Droh Kaal

Droh Kaal (1994) : Brief Review -

Droh Kaal was almost a blunder while making a realistic Cop Drama but thankfully Intelligent Climax saved it, rather, made it overwhelming. Riveting suspense thriller about a dedicated cop who leads an under-cover squad against a group of terrorists. He manages to capture their leader, but finds himself and his family mentally and physically manipulated by the wily terrorist and his followers. He joins the evil side to lose his best friend and then takes revenge after realising his mistakes. An outdated story from 60s masala films but wait, there is more to it in the climax which no other Cop drama has managed to do in Bollywood. Droh Kaal examines the mental and psychological trauma that honest police officers go through in their fight against a group of ruthless terrorists. But while doing so, it goes with the characters. A honest and smart cop is threatened by a Terrorist and gives up so easily? Hadn't we seen better during 60s and 70s when the same cop would sacrifice his family for his duty? Then how the hell someone tried to make an entire film with this senseless thought? I might have even accepted his mental state if was an ordinary cop or constable but someone of high Calibre looking so helpless was not at all acceptable. Thankfully, the climax plays the best trick to bring together revenge and redemption at the same time and the film looks fine, very fine. Droh Kaal is very realistic film and it's very slow too. 170 minutes without songs.. I even had a nap for 5 mins during the watch. Govind Nihlani has made a real-toned and intense Crime drama that becomes even more watchable because of brilliant performances of Om Puri, Naseerudin Shah, Ashish Vidyarthi, Milind Gunaji and Mita Vashishth. The entire acting unit has lifted the film. Overall, very good attempt but has its shortcomings.

RATING - 7/10*

By - #samthebestest.

When I first saw this movie I thought it was one of the best movies I'd ever seen. When I saw it again a couple of years ago, as a more experienced viewer, my opinion diminished significantly. Having said that, the movie has some good performances.

In spite of the presence of stalwarts like Naseeruddin Shah and Om Puri, it is Ashish Vidyarthi who has the film's best performance.

In my opinion, Droh Kaal is one of Govind Nihalani's lesser films. I recommend Aakrosh as an example of one of his better ones. Ardh Satya isn't too bad either.

Govind Nihalani is a fine film-maker from India, and I recommend his films (especially his earlier films). At the same time, and without a great deal of effort, I can think of at least three other Indian film-makers who have consistently made significantly better films: Satyajit Ray, Shyam Benegal, and Girish Karnad.

Govind Nihalani casts his favourite actor Om Puri again, this time with Naseeruddin Shah, Ila Arun, Mita Vashisht and Ashish Vidyarti. Nihalani has earned a reputation of making hard-hitting raw films depicting that darkness of middle-class society that is weaved from corruption, chaos and crime. His 'Ardh Satya' was definitely notable and 'Thakshak' and 'Hazaar Chaurasi ki Maa' were quite decent and 'Dev' highlighted Om Puri's performance. Puri has done some of his best works in Nihalani's films and 'Droh Kaal' is no exception.

However, as a film, it's among the director's weakest. The writing is very poor and some of the plotpoints are quite ridiculous. Not only is the script full of plot holes, but the pacing is extremely slow. Things only get a tad better in the second half as the pace picks up and there is an attempt to build suspense. At times, quite frequently, it gets preachy. It tries to make some political point but that's all lost in the writing. I was also surprised by the flat cinematography (considering that Nihalani is also a well-reputed cinematographer).

What stands out are the performances. Puri is brilliantly supported by Mita Vashisht. Naseeruddin Shah and Manoj Bajpai are wasted. Ila Arun does well in a brief role. Ashish Vidyarti is passable.

Overall, 'Droh Kaal' is a major disappointment. It doesn't have anything new to offer. It's lacking in both style and substance.

Drohkaal is intense, passionate and disturbing at the same time. Highly realistic and well directed. Script is first rate. Performances are convincing. All veteran actors team up together and deliver power packed performances. Director govind nihalini handles the subject of terrorism well and executes it with perfection and realism. The psychological journey of each character is clearly visible. The turmoil, confrontation, confusion, disturbance, contradiction, deliberate attempts, love, concern, loyality etc is visible in each character. And that's the usp of drohkaal. The story travels from a to z in a flow with each character growing in a perfect way.

Droh Kal was undoubtedly ahead of its time. Released in 1994, it emerged during an era when terrorism was beginning to show its brutal face, peaking in 1996. The Tamil remake, 'Kuruthipunal,' featuring Kamal Hassan, is equally compelling. While the climax may not appeal to everyone, this is one film that truly deserves a sequel. Though some scenes might seem exaggerated, however the storyline is captivating and keeps you engrossed throughout. Most of the movie being churned out these days tend show a one sided affair with the hero having an upper hand through out the movie. Interestingly, A R Rehman was supposed to compose for the film but his computer crashed losing his work.