Sisters of Death

Seven years have passed since a sorority sister was killed as a result of a Russian-roulette-type initiation, which was ruled an accident. Then, five members get anonymous invitations to a reunion at a place to which the girls are taken from a central meeting spot by two guys. Although the duo has been paid only to transport the quintet, the pair is with the girls when the fence around the estate closes, locks and electrifies. They learn that their captor is the father of the initiation victim, and the remainder of the movie shows how most of them get knocked off - with a minimum of gore. Although much of the film (especially the first half) is slow-moving, I wasn't discontent at having spent the time to view it. In fact, I watched it a second time, thinking that maybe I missed something as far as the ending was concerned. Did somebody believe that THAT was gonna provide the most compact conclusion? I came away questioning it's logic.

B-grade thriller has a bizarre sisterhood initiation that involves a Russian roulette round that ends in tragedy when one of the débutantes is executed. Seven years later the surviving members are summoned to a reunion at an isolated mansion. Despite the welcoming party, they soon discover that the fun and games are just beginning, and they're unlikely to ever leave.

Paul Carr and Joe E.Tata co-star as a pair of hired chauffeurs who inadvertently become stranded with the girls when the fence surrounding the compound is electrified; Tata went on to become a minor celebrity of sorts twenty years later in "Beverly Hills 90210". Playboy playmate, Clauida Jennings is 'ample' in her leading role, but she's somewhat overshadowed by her co-stars Boucher (a one-time Mrs George Peppard) and Howell in particular. Veteran Arthur Franz acts with restraint, though his role is largely confined to peering through door cracks, and making homemade bullets for his gatling gun.

Mildly suspenseful with a couple of chuckles, the plot contrivances are weak and the pace laboured for the lack of material, but still, there's an undeniable b-movie quality that prevails. If you're not too discerning and are familiar with the cast, you should find enough here to keep you entertained.

Five women, who were once members of a secret sorority, are invited to a lavish ranch in a remote area north of Los Angeles. It seems like a celebratory reunion until things turn deadly. What's going on and who's responsible?

"Sisters of Death" was shot in 1972, but not released until 1976-77. It starts off as an occult-oriented flick involving beautiful women, but morphs into a sorta Ten Little Indians situation with elements that would influence the forthcoming slasher craze, just don't expect a lot of gore.

The highlight is the five women, played by Claudia Jennings (Judy), Sherry Boucher (Diana), Roxanne Albee (Penny), Sherry Alberoni (Francie) and Cheri Howell (Sylvia). You would think that Claudia Jennings would win out on the beauty front, but actually Sherry Boucher and Roxanne Albee surpass her (Boucher is, interestingly, a Jennings lookalike). Elizabeth Bergen is also on hand as Elizabeth in a small role.

While there's no Starsky and Hutch, as amusingly suggested, the two guys sure are reminiscent of them (that particular TV series wouldn't debut until a few years after this flick was shot). It's somewhat similar to "The Beast Must Die" (1974), just without the werewolf angle. Like that movie, not enough focus is put on fleshing out the characters, which makes them uninteresting and this isn't helped by the one-dimensional location.

The entire mid-section of the flick is relatively dull, but things perk up in the end with a twist or two.

The movie runs 1 hour, 27 minutes, and was shot in Paso Robles, California, which is about 200 miles north of Los Angeles.

GRADE: C.

An initiation task for a pair of pledges as part of a ceremony inducting them into a college sorority goes horribly wrong when a live round finds itself into a gun in a game of Russian Roulette, resulting in the death of a pledge. Years later, the surviving sisters are adults & lead various lives. They are contacted out of the blue for a reunion party in Mexico. But upon arriving at the secluded mansion for the party, they find the place belongs to the dead pledge's father, who is determined to find the person responsible for his daughter's death despite the police ruling it an accident. The sisters & a pair of male gatecrashers find themselves trapped inside the property by electric fence, slowly picked off one by one by the secret killer in their midst.

God bless the dirt-cheap budget DVD labels – how else can you find minor gems like Sisters of Death a good 39 years after its release? I initially thought that the film was going to be a borefest or a cheap telepic drama but once the film started, I saw that Sisters of Death was capable of much more than that.

Sisters of Death is a thriller that may have been made years before the slasher film became a fixture of the genre, but it does have certain elements that would make it a slasher film prototype (HALLOWEEN came out two years later). The plot reads like a slasher film in some regards, although the killer doesn't use knives but various methods to kill their victims & the killer's identity doesn't become clear until the very end, which when seen is an effective surprise. The actors do a good job of carrying the film along, which was a hallmark of the genre at the time – 1970s genre films were a bit talky but made a considerable effort to compose solid stories into their being. The setup is solid & the story is interesting, although it does veer into daytime telepic territory at times. Not a classic by any margin but it does have an interesting story & the twists are pretty novel.

A handful of years before "Halloween", "Friday the 13th" and other movies that claim to have started the slasher-genre, there was "Sister of Death"… More than a decade before sorority-themed slashers like "House on Sorority Row" etc, there was… "Sisters of Death"! This movie was even shot (not released, though) before "Black Christmas", and that classic horror film is more or less regarded to as the granddaddy of ALL crazy murderers on the loose flicks! Then why doesn't this movie enjoy the status of a genre milestone? Well, quite simply because it's crappy! Immensely entertaining…but nevertheless crappy! Seven years after that dreadful, life-ruining evening where a group of sorority babes accidentally killed their newest member (guns aren't toys, ladies!), the five remaining members all receive invitations to a reunion. They all go, even though it's unclear who invited them, and end up in an isolated mansion in the middle of nowhere. It doesn't take long before they meet their killer, who turns out to be the revengeful father of the murdered girl. Simple, straightforward plot and five incredibly sexy female leads! How on earth could this go wrong? Well, due to some really poor plotting, a total lack of continuity and weak directing, Joseph Mazzuca still somehow managed to mess it all up! This is the type of movie in which dumb characters do incredibly stupid things for absolutely no reason, so they pretty much all deserve to die. There are occasional flashes of sheer tension, but even more imbecility and lameness. And, like another reviewer already pointed out, there's should at least have been some nudity. What's the point of casting nothing but gorgeous sorority coeds if they're not taking their tops off? Stay clear, unless you're a fan of low-budget and forgotten 70's trash.