VALUTAZIONE IMDb
5,5/10
1879
LA TUA VALUTAZIONE
Hollywood, California. Le vite di sei giovani dalle belle speranze si incrociano sulla scena musicale degli Anni '70, in attesa delle 24 ore che cambieranno per sempre la loro esistenza.Hollywood, California. Le vite di sei giovani dalle belle speranze si incrociano sulla scena musicale degli Anni '70, in attesa delle 24 ore che cambieranno per sempre la loro esistenza.Hollywood, California. Le vite di sei giovani dalle belle speranze si incrociano sulla scena musicale degli Anni '70, in attesa delle 24 ore che cambieranno per sempre la loro esistenza.
Tommy Flanagan
- Duncan
- (as Tommy J. Flanagan)
Darren E. Burrows
- Bobby
- (as Darren Burrows)
Recensioni in evidenza
The movie starts off with this prologue:
"In Hollywood in 1972 upon Sunset, man The Strip was packed every night. Not with tourists, but Us, the people in the backrooms trying to make it. We were all out there looking for something because we knew that LA was a goldmine and that your life could change in 24hrs and thats why we came here."
The movie takes place within a 24hr period, giving insight into the lives of those trying to "make it". For such a short period, the viewer gets an awful lot of character development. One of the many things that makes this movie good is how one can relate to the characters, the realism. The soundtrack is also really well done, it totally sets the mood for each moment and has a tendancy to carry the viewer to where they are supposed to be.
I found the acting to be believable, and was glad to see some faces I recognized for other movies. I would suggest anyone who is looking for a good movie check this out.
"In Hollywood in 1972 upon Sunset, man The Strip was packed every night. Not with tourists, but Us, the people in the backrooms trying to make it. We were all out there looking for something because we knew that LA was a goldmine and that your life could change in 24hrs and thats why we came here."
The movie takes place within a 24hr period, giving insight into the lives of those trying to "make it". For such a short period, the viewer gets an awful lot of character development. One of the many things that makes this movie good is how one can relate to the characters, the realism. The soundtrack is also really well done, it totally sets the mood for each moment and has a tendancy to carry the viewer to where they are supposed to be.
I found the acting to be believable, and was glad to see some faces I recognized for other movies. I would suggest anyone who is looking for a good movie check this out.
This is a fun, quirky, magnetic little movie about trying to make it in the 1970's rock scene amidst L.A.'s famed Sunset Strip District. It stays away from some of the heavier issues going on in the 70's, but I found that the trip it does bring us on is unique enough and real enough to play as good film making. Nick Stahl is believable in the rock n roll wannabe roll, and Leto is scene stealing as the STAR.
Although it doesn't have the heart of an Almost Famous or the dirt of a Boogie Nights, it meets both films halfway and entertains.
Although it doesn't have the heart of an Almost Famous or the dirt of a Boogie Nights, it meets both films halfway and entertains.
...Pardon my bad Cameron Crowe paraphrasing.
You know that feeling you get when you're sauntering past video boxes and you come across something that looks good...with some acting credit names you recognize, but somehow you've still never heard of the movie! It's a feeling of "This is probably going to suck, but I feel like takin' a chance anyway". Well, I did and it did.
I made it all the way through, although I was reading IMDb reviews of the thing while I was watching, and it sure helped not having to focus 100% of my attention on SUNSET STRIP. Kudos to the guy with the review linking Adam Goldberg's character to "Disco Stu", as I at least laughed at that while the tape was running.
Other than the alluring Anna Friel, there is absolutely no reason to watch this ALMOST FAMOUS ripoff (which actually was dumped in a couple of theaters a month before AF). But other than both films having a shot of the LA Continental Hyatt House, these movies are on opposite ends of the quality scale.
You know that feeling you get when you're sauntering past video boxes and you come across something that looks good...with some acting credit names you recognize, but somehow you've still never heard of the movie! It's a feeling of "This is probably going to suck, but I feel like takin' a chance anyway". Well, I did and it did.
I made it all the way through, although I was reading IMDb reviews of the thing while I was watching, and it sure helped not having to focus 100% of my attention on SUNSET STRIP. Kudos to the guy with the review linking Adam Goldberg's character to "Disco Stu", as I at least laughed at that while the tape was running.
Other than the alluring Anna Friel, there is absolutely no reason to watch this ALMOST FAMOUS ripoff (which actually was dumped in a couple of theaters a month before AF). But other than both films having a shot of the LA Continental Hyatt House, these movies are on opposite ends of the quality scale.
Well its like this, all I needed to read on the back of the box was "if you like Boogie Nights, you will love this"...NOT. What an excellent idea for a movie, 70's Hollywood club scene and the people trying to break into the biz....to bad it never delivered. Oh and by the way...it says it has a great 70's sound track playing through out? I think I recognized one song.
After seeing the film for the first time last night, and then reading some of the negative reviews here, the only logical conclusion I can make is this; if you weren't closely involved in that era, in that place, then you probably won't enjoy the film. But if you did, you will love it.
For those who were there, "Sunset Strip" is amazingly accurate, and sometimes painfully so. The male-centric attitude women of that time had to endure from so-called "liberated" men was summed-up perfectly in the scene where Anna Friel's character is summoned - there's no better word for it - by her rock-star idol, and upon arrival at his hotel room, is asked to serve tea by some pompous jerk.
As stated much better than I ever could by "fastfilmhh" in her review of this film, it is a deadly-accurate portrayal of the time, places and attitudes back then, warts and all.
The only error that I found was when one character made reference to "bad 'ludes." While there was certainly bad coke, and bad weed, Quaaludes were far too inexpensive and easily available for anyone to waste their time knocking off fakes, at least in my experience.
But that small mistake was nicely balanced-out by the stage-whispered comment made during a party scene by yet another pompous jerk - there were lots of those back then - alerting a new arrival to the "real party" going on in a closed-to-the-less-than-super-cool back room. That sort of social status selectivity happened at every party ever held back then, and was called "cocaine politics".
The producers obviously took great effort to maintain an accurate portrait of the times, from using and recording actual Fender 'Strats, to only showing three-piece bands on the Whisky's stage, which was a hard and fast rule at that club, unless the band was currently uber-hot.
Sidenote: If you are interested in securing your grand-children's financial security, find and buy an original Fender Stratocaster like the ones used in the film, plus some strings, and place them in a large safe-deposit box. In a hundred years or so, those puppies will be worth their weight in Stradivarius violins.
Some reviews have mentioned the lack of character development in "Sunset Strip", and that is accurate, especially when compared to other film portraying that period, such as "Almost Famous." While I won't pretend to read the writer's and director's minds, I will say that, considering the accuracy of the rest of the production, it could be that they deliberately left the characters shallow because let's face it, ... they (we) all were shallow back then. You needed those high boots to wade through the wall-to-wall pretense. The only difference between the suits and the freaks was that the freaks were freaks on purpose. And just a bit more honest. Sometimes.
Anyway, if you want to watch a living textbook of that place at that time, "Sunset Strip" hits the nail on the head. Just don't say it's far-out and groovy, please, or you won't be invited to the real party.
For those who were there, "Sunset Strip" is amazingly accurate, and sometimes painfully so. The male-centric attitude women of that time had to endure from so-called "liberated" men was summed-up perfectly in the scene where Anna Friel's character is summoned - there's no better word for it - by her rock-star idol, and upon arrival at his hotel room, is asked to serve tea by some pompous jerk.
As stated much better than I ever could by "fastfilmhh" in her review of this film, it is a deadly-accurate portrayal of the time, places and attitudes back then, warts and all.
The only error that I found was when one character made reference to "bad 'ludes." While there was certainly bad coke, and bad weed, Quaaludes were far too inexpensive and easily available for anyone to waste their time knocking off fakes, at least in my experience.
But that small mistake was nicely balanced-out by the stage-whispered comment made during a party scene by yet another pompous jerk - there were lots of those back then - alerting a new arrival to the "real party" going on in a closed-to-the-less-than-super-cool back room. That sort of social status selectivity happened at every party ever held back then, and was called "cocaine politics".
The producers obviously took great effort to maintain an accurate portrait of the times, from using and recording actual Fender 'Strats, to only showing three-piece bands on the Whisky's stage, which was a hard and fast rule at that club, unless the band was currently uber-hot.
Sidenote: If you are interested in securing your grand-children's financial security, find and buy an original Fender Stratocaster like the ones used in the film, plus some strings, and place them in a large safe-deposit box. In a hundred years or so, those puppies will be worth their weight in Stradivarius violins.
Some reviews have mentioned the lack of character development in "Sunset Strip", and that is accurate, especially when compared to other film portraying that period, such as "Almost Famous." While I won't pretend to read the writer's and director's minds, I will say that, considering the accuracy of the rest of the production, it could be that they deliberately left the characters shallow because let's face it, ... they (we) all were shallow back then. You needed those high boots to wade through the wall-to-wall pretense. The only difference between the suits and the freaks was that the freaks were freaks on purpose. And just a bit more honest. Sometimes.
Anyway, if you want to watch a living textbook of that place at that time, "Sunset Strip" hits the nail on the head. Just don't say it's far-out and groovy, please, or you won't be invited to the real party.
Lo sapevi?
- QuizFinal film of John Randolph. It was his personal oxygen tank that his character totes around in his scenes.
- BlooperAt the end of the movie when we are told Nick Stahl's character is inducted into the rock 'n' roll hall of fame his name is spelled "Zack". Seconds later in the credits it is spelled "Zach".
- Citazioni
Glen Walker: I want a fuckin' stage show that's gonna make people drop their motherfuckin' bowels, ya know?
- ConnessioniFeatured in Unscripted: Episodio #1.4 (2005)
- Colonne sonoreRock On
= David Essex
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Untitled Sunset Strip Project
- Luoghi delle riprese
- Canter's Deli - 419 N Fairfax Ave, Los Angeles, California, Stati Uniti(Canter's Diner scene.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3926 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3926 USD
- 13 ago 2000
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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