keeps this film from a lower rating is the cast, and they do their best to keep the film respectable. Liam Neeson probably delivers the best performance, being neither as dull or unemotional as critics thought. Catherine Zeta-Jones shows a lot of life as Theo, as does Owen Wilson. It's a pity that Lili Taylor's performance, which was decent at first, turned to borderline camp by the finale.

With nary a true scare in sight, The Haunting should best be seen by those who are scared easily or special effects fans. For everybody else, this is probably a house not to spend the night at.

I have seen the 1999 movie "The Haunting" a couple of times now over the years since it was initially released. Well, this remake, I mean, not the original movie.

Personally, then I do enjoy it, as it is a rather good supernatural haunting genre movie. Sure, there are flaws to it, but in overall, then this movie makes for good entertainment and I will say that director Jan de Bont was good at setting up the scenes and building up suspense and thrills.

First of all, the movie boasts a pretty impressive cast list, which includes the likes of Liam Neeson, Catherine Zeta-Jones, Owen Wilson, Lily Taylor, Bruce Dern and Virginia Madsen. So there is an abundance of good acting performers in the movie in various roles.

And the movie also have some pretty nice special effects, which were definitely super spectacular in 1999 as the movie was released. But I will say that the special effects actually still hold their own even in 2019, passing as something you could just as easily see in movies made today.

And looking at the incredible details they put into the house, that is enough to boggle your mind. Actually the movie is worth sitting down to watch a second time, just to pay attention to the level of incredible detail they put into Hill House. It is spectacular, and there is just so much to see. I keep finding more details every time I sit down to watch it. So thumbs up, way, way, way up for the commitment put into the sets and props.

The storyline told in "The Haunting" is pretty straight forward, actually to the point where it becomes generic in terms of a haunted house story. But hey, we know what we are in for when we sit down to watch a movie such as this. Regardless, I was - and still am - more than entertained by this movie when I have sat down to watch it over the years. So the movie does have enough contents to it to sustain more than a single viewing.

While this is a supernatural haunted house movie in the horror genre, then the movie wasn't really scary to a seasoned horror veteran such as myself. But luckily it is the storyline and the suspense and building up the scenes that keeps the movie fresh and interesting.

If you enjoy haunting movies, then you definitely should take the time to sit down and watch the 1999 "The Haunting" if you haven't already seen it.

I didn't have too much of a hope I would like this new Jan De Bont film, but after giving it a go today, I was impressed. De Bont is a terrific creator of suspense and camera setups. All his hard work as a cinematographer paid off in movies such as these. He really knows how to build up an atmosphere accompanied by subtle visual effects and sound design. The way that big house groans and 'breathes' just makes my heart beat faster. Equally great is Jerry Goldsmith's score. In some scenes when combined with the atmospheric sound effects it made my neckhair stand up. I was genuinely terrified. A special mention must go to the art direction and set decoration. The house has such wonderful and at the same time disturbing architecture, the thought of having to spend a night there gives me the chills. About the acting, I thought it was nothing special. The Haunting is a solely audiovisual experience, where acting is only of secondary importance. In short, I enjoyed this movie and didn't think the ending was bad. I see about 200-300 movies each year, and I see a lot of bad ones, but this is not one of them. Go see it and decide for yourself.

Well, my goodness, am I disappointed. When I first heard news of a remake of Robert Wise's 1963 film, "The Haunting", I had a fear that it would be ruined by an abundance of summer-movie sized visual effects. But, deep down, I had faith. Surely, with such a talented cast intact...De Bont and company will not ruin a film, who's original was a fantastic and frightening movie that understood the delicate art of subtlety. Well, subtlety, where are you now!!?? My fears have manifested...a promising movie has gone wrong. Yes, Eugenio Zannetti's production design is jaw-dropping; the movie is wonderfully photographed; and composer Jerry Goldsmith can never EVER do wrong. But, the script puts it's fine actors to the test..asking them to deliver the kind of stilted dialogue that is only spoken in movies. In the end, the always wonderful Lili Taylor is the only performer to escape with some dignity...and that's just barely. But, the crime of all crimes is that the horror is shown to us. We can no longer use our imaginations, feel that horrible dread of fear of the unknown. No, we get some visual effects to SHOW US what we're supposed to be afraid of...and you know what? As wonderfully realized as they are...the visual effects come off as sort of silly. And the climax is a phantasmogoric mess...but things had gone terribly wrong long before that.

Everything in The Haunting is overdone and overblown. I'm afraid there are no real thrills or creaks in this old haunted house monstrosity...only groans. Check out the original instead.

This remake of the sixties classic of the same name has unfortunately been somewhat slated by critics, although I feel it's better than most people seem to think it is.

The location work is stunning and the set design has clearly had a lot of work put into it.

Liam Neeson, Owen Wilson and Catherine Zeta Jones all perform their parts quite well, but Lili Taylor is not as good as she should be. On paper she should be perfect for the role of Nell and for much of the film she provokes the necessary sympathy. She seems unable, however, to scream properly, instead letting what sounds like an animal cry. Also, she seems to say "Oh No" in exactly the same tone of voice every time she sees something frightening, although to be fair this is as much the fault of the script as it is hers.

Towards the end the atmosphere is slightly diluted by such things as having the beds and statues spring to life which makes these scenes much less frightening than they could be.

In spite of all this, this movie has a certain something that regardless of it's faults, makes me want to watch it again and again, and ultimately you can't ask much more from a film than that.