Getting to Know You - Cominciando a conoscerti
Titolo originale: Getting to Know You
VALUTAZIONE IMDb
6,9/10
470
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Richard Alliger
- Blackjack Skeptic
- (as Rich T. Alliger)
Recensioni in evidenza
10JP-43
One of the smartest adaptations of previously published material, "Getting to Know You" is a powerful look at family dysfunction, and perserverence in the face of abject personal adversity. Director Lisanne Skyler and sister Tristine (who also appears in the film) not only get the essence of Joyce Carol Oates' stories, but in fact improve upon their emotional resonance. Beautifully shot, beautifully acted (Michael Weston is a revelation in his film)... just a gorgeous and stirring film.
I saw this film at the Gen Art Film Festival in NYC 1999 and looking back over the last year's films think it's one of the year's best. An especially satisfying story with fresh, unconventional performances and brilliant cinematography and scenic design. I was especially struck by the look of the movie.
The blue and green tones throughout the film were haunting.
The blue and green tones throughout the film were haunting.
Martarazzo, Weston, and Braff are amazing in the three lead roles of this independently made slice-of-life film. Bebe Neuwirth plays the mother with her customary excellence. Terrific support is supplied by Bo Hopkins, Celia Weston, Mary McCormack, and Tristine Skyler as people hanging around the bus station. The intermingling of Joyce Carol Oates short stories as apocryphal tales told by Weston is brilliant. However, the film bogs down significantly when it comes time to reveal Martarazzo and Braff's family secrets. Nevertheless, a nice touch at the end brings is helpful in restoring the magic. Altogether, this is a nice independent effort for the promising Lisanne Skyler, but it could have been a tad tighter.
It is obvious that director Lisanne Skyler has tremendous respect for the writings of Joyce Carol Oates. She weaves several stories together in this intriguingly conceived film about lost souls meeting in a bus station. Heather Matarazzo follows up her amazing performance in Welcome To The Doll House with a more measured, but nonetheless brilliant, essay of a displaced teen trying to make sense of what is left from her life.
Zach Braff is phenomenal in the confined role of her brainy and equally depressed brother. Bebe Neuwirth also shines as their mother, Trixie. Only Mark Blum as the father seems badly miscast.
Bo Hopkins does a wonderful supporting turn as a security guard, and Chris Noth and Celia Weston also bring great panache to their supporting characters. Skyler does a masterful job weaving the different stories and diverse characters into her quilt in the first 60% of the film. However, the pacing slows down considerably and her directorial rhythm falters when she focuses solely on the narrative explaining the siblings' predicament which quickly decays into a study of repetition.
However, viewers who persevere will be rewarded. Upon returning to the bus terminal, the characterizations are bestowed dimension in quite skillful and unexpected manners.
Zach Braff is phenomenal in the confined role of her brainy and equally depressed brother. Bebe Neuwirth also shines as their mother, Trixie. Only Mark Blum as the father seems badly miscast.
Bo Hopkins does a wonderful supporting turn as a security guard, and Chris Noth and Celia Weston also bring great panache to their supporting characters. Skyler does a masterful job weaving the different stories and diverse characters into her quilt in the first 60% of the film. However, the pacing slows down considerably and her directorial rhythm falters when she focuses solely on the narrative explaining the siblings' predicament which quickly decays into a study of repetition.
However, viewers who persevere will be rewarded. Upon returning to the bus terminal, the characterizations are bestowed dimension in quite skillful and unexpected manners.
10a.v. boy
This is a film drawn from the literature of Joyce Carol Oates, a synthesis of several short stories written into a powerful script which really highlights the talents and abilities of this cast. Well-acted, well-directed, and technically excellent, this film has superior production values in every way.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
Lo sapevi?
- QuizThe movie Dreamland, also directed by Lisanne Skyler, appears on a cinema marquee.
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By what name was Getting to Know You - Cominciando a conoscerti (1999) officially released in Canada in English?
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