Autumn in New York

Just saw this movie today, and without giving too much away, the story does tug at your heartstrings. I just read a few comments by other authors. One in particular was very negative. Hard to understand this point of view, because this was a believable story. These days we are shown too much of the movie in the trailers; therefore we have an idea of what we're going to see. I did enjoy the wonderful autumn colours of the trees in New York. Also enjoyed the acting of Richard Gere and Winona Rider. Yes! We come up against the old story of the older man and the younger woman, and to many this is unacceptable ... but this story is different; understandable and acceptable, because of the plot. Elaine Stritch, a veteran actress makes her part a memorable one; likewise Richard and Winona. I enjoyed the camera work in this movie. I could smell the autumn leaves as they swirled in Central Park, and I could feel the cold crisp air in the winter scenes. I enjoyed my visit to "New York in Autumn" while sitting in my seat in a movie theatre in Canada.

This movie has many weaknesses, but there is something really superior about it nonetheless. On the negative side, everything people are saying is true; the dialogue is clunky, the plot is predictable, and the chemistry is weak. On the other hand, the charisma of both the leads is amazing and I really fell in love with Winona Ryder's character. I think the makers of this film were resigned to the the fact that as far as writing was concerned, they weren't breaking any new ground. What they did instead was dress up the standard love story with great actors, nice clothes, and pretty settings. Despite the gloss, there is a story here that everyone can identify with at some level. The result, in my opinion, is something magical that I can't pin down. I think it's a success.

Although a little boring at some points "Autumn In New York" managed to truly emotionally entertain and interest me. Even after seeing it I am still discovering the hidden meanings it tries to give us. Ironically despite being a romantic drama the romance between the main actors is the biggest downer of this movie. I must have missed the part when Winona Ryder's character's age is revealed, but she just doesn't pass as a 21 year old. I thought she was supposed to be like 26 or something. Not that there's a big difference in age, but she was a bit misscast, despite her child like face. On the other side she was really attractive in this movie and constantly reminded me of this cute girl I know. Gere looks and feels pretty old, but he's a believable 48 year old playboy. The movie is hence held together by good dialogues and nice and memorable scenes. There's also a great line Gere says to Winona after he cheats on her and realizes he screwed up: "Can you let me love you?" I've read some pretty different explanations of this movie, but basically I think it's about Gere's character slowly discovering he's been missing a great deal of life, he's never loved. So after "accidentally" falling in love with Charlotte he can't bear the though of her dying and tries everything in his power to prevent her death(this might have something to do with his previous life where he was always the one with power, whilst the women weren't). But he has to realize that in Charlotte's case he's completely powerless and there's where the point of the movie lies. He chose true love (despite knowing that Charlotte was going to die soon) over the life he thought he was happy with. It might sound ridiculous but I kind o envy the guy. I too would rather truly love a woman, if only for a short period of time, than spend a life with a woman I didn't love. I would be a happier man, even after that true love would, for some reason or another, leave me, because I'd know I loved, even if it didn't last. I was pretty surprised at most of the bad reviews and comments, but on the other side I couldn't help but to agree with most of them. It is a crude love story and it is somewhat predictable and boring, but it was overlooked for the most important reason it tries to tell us. Despite being an unconventional and hardly believable love story "Autumn In New York" is a movie that in the end managed to show me you have to take even the biggest sacrifices to find true love. Sad and Beautiful. 7/10

Nor could they have cast anybody better than Elaine Stritch.

Beautiful in every way -- the cinematography, the music, the patience of the direction. You could feel the ease Gere and Ryder felt. They were allowed their best selves. The portrayal was wholly believable. There was exquisite nuance and not an iota of artifice, not even one.

This was an experience in true life portrayal; genuine, and somehow dug down to where we all really live, especially Gere's transformation, Ryder's delicacy in one particular scene, and Stritch's hallmark capacity for authenticity.The actor playing Gere's best friend was just as commendable, the actress playing the daughter, and the feel about the medical rush. I haven't checked yet who did the casting or cinematography or music or direction, but this movie is put together with world-class people.

There is an element of deep reality throughout that rings true.

`Autumn in New York' is strictly for the masochists among us who have been yearning these past 30 years for a tedious May/December update of `Love Story.' The theme of this film seems to be that there is nothing like a romantic fling with a beautiful-but-tragically-doomed young heroine to turn an unprincipled womanizer into a Man of Virtue.

Winona Ryder plays a 22-year old woman, dying of a rare heart condition, who starts up an affair with a 48-year old restaurateur played by Richard Gere (it would appear that the filmmakers have seen fit to shave a few years off both their ages). The film deals with the absurdity of Gere's seemingly ageless, Dorian Gray-like good looks (a fact moviegoers have been noting for years) in rather an ingenious way. Rather than ignoring them, it brings them center stage, to the point where it seems like virtually every man, woman and child at some point or other sees fit to remark on them. This happens so often that the film begins to take on the air of a vanity production designed for the actor's own personal benefit.

Even as a tearjerker this film isn't very effective. Neither Ryder nor Geer are particularly likable in these roles. In their first scenes, especially, both characters seem way too cloying and coy to engage the audience's sympathy. Without that initial foundation so crucial in a romantic film, we watch the drama unfold more as dispassionate observers than fully engaged participants – a death knell for any film of this type. Geer's Will Keane is not only impossibly good looking but his position as a bon vivant of the Manhattan social scene – he even has his picture adorning the cover of New York Magazine – hurtles him into that rarefied atmosphere which makes audience empathy impossible. We don't believe for a minute that he is the cad he is supposed to be in the earlier part of the film – and we find his transformation to doting lover equally incredible. As the dying heroine, Charlotte Fielding is so bland and uninteresting that she finally makes Ali MacGraw look like the Harvard student she was meant to be in the earlier film but could never convince us she was.

Three-handkerchief weepies have never exactly been my cup of tea, but even diehard fans of the genre are likely to find both their tear ducts and their tissues distressingly dry at the end of this film.