Un giovane uomo in lutto dopo la morte della sua fidanzata fa amicizia con i suoi genitori e deve capire quello che vuole nella vita.Un giovane uomo in lutto dopo la morte della sua fidanzata fa amicizia con i suoi genitori e deve capire quello che vuole nella vita.Un giovane uomo in lutto dopo la morte della sua fidanzata fa amicizia con i suoi genitori e deve capire quello che vuole nella vita.
- Premi
- 1 vittoria e 6 candidature totali
- Server #1
- (as Robert Clendenin)
- Photographer
- (as Ed Lachman)
Recensioni in evidenza
This film is truly beautiful and shows deep emotion that isn't in any way corny.A film that I think is very underrated.To be honest I saw it for Jake Gyllenhaal but after seeing it it is now one of my favourite Jake films.
I loved it!
Brad Silberling has created an amazing piece of film. The story starts out quite shakily, but manages to quickly find its feet and, thus, saves itself from being another overly-indulgent, kitchy movie. Some might battle with "Moonlight Mile"'s pace, as the film takes its time in developing its characters. However, the film is character-driven and these developments are fundamental to the film's progression.
Holly Hunter's performance is Oscar worthy, even though her role is quite small. Judi Dench won an Oscar for her 8 minute performance in "Shakespeare in love" and I see no reason why Hunter should not have been nominated. Amongst a cast of film legends, Jake Gyllenhaal holds his ground. It is obvious that he has had less experience in the acting field, but his performance is still great. Gyllenhaal's climatic monologue near the end of the film will give you goosebumps. It is the best part of the film and in my opinion one of the best scenes in cinema history.
In a film about one of the most life-changing, traumatic experiences one can endure, subtlety rules. Little things drive the film and the characters in the film begin to appreciate the smaller things in life. And that's what makes the film so beautiful and so real. The subtlety of the comedy and romance is what makes the drama that much more bearable - which brings us back to the films central theme: coming to terms with loss and trying to move on from it. These beautiful little moments are what make the film.
One might have mistaken "Moonlight Mile" for a Cameron Crowe film as music plays a vital part. The film's music is as evocative as the action on screen and the film's epic moments are emphasised by the films perfectly fitted music.
This film has been overlooked and underrated, and should have received more credit. Silberling has crafted an outstanding piece of cinema, which is rich with emotion and evocatively inspiring. Some cynics may find the film too sentimental and will claim they predicted the entire movie, but if one is able to ignore the odd mushy moment (there's one or two), "Moonlight Mile" is a cinematic triumph. Treat yourself to this amazing film!
When the story begins, you might find it confusing. Joe's girlfriend had been killed....though this isn't obvious and when you find out, exactly how seems pretty vague as well. What is clear is that Joe (Gyllenhaal) is living with her parents (Dustin Hoffman and Susan Sarandon) and he seems like he's simply going about his life in order to make them happy...sort of like a substitute for his dead fiancee. What's next? See the film.
Considering the film is about a family and boyfriend responding to the the brutal murder of a girl, it obviously is NOT a fun movie to watch. But the performances are very good and the film is unique....reasons to possibly watch it. Well made...and rather unpleasant...though fortunately the film is NOT violent and doesn't show any violence.
While not quite a great movie (it just barely misses the mark), Moonlight Mile is still an excellent drama that showcases some of the finest acting talent around, wrapped amidst a beautifully told story of a young man (Jake Gyllenhaal) who's trying to do what everyone expects out of him, but against the desire of following his own heart.
Moonlight Mile plays as a cathartic experience. The premise bears truth to it, as it parallels writer/director Brad Siberling's own real-life experience when his girlfriend was murdered by an obsessive fan. But most importantly, almost every part of this movie feels natural in its emotions and storytelling, not the result of some sentimental hackjob put together by a big studio. Siberling's intent is to portray a normal family dealing with life, loss, and love and whatever obstacles may come their way and he does a fine job of it.
There are moments Moonlight Mile doesn't entirely ring true, but those moments are glossed over by the acting. From Gyllenhaal to Ellen Pompeo to Dustin Hoffman and Susan Sarandon, the cast is uniformly superb. Even though the climax is set in a courtroom (typically the setting for cliche hell in dramas), Gyllenhaal's emotional outpour makes the scene work almost magnificently.
An admittedly very irksome element of the film is the score, which is yet again another rip-off of the music to American Beauty. Moonlight Mile's straightforward, honest approach doesn't match the quirky tone of the score, resulting in a few off-kilter moments of balance. But otherwise, this is a first-rate, truthful drama, and certainly superior to the overrated and similary themed In the Bedroom.
There is so much not to like about this movie - Susan Sarandon overdoes the cool mom bit, they use each others' names all the time, Dustin Hoffman shuffles about like Rainman in several scenes, the love story is rather improbable, the ending too perfectly happy happy, Jake tends to have one expression through the whole movie and you don't realise it is in the 70's until they start talking about Vietnam. It also bothered me for some reason that Jake wore the same pants throughout.
BUT I loved it loved it loved it. It is funny, sad, happy and has so many great actors in it (plus animals). The soundtrack is fantastic. Jake has the funny scene at the table and the serious scene in court - must have been a dream role to play. Jake has really been good about varying his roles which must be hard when you fit the stereotypical young hunk role. I think the dancing scene and the love scene are absolutely beautiful and show affection and the need for affection more than sex which is rare - the music is perfectly matched to both these scenes. I am glad they chose a plainer, quirkier leading lady - Ellen Pompeo does it amazingly well (though watching her in Grey's she always seems to play the same character). She is 11 years older than Jake though and he seemed like a teenager in the movie so I was confused as to whether she was supposed to be so much older in the movie.
It is not the best movie I have ever seen but it was way way better than I thought it would be and I was surprised that it sank without a trace at the time.
Lo sapevi?
- QuizLoosely inspired by writer and director Brad Silberling's own experience. He was dating Rebecca Schaeffer at the time she was killed by an obsessed fan in 1989.
- BlooperMassachusetts did not have the death penalty in the early '70s.
- Citazioni
Joe Nast: I'm sorry, I can't, I can't do this. It didn't happen. We loved each other, we broke it off. If I don't-Jesus, if I don't say this now, it'll never-she'll never be a part of this. What are we-what are we doing here? I don't even-I don't even know this guy. She-she didn't even know this guy. What's he got to do with her? I don't-look, you asked me to bring her in the room, and she's not here-she's not. And whatever happens here, whatever happens to this guy, she's not here. And the only way that you're gonna bring her in here is with the truth. I don't know-I don't know what else to say. You just tell me what to say, and I swear, I'll try, but if you want her, you got to keep it honest. You have to understand that Diana had this thing, this way of bringing out the real in people, not just the best, you know-their honesty. And I guess she's doing it again now cause there's no way I'd be sitting here saying these things I can't believe are coming out of my mouth. It was Diana who finally had the courage. *She* was the one who told *me* that I didn't want to go through with it. And I guess she's-she's doing it again, cause all of this-all of this is everything that she wouldn't want. She wasn't a bride-to-be. She wasn't a victim. She was strong and real and messed up and wickedly honest, just like her mother. And if I sit here trying to paint it any other way, I... Oh, I'm sorry, I'm sorry. I just-I thought-I thought that if I could just... paint the pictures that you needed, you know, that... that somehow... that somehow you'd bring these people some peace, finally, and they'd have their daughter back, or... But, uh... that's not how she'd wanna be. The truth is hard. Sometimes it looks so wrong, you know-the color's off, the style's wrong, but I guess it-I guess it's where the good one's live.
- Curiosità sui creditiThe credits end with "For all our loves...departed, or yet to arrive..."
- ConnessioniFeatured in Moonlight Mile: A Journey to Screen (2002)
- Colonne sonoreI Want to Take You Higher
Written by Sly Stone (as Sylvester Stewart)
Published by Warner-Tamerlane Publishing Corp. o/b/o Mijac Music (BMI)
Performed by Sly and the Family Stone
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La vida continúa
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.835.856 USD
- Fine settimana di apertura Stati Uniti e Canada
- 329.771 USD
- 29 set 2002
- Lordo in tutto il mondo
- 10.011.050 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1