Train de vie - Un treno per vivere

Rarely does one has the pleasure of watching a movie that combines

melancholy, drama, humor and insight into the human heart as this one does. A superb cast does honor to a powerful script. All of those who loved Roberto

Benigni's "Life is beautiful" will be pleased to know that this film treats the same general subject with at least as much humor and sensitivity, but with more depth. I was not familiar with either the director or any of the actors. I just hope we will see more from them, as I can't praise this work enough.

I was disappointed recently as I read poor reviews of one of the best films I've ever seen. I saw this film twice at the Sundance Film Festival and was impressed and enjoyed the sensitive and comedic depiction of WW2 and populations facing war, however, you must stay to the very end, and let the final scene sink in to get the complete effect. This is not a heartwarming story of the holocaust, but a fantasy that thrusts the viewer back into reality and the horrors of the holocaust with a final shot that is one of the most heartwrenching and shocking scenes I've seen. Don't compare it with "Life is Beautiful"- many have done this and they are not similar. This film deserves better.

It's amazing how many people seem to be complaining about the unrealism of this film. Given that anyone with two brain cells to rub together can see that the film is not trying to be realistic from scene 1 onwards, the question is not whether the film tried to be realistic and failed, but whether a film about the Holocaust must try to be realistic to be any good.

The trouble is that unless as part of the performance the entire audience is deported in cattle-trucks, slowly starved, and then gassed, it is rather difficult to see how any film can be realistic about the Holocaust. So, if there are to be movies about the Holocaust at all, or if they are to do much beyond telling us that the Holocaust was ghastly (we knew that, didn't we?)

they have to give up on trying to be realistic, and try to look at the Holocaust in an indirect way. This is where I think "Train de Vie" succeeds, for example by the deliberate parallels between the society inside the train, and the society that helped caused the Holocaust. I could list them at length, but if you've seen the movie and didn't notice them, you won't be convinced by anything I say, and if you haven't seen the movie, I'd rather leave you the pleasure of discovering them for yourself.

I never actually thought of the film's relation to "Life is Beautiful" until reading the IMDB comments, after I'd seen both films. Well it's very hard to compare the two films, but I don't think "Train de Vie" needs to be ashamed of the comparison. True, Roberto Benigni does not star in it, and that is a heavy handicap for any film. On the other hand I think I like the exuberant un-reality of "Train de Vie" better. After all the portrayal of the Holocaust in "Life is Beautiful" is just as unrealistic as that of "Train de Vie"; the only difference is that "Train de Vie" revels from the first scene

to the last in its unreality. If we must be unreal, let us at least enjoy it.

This film is often compared to LIFE IS BEAUTIFUL, and with good reason. They are both comedies that take on the treacherously delicate subject of the Holocaust. Also, Benigni turned down the opportunity to make this film and then "borrowed" the idea of a Holocaust comedy to make his film. Which is fine with me because in his hands, the film would have sunk into offensive silliness. Benigni is Italian, which means he is great at Italian humour. But he hasn't an idea as to what real Jewish humour is like. This film is a quintessentially Jewish film. It is about the old world Jewish experience that can only be understood and articulated by a Jew with old world roots. Unfortunately, much of the old world Jewish lifestyle and humour has been lost to recent generations. To some viewers, the characters in this film may seem like characters out of FIDDLER ON THE ROOF. But despite the broad characterizations for the benefit of Jewish humour, the characters here are all quite human and honest. Jewish humour by the way, depends on flagrant exaggeration and waggish expression. The film even uses a great analogy of this when it explains that Yiddish is basically German with a sense of humour. Take away the exaggerated humour, and you've got basic German.

The story is about the inhabitants of a French shtetl (Jewish village) who decide to deport themselves to Palestine before the Nazis come and deport them to concentration camps. They buy a train, tailor a few dozen Nazi uniforms and flee across the continent, sidestepping real Nazis and French resistance fighters who think that the train of Jews is a Nazi train. There is a subplot involving an outbreak of communism among some of the Jews on the train that gets a little tired. But then that does live up to the film's title. This train of life is a microcosm of society, with all of its pettiness and short-sightedness.

This is a beautiful film that is much funnier and bittersweet than LIFE IS BEAUTIFUL without the unnecessary manipulations to pull on our heartstrings. For those who want to taste the real Jewish experience, I recommend this highly!

ADDENDUM: There are many who feel that it is sacrilege to make any type of comedy about the Jewish experience during WWll. To make light of suffering or to drastically bend or cover up the truth for the sake of "entertainment", is sacrilege. But this film does not do any of those things. It retains the humour and the dignity of a culture that was almost made extinct. It provides us with a great tribute to the spirit and perseverance of those people.

I saw this movie on Showtime, after a late night shift. Never went looking for it. I found the movie reveting.

I saw some comments about "Life is Beautiful", and the comparison. A more apt comparison would be, I believe to "Fiddler on the Roof". In the same sense, perhaps not as musical though, the story seems to weave through the life and times of a community facing oncoming winds of change.

In a way, with the arguments of the imitation Nazis, and the "revolutionary" communists, the pattern of life is both touchingly human, and comically sarcastic of how men are "seemingly" separated with each other.

Although the Jewish communal environment seeps through the wonderful story, the later union with the gypsies who are also seeking a haven, relents to truly human and comic parody of the WWII era.