Girl in Gold Boots

Girl in Gold Boots was on IMDB's infamous Bottom 100 list (the list of the 100 lowest rated movies) until the number required for votes increased, it's directed by Ted Mikels (considered by many one of the worst filmmakers ever) and to this day it has an appalling score of 2,2. But probably I am not the typical viewer, since for me it was an ok movie and hence my score of 4.

The movie is about three youngsters that are going to Los Angeles. The title character is a girl that works in a bar and hopes to become a nightclub dancer, his boyfriend is a thug-looking guy that at times he is on a short fuse, and the third one is a cute guy that likes to sing and play guitar. When they finally get there they discover that is not like they hoped (the girl discovers that being a go-go dancer is not that great a job after all and the cute guy hangs around while he keeps an eye on the duo).

Despite it's a B-movie it's well made compared to many others of the time. It has decent cinematography, nice soundtrack with various good tunes of the time, during the credits and halfway in the movie various shoots of pretty girls dancing. Also, and this is the thing I liked most of the movie, the cute guy halfway sings a couple ballads just like Elvis Presley and he was the most endearing character of the trio. Sadly, since this movie was made by Ted Mikels (that already in 1968 had the reputation of being one of the worst directors ever), it automatically killed the actors' careers.

While at times the movie drags, it's watchable. And despite is made by Ted Mikels is competently made and it's an interesting time capsule as well.

...That really shouldn't have been combined. One half of the film is a woman chasing her dream of being a go-go dancer. The other half is about the seedy side of drug use, and drug pushers. Some films do well against the test of time. This one fell flat 10 seconds after its release. Bad acting and a second-rate band shoot this one down.

If it weren't for that brilliant show, no one would have ever seen this movie after the 60's...not that that's a bad thing.

This movie is a big, steaming pile of continuity errors and bad acting. There was a vague plot buried beneath all of this, however it was as thin as paper and made transparent by the grease dripping off of the actors.

There are countless errors and inexplicable scenes in throughout this movie. Who could forget Buz magically teleporting into the booth at the diner? Who could forget the utterly mind-boggling dune buggy scene? It seems as though this movie was made for MST3K, and, I warn you all, should not be viewed under any circumstances without the hilarious one-liners of Mike and the robots.

Before there was "Showgirls" there was "Girl in Gold Boots". This film is even worse and worse made. You know, I really think the director took himself seriously when he made this movie. Sad, is it not? But I think he didn't realize that he had a budget to stick to when making this movie.

The plot? Michele is a wanna be dancer (who really can't dance, but we're lead to believe she's the best) but is unfortunately kept with her alcoholic father in the popular restaurant "Eat". But when a Kasey Kasim wanna be walks in with promises to make her a professional dancer with the help from his sister who is the "main attraction" in L.A., she leaves within the blink of an eye. On their way they pick up a hitchhiker, Critter. Of course there will be tension since everyone loves Michele's looks.

When they finally arrive in L.A., and there is Christmas decorations all around Hollywood, where's a better place to go than a haunted house? But it's just a hidden dance joint where the dancers look like they're more having seizures and clucking like a chicken then dancing. Michele, Buz, and Critter get involved deeper than they would want in the business with a slick greasy pusher who owns the joint. When Buz's sister, Joanie, is obviously in bad shape from drugs and possibly overdosing on the fake eyelashes, she confesses that she once had a "pretty mind" and tells Michele to get out before Leo, the pusher, takes her down too. But can Critter and Michele make it alive when they already know too much about a plot and a murder that doesn't make much sense?

Oh, man. You have no idea how poorly made this film was made, I mean we're talking just God-awful acting, poor sound, bad editing, atroshish writing, and a horrific picture. I just loved how in one scene, it's just Critter and Michele are sitting ALONE at a table, but in the blink of an eye Buz is in the picture. I loved MSTK3's commentary "I'm back! Come on! I just teleported here! It's impressive!". Watch the MSTK3 episode, that's the only way you'll enjoy the film.

1/10 for the film 10/10 for MSTK3's version

If Offbeat Cinema hasn't grabbed Girl In Gold Boots for one of their late evenings roasts than they are not doing their job in finding some of the worst cinema put on celluloid. This must have been a great second feature in the drive-ins in 1968 when people were getting down to something else.

On That Seventies Show one of the funniest lines I ever heard was from pretty and vapid Mila Kunis who said that nothing was ever going to get in the way of her ambition to becoming a Dallas Cowboy Cheerleader. That same sense of purpose exists with our leading lady Leslie McRae who dreams of going out to Los Angeles and becoming a go-go dancer. It certainly beat slinging hash in that New Mexico diner with her drunken father. When Tom Pace comes into her life saying he's going to LA where his sister does just that, McRae hears enough and jumps in the car with him. Along the way they pickup another wandering stranger Jody Daniels and the three of them are off to Tinseltown after Pace robs a filling station.

They find Pace's sister, a drugged out dancer working for club owner Mark Herron who's got his fingers in a lot enterprises, mostly illegal. Pace doesn't really care about his sister, he just sees opportunity for himself and McRae gets hired as a new dancer and Daniels becomes a club janitor. Herron indicates that Daniels could do better for himself with him and you can take that any number of ways.

The film is one sorry mess, lousy sound recording, inane plot, totally bogus climax to this piece of drama. If you recognize the name of Mark Herron it will be because you remember who was Judy Garland's fourth husband. Mark wasn't doing that great before he married Judy, and when she cut him loose this was the best his meager talent could get.

Oh and the music is bad Sixties music and the acting on the level of some of my grade school plays. When will Offbeat Cinema be showing Girl In Gold Boots?