Hurricane - Il grido dell'innocenza

Norman F. Jewison's "The Hurricane" is an exceptional piece of film making. It has good editing, good writing, good scenes, and great acting. Now, the film itself is good, but the acting makes this film outstanding.

Denzel Washington is a terrific actor, and this film proves it (also a golden globe nomination and Academy Award Win in 1989 backs it up). Washington plays Rubin "Hurricane" Carter with such perfection not seen in a very long time. It's his spirit in this movie that gets this film up in the high life.

And Norman F. Jewison, a great Oscar Winning Director who directs this film of the human spirit with great intensity and knowledge of what Carter's life was like. That makes this film one of the best of the year.

I wasn't going to comment, but after reading some of the negative comments, I felt I must. I "waited for the video" for this movie because a movie about boxing didn't seem interesting. But that's just the thing. It's not about boxing. So if you're thinking you're going to see Raging Bull, you're not. There are a few boxing scenes, but they only serve to move the story along.

I have seen this movie more than once. The first time I was touched by the underlying theme of the movie, which was in my opinion, love conquering hate and injustice. Then I watched it again. I realized Denzel did a superb job. It WAS NOT a "typical Denzel role." He convincingly played Rubin "Hurricane" Carter, raised full of hate for and distrust of white people. When he goes to prison for the murder, he does an excellent performance showing the different personalities in his head, as well as showing how his inner spiritual journey transformed him. Any good movie shows the hero growing and changing. And Denzel again does this well towards the end of the movie, after befriending Lazarus and the Canadians. My favorite line which to me sums up the entire movie is when they're waiting to hear the judge's verdict and Rubin tells Lazarus, "Hate got me in here. But love's gonna bust me out."

I don't know much about the real Rubin Carter or the details of the case. What I found compelling about the movie was the fact that some people - be they white or black - can harbor such hatred for another person (I'm referring to Della Pesca's hatred toward Rubin). Another thing that got me was the friendship and love between Rubin and Lesra and the whole message of examining the higher principle of truth for which the law was meant to serve. It's just one of those movies that makes you think. Yeah, some of the writing is "just OK" in places, but the theme of the movie is wonderful and I think Denzel gave an Oscar worthy performance.

I gave this a 9 out of 10.

15 years after The Hurricane came out Rubin Carter passed away still quite the symbol of what can happen when a malignant criminal justice system puts a target on your back and is determined to nail you. The Hurricane became his nickname in the boxing arena given him for the speed and accuracy of the deadly attack in the ring. He was forever Rubin Hurricane Carter even after he fought his last fight.

After his boxing career had wound down he and a friend were picked up in his home town of Patterson, New Jersey because they vaguely resembled two men who had shot up and robbed a bar and killed 3 people. On some flimsy evidence and some evidence withheld Carter and the other man went to jail and probably escaped the death penalty because it wasn't being used at the time.

Besides the background events The Hurricane mostly focuses on the events of Carter trying to clear himself and the young kid who reads the book Carter wrote while he was in prison. The best scenes in the film are Vicellous Shannon as young Lezra and Denzel Washington as Carter.

The Hurricane brought Denzel Washington one of his Oscar nominations and he will keep you riveted on the screen with his intensity. Occasionally Washington boils over, but it's the slow simmering tension he conveys as Carter that really keeps you watching. His scenes with Shannon are a great relief for him as in this kid he meets someone who believes his story and gets what he's about.

Besides Washington and Shannon, performances to watch out for are Rod Steiger as Judge Sarokin who is the federal judge who decides Carter's fate and Dan Hedaya as the incredibly vicious and racist police lieutenant who made incarcerating Carter a life's obsession.

The real Rubin Carter could not have had his story better told than be Denzel Washington in The Hurricane.

I need to warn people who watch this film, even though Denzel is a great actor who always gives a fine performance, to say the least this film needs to be taken with a grain of salt because its basically biased fiction with extensive "dramatic license". I have done some research and there are some facts you need to be aware of. First of all, Carter had an extensive criminal record, he was 29 years old when arrested for the Lafayette murders and had spent 11 of those years in confinement of some sort! The film shows him as a child rescuing a friend from a child molester and then stabbing him in self defense! Wrong! Carter actually beat a defenseless man over the head and stole his watch. He was always getting in trouble for fighting and beating up people, that was why he was sent to juvenile hall. He escaped in 1954 and spent two years in the Army (he was dismissed for unfitness after four court martials). He then went to jail for four years for assaulting and robbing three people. This film makes it look like he was pursued by a Javeat-like, bigoted detective named Della Pesca who "set him up" for the murders. There was no such person. Vincent De Simone was the real detective assigned to the case. According to all accounts he was a very nice man and an outstanding police officer who was not a racist or had anything against Carter. Also, contrary to what this film would have you believe, Carter was not unfairly robbed when he lost a decision when he fought for the title. Carter himself admitted this in an interview. Bob Dylans song The Hurricane said "they put him in a prison cell but he could have been the champion of the world". Carter lost eight of his last fifteen fights and wasn't even rated when he was arrested. In a 1964 Saturday Evening Post article Carter talked about going up to Watts and shooting cops (I could get about four or five). He owned an extensive gun collection and was feared by the people in Paterson. Is it any wonder he was considered a suspect! Like I said, this is a good film, but its just not true.

Framed by a white cop for a murder he didn't commit, boxer Ruben 'Hurricane' Carter tries to free himself from the constrains of his cell mentally by studying, picking over his case and writing his autobiography. Seven years later, Carter is still in prison with appeal after appeal being turned down, but his book has found its way into the hands a young student, Lesra who is inspired to study by the lessons in his book. As the two get to know one another through letters and meetings, Lesra and his teachers devote themselves to getting Carter freedom through a successful appeal.

Despite the fact that the basics of the story is interesting and compelling, this film only manages to be reasonable entertaining rather than compelling because it never really goes deeper than the basics. The story of a man wrongfully imprisoning and yet, somehow, overcoming that is going to be worth a look as it offers enough human interest for me to give it a try, but the problem here is that the film will give you a very basic look at the story and this basic feel will stop you getting involved in the story and maybe even make you wonder how much of it has been simplified down. Enough elements of the film remain interesting to cover this gap though and the character of Carter is interesting and semi-inspiring as he is portrayed here; I say 'as portrayed here' because I do not know how real this person I have seen here is. Part of the problem may be Jewison himself as his background is of a time where things could be as simple as, literally, black and white – but he brings that view to this movie and the story (and even the truth) appear to suffer as a result.

In Jewison's world there is no complex issues, no legal technicalities, no nothing – there is only a good black man who has been framed by bitter, racist cops even though everything points to his innocence; and boy, does Jewison spread it on thick! We trace Paterson's hatred of Carter all the way back to childhood and a scene where he comments on Carter's boxing fame just so we are totally clear that he wanted Carter more than anything! It's a real shame because the truth must be more interesting than this, although I imagine a lot more complex and for the film to just present such a clear cut and simplistic view of real life events not only insults the intelligence of the audience, it also does a disservice to the real life events it represents.

The cast are a big reason most of the film is interesting, or rather Denzel is a big reason it works. How close his Carter is to the real Carter is anyone's guess but his dialogue and his performance are both great. Washington made me believe this man's inner struggle by looks, words, tone of voice – this is the performance he deserved his Oscar for, not the more showy (and less controversial) one in Training Day. Shannon is also good even if he is far from central to the film. Unger, Schreiber and Hannah have clearly been told to play 'non-threatening white people' and they are all about as bland as a collection of people as I have seen. There is no meat on their characters and, as a result the three just play them very simple, basic and far too 'nice' to be believable; I'm not suggesting we have more detail on their lives but there was nothing to them whatsoever – a real problem when they are asked to carry some scenes near the end by themselves. Hedaya gets paid with a lazy 'racist cop' role that he can do nothing with, while Brown is OK in a return to his Shawshank role. Pastore, Steiger, Yulin and Paymer all add the feeling of depth in minor roles but really this is Washington's film and he is a big reason I found it entertaining.

Overall this was potentially an interesting, compelling and emotional film based on an intriguing real life story of injustice. However the script simplifies the story and characters to the point of being almost a version for people in a rush or without the intelligence to understand more. I cannot understand why the film just brushed past areas that would have made it more interesting (albeit more morally complex) and Jewison is to blame for a film that is very black and white in the portrayal of circumstances and its characters. Washington's performance and well written dialogue makes the film worth seeing but I was surprised by the film's ability to take an interesting and compelling story and simplify it to the point of lacking any real punch (sorry – he starts with a pun and he ends with a pun!). Watch once but there are much better examples of the genre and much better sources for hearing Carter's story.