Magnolia

A dazzling epic of coincidence and fate during one day in the San Fernando Valley. This opens with a short story about some "true-life" examples of coincidence designed to show us that these things can't "just happen" and that there must be more to it than that. It then flies into the lives of a handful of different characters in a exhilarating introduction to a game show host, a sex guru, a police officer, a dying father, a male nurse, a drug addict to name a few. After this the speed slows down slightly and the characters are given time to develop and the stories begin to interlink.

Paul Thomas Anderson continues to get better and better with Hard Eight, Boogie Nights and now this. Here he gives a human touch to the director where someone like Altman would have been colder and more clinical. He seems to care about these characters and encourages us to do likewise. The direction is astonishing - it moves at a fast pace when it needs to, it is still and watching when appropriate and, at times, it is downright beautiful in a visionary way. Anderson's tries some audacious tricks and manages to pull them off - a scan round all the main characters singing an Aimee Mann track while they contemplate what's become of their lives is not only daring but works as one of the most moving moments in the film.

The acting is flawless - Cruise deserved the Oscar for this performance, but he is only one of an amazing range of actors including Julianne Moore, William H. Macy, Phillip Seymour Hoffman, John C. Reilly, Jason Robards, Philip Baker Hall etc. They are all excellent in their roles and make you care for all their characters - no matter how terrible they seem or how bad their crimes.

Direction is faultless, performances border on the brilliant, the script is totally convincing and moving. The only weak link is the biblical ending which may annoy some but I think fits in well with the tone of the film, after all, like the film says, "but it did happen".

If only all films could meet the standards achieved by this beautiful piece of work.

"Magnolia" is an incredibly unusual film...sort of an experimental project in it's style. Because of this and the occasionally extremely graphic language and depressing stories, it's a film that many would find hard to like...though I remember professional critics practically falling all over themselves praising it for its originality. So did I like it? Read on.

As far as how the film is experimental, it features many different stories that are interwoven throughout the story and it is really not apparently what connects them all during much of "Magnolia". There are also many rapid edits and jumps that make it difficult to follow as well as the three hour plus running time.

There is a prologue where several stories (including at least two urban legends) are all used to illustrate death and that perhaps in life there are no coincidences...and you can only assume the disparate stories that follow must be related to this...maybe. So what are the stories? Well, there are too many and too many parts to tell but they involve a dying man (Jason Robards) and his caregiver (Philip Seymour Hoffman), a woman who appears to be strung out (Julianne Moore), a cop who seems to go from one crisis call to another (John C. Reilly), a man who is dying and wants to reconnect with his angry daughter, an ex-quiz kid who now feels like a loser, a sociopathic motivational speaker (Tom Cruise) and many more. And do they all come together to make any sense? Well, they are mostly pretty depressing...at least I can say that without hurting the viewing experience.

As I watched, I found "Magnolia" very hard to stop watching. Despite not necessarily enjoying much of the film, it sure kept my attention. Much of it was because the film features a lot of great actors and they had some amazing moments in the movie. Is it a film I loved? No. But I do respect it for trying to be different. And, on balance I am glad I saw it. But I agree with the director/writer when he later said the film might have been better had it been pared down a bit.

"Magolia" for starts is not a film that's easy to like. Many people at Blockbuster have told me how "horrible" it was, and my sister hates it. I didn't really like it the first time around, mainly because of the way the characters reacted to the bizarre incident that concluded the film(I won't spoil it for those who haven't seen it yet). However, I gave it a second chance, and I think that it's a really great movie that uses it's three hours wisely and pays off brillaintly and intelligently in the end.

The film follows the lives of nine characters in a series of stories that are seamlessly interwoven together in a way that flows through perfectly and is never boring to the viewer. They seem somewhat related to each other in the actions that they are undertaking and the events happening in their lives seem coicidental and ironic with each other.

However, their lives all center around one thing...they are suffering. They hate their lives, they feel their cause in life is pointless, and they seem to have lost all hope. They also feel that the world revolves around their pathetic little lives, and that they are the only ones that feel pain. Some viewers may not want to sit through the first 2 1/2 hours just to see these poor souls wallow in their own pain. Yet it's important that we see it, because people can waste their whole lives away because of how they feel and that they think they're the only person who's ever had any pain in their lives. Jason Robards' 10 minute monologue ties all their pain together, and all their feelings of regrets and losses. Boy does life suck!

Then comes the ending which I wont spoil for those who haven't seen it yet. I'll only say that I believe it's a sign from God, a message to these people that they aren't the only ones on Earth and that there is a supreme being watching over all their little lives and that as far down the spiral of pain and how much hope they have lost, life still has it's rewards and happiness can still be found in the worst of lives. By showing that there is a God and that he created this world for us to live on, it suggests that we should use our lives wisely and that we are just another amazing creation of his in his world that helps maintain the balance of nature. People complain that there was no resolution that tied everyone together, but I think that it didn't have to be that way. The point of the film was a look on life, how bad it can be for people, and yet, how we as human beings can make it good and still find happiness and goodness even in the worst situations and pains of our lives. One of the very best films of the year!

The first encounter that I ever had with Paul Thomas Anderson was through "Boogie Nights." I admit, I first saw it because of I heard that it was about the porn industry. However, I was surprised to discover an intimate look into the damaged lives of several very interesting, well-developed characters. I also was delighted to have found a new and exciting director whose career and films I will be sure to follow. Anderson's cinematic flamboyance, technical bravura, and inspired storytelling ability make him a talent who is emblematic of the resurrgence in creative and dynamic filmmaking that has occured in this past year. Like Fincher(Fight Club), Mendes(American Beauty), Jonze(Being John Malkovich), and the Wachowski Brothers(The Matrix), Anderson has created a truly unique film that stretches the boundaries of cinema.

Many who I saw the movie with grumbled repeatedly about it's length. Clocking in at about three hours and ten minutes, "Magnolia" is long. Even if you are as strong an advocate of the film as I am, you will think that it is long. I really had to go to the bathroom the whole time. But I did not want to miss a single second of Mr. Anderson's fascinating opus. The prologue is very well done, doing a good job of drawing in the viewer. It makes an interesting commentary on coincidence, wjich segues nicely into the rest of the film. The first half hour of the film is the most wonderfully done I have ever seen. Just as Anderson does in "Boogie Nights," the prodigy weaves a fast-paced web of intrigue, flashing tidbits of the many characters' lives that leave the viewer thirsty for more. The rhythm of the film slows down for the bulk of it, as we learn more and more and become more intimately involved in the lives of the wonderfully flawed characters. The film seems to build and build into something bigger than itself. In a way, that is the main flaw of it, but also the beauty of it. Anderson's ambitiousness is huge, but I wouldn't call him an overreacher.

This film is so full of great performances. It is probably the best ensemble piece that I have witnessed. There has been much Oscar buzz on Tom Cruise's behalf, but I honestly believe that there are so many Oscar worthy performances in this film that it is a futile effort to mention them all.

Particularly strong in the movie is the editing, which allows for the interconnected stories of the various characters to be placed parallel to each other very smoothly. The cinematography is wonderful, obviously influenced by Scorcese. I really don't believe that this film could have been as good as it was if it were any shorter. Seeing it is truly an experience. I was almost sad to see it end.

Judging from the comments archive, I can see why this film polarizes its audiences as much as it does. This film defies convention in all possible senses--characterization, dialogue, narrative structure, heck, even the introduction. To be honest, this movie is truly strange. But that doesn't necessarily make it bad. Quite the contrary, actually. In my opinion this is one of the best movies I've seen. The acting was superb, and the performance I got from Tom Cruise was surprising to say the least. I don't expect much from him other than crocodile tears and beaming that thick smile, but here he credibly displayed a wide range of emotions. The photography was excellent, the pacing was quick (despite the 3:15 runtime!), and the structure! the best thing about it. Although the movie does dwell on a very central theme--the price and necessity of salvation--much of the movie is left undone, as raw material for thinking about later, as if the characters just keep on living. As I said, it's not your standard movie fare. But don't dismiss it for what lies most visably on the surface; instead, sit through the movie, soak it in, and when it's done, turn out the lights and think about it for a while. You'll be glad you did.