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IMDbPro

Litan

  • 1982
  • 1h 28min
VALUTAZIONE IMDb
6,1/10
647
LA TUA VALUTAZIONE
Litan (1982)
Dark fantasyOrrore popolareFantasiaOrroreThriller

Aggiungi una trama nella tua linguaMarried couple Jock and Nora visit the town of Litan during its Carnival celebration. After having a nightmare of Jock's death, Nora sets out to find him but encounters strange people and da... Leggi tuttoMarried couple Jock and Nora visit the town of Litan during its Carnival celebration. After having a nightmare of Jock's death, Nora sets out to find him but encounters strange people and dangerous events erupting all over town.Married couple Jock and Nora visit the town of Litan during its Carnival celebration. After having a nightmare of Jock's death, Nora sets out to find him but encounters strange people and dangerous events erupting all over town.

  • Regia
    • Jean-Pierre Mocky
  • Sceneggiatura
    • Jean-Claude Romer
    • Jean-Pierre Mocky
    • Patrick Granier
  • Star
    • Marie-José Nat
    • Jean-Pierre Mocky
    • Nino Ferrer
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    647
    LA TUA VALUTAZIONE
    • Regia
      • Jean-Pierre Mocky
    • Sceneggiatura
      • Jean-Claude Romer
      • Jean-Pierre Mocky
      • Patrick Granier
    • Star
      • Marie-José Nat
      • Jean-Pierre Mocky
      • Nino Ferrer
    • 9Recensioni degli utenti
    • 13Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 1 candidatura in totale

    Foto78

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    Interpreti principali34

    Modifica
    Marie-José Nat
    Marie-José Nat
    • Nora
    Jean-Pierre Mocky
    Jean-Pierre Mocky
    • Jock
    Nino Ferrer
    Nino Ferrer
    • Le docteur Steve Julien
    Marisa Muxen
    • Estelle Servais
    • (as Marysa Mocky)
    Bill Dunn
    Bill Dunn
    • Cornell
    Georges Wod
    • Bohr
    Dominique Zardi
    Dominique Zardi
    • Le chef des fous
    Sophie Edelman
    • Mlle Bohr
    • (as Sophie Edelmann)
    Terence Montagne
    • Eric Bohr
    Roger Lumont
    • Le commissaire Bolek
    Micha Bayard
    • Madame Mirral
    Patrick Granier
    Patrick Granier
    • Le policier
    Catherine Jarret
    • La réceptionniste
    • (as Catherine Jarrett)
    Georges Lucas
    • L'hôtelier
    Pierre-Marcel Ondher
    • Le prêtre du bal
    Sophie Moyse
    • Une femme à la mairie
    Jean-Claude Rémoleux
    • Thiraudet
    Katia Romanoff
    • Madame Cornell
    • Regia
      • Jean-Pierre Mocky
    • Sceneggiatura
      • Jean-Claude Romer
      • Jean-Pierre Mocky
      • Patrick Granier
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti9

    6,1647
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    Recensioni in evidenza

    8HumanoidOfFlesh

    Surreal and bizarre black comedy.

    "Litan" takes place in a strange French town Litan full of masked citizens and off-beat characters.The coffins are flowing in the stream,the cemetery crosses are on the rocks and the funeral orchestra of silver masks is playing some weirdo music.Add also a lot of running and screaming and some bloody murders and you have a winner."Litan" is a surreal and dreamlike assault on viewer's perception.The script is utterly outlandish as it mixes black humour with some fantasy and horror elements.I'd like to spend some time in Litan among crowds of masked weirdos.I have seen other French surreal horror movies from early 80's like "Devil Story" or inept "Mad Mutilator",but "Litan" wipes the floor with these two.8 out of 10.
    10mapoussi

    There is no movie like Litan

    This is probably the best movie from Mocky. There is his weird humor, a fantastic story. The images are also something you can't forget. I'm just waiting to find it on DVD, in a few hundred years. I would even settle for the VHS.
    6christopher-underwood

    absolutely nothing, from beginning to end, seemed to make any sense whatsoever

    I have watched a film in a language I do not understand, without subtitles and still managed to follow it and I have dropped off for a section of film and still managed to make sense of it and I have watched films that only partly made sense but this is the first film in which absolutely nothing, from beginning to end, seemed to make any sense whatsoever. The captivating look, complete with masked villagers, a hillside village with tottering buildings and underground caves, is visually entrancing and the constant chasing, being chased, attacks, killings and survival help maintain a level of interest even if we know not why. There are hints and pointers toward dream and the afterlife and of the uselessness of the bureaucratic administrations, the hospital looks more like a prison and the inspector believes nothing and nobody. I notice that the director plays the hero, if that is what he is, at least he is still standing at the end.
    6ofumalow

    Lost in a labyrinth

    This isn't really a horror film per se so much as a surreal waking nightmare in which a married couple visiting a rather Gothic town are increasingly sucked into irrational goings-on. They quickly become fugitives, though exactly why (or from what) is murky. There's a sort of Day of the Dead celebration going on, so people are already wearing masks and fake blood-making it hard to tell there's anything wrong when real accidents, fatalities and supernatural events occur. (Also, an increasing percentage of the population seems to be getting reduced to a catatonic state.)

    The whole place seems to be a kind of shadowy laboratory, or perhaps a madhouse, in which (naturally) the inmates have taken over. The conventional thriller-protagonist performances of the leads (Marie-Jose Nat, director Mocky) as they constantly flee or pursue various phenomena, and the conventional early 80s suspense music (with a bit of Goblin influence) doesn't really help this vision cohere as horror, allegory or eccentric fantasia. But its sheer eccentricity holds attention.

    Nothing here makes a great deal of sense, nor is it supposed to, and frankly the very prolific director's approach to this kind of semi-fantastical material (not his usual thing--he usually made acerbic comedies) is so matter-of-fact, there's not a lot of atmospheric seduction, let alone terror or uncanniness, despite frequent striking imagery. It's definitely an offbeat film, but it's hard to make out just what the intended point is. There are some arrestingly odd ideas, like experiments on dogs that apparently give them human voices, darting glow-rays in water, crimes that occur without anyone nearby seeming to notice or care...even if few of them actually lead the story anywhere in particular.

    Of course, you could argue that the story isn't supposed to "go somewhere," really-it is, like the village itself, a kind of labyrinth without formal beginning or end. And "Litan" is indeed arresting as an alien environment mixing Olde Europe charm/creepiness with hints of sci-fi, horror, and a little "Eyes Wide Shut"-type perversity. It's not quite like anything else (unless you count similar surreal one-offs like Louis Malle's "Black Moon," Moctezuma's "Mansion of Madness," etc.), and thus worth seeing even if there's not much to hold onto beneath the busy, inventive surface.
    5kevin_robbins

    Litan had a lot going for it but couldn't stick the landing

    I recently watched the French film Litan (1982) on Shudder. The story follows a couple on vacation in a strange seaside town when the husband suddenly disappears. As a mysterious festival begins, the woman encounters a series of bizarre characters-each one raising more questions than answers about what happened to her husband.

    This picture is directed by and stars Jean-Pierre Mocky (Kill the Referee), alongside Marie-José Nat (Night of Destiny), Nino Ferrer (Delphine), and Bill Dunn (Double Team).

    Litan is one of those films that seems to have all the ingredients for success but ultimately falls short. The foggy, coastal setting gave me strong Venice vibes, and the eerie costumes and masks worn throughout the city added to the film's visual intrigue. Some of the lab sets were a fun touch, and there's even a cool motorcycle high-wire act. The atmosphere is thick with mystery from start to finish.

    Unfortunately, as the plot unfolds, the special effects start to feel dated, and the ending doesn't deliver the payoff the buildup deserves.

    In conclusion, Litan had a lot going for it but couldn't stick the landing. I'd rate it a 4.5/10.

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    • Connessioni
      Featured in Noir comme le souvenir (1995)
    • Colonne sonore
      Cantique
      by Iégor Reznikoff

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    Dettagli

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    • Data di uscita
      • 24 febbraio 1982 (Francia)
    • Paese di origine
      • Francia
    • Lingua
      • Francese
    • Celebre anche come
      • Litem, la città degli spettri verdi
    • Luoghi delle riprese
      • Annonay, Ardèche, Francia(town)
    • Aziende produttrici
      • Films A2
      • M. Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 28min(88 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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