Perversioni di lusso

A recently released mental patient lands a job at a posh country club with the assitance of her doctor. She is immediately token under the wing of rich, pampered, and extremely popular Britanny Foster (Susan Ward), but then mysterious accidents begin to occur and people are now showing up dead. Is Britanny responsible for the occurances and for her sister disappearing years earlier or is the supposedly cured ex mental patient??

Extremely entertaining and sexy teen thriller that covers old and new ground, features a perfectly casted Susan Ward who has terrific and intense chemistry with the other lead. Besides being sexy and entertaining, the film is stylish, very fast paced, tightly edited and is pretty well directed with a sensational finale. The only thing that weakens this interprise is a few poor performances in the supporting catergory and a script that doesn't stand to close scurtney. Still well worth viewing though.

Rated PG-13; Sexual Situations, Adult Themese, Drug Use and Referneces throughout film, Nudity, Profanity, Violence, and Attempted Rape.

The In Crowd is your basic teen thriller with lots of trashy girls and bad lines & acting and a mediocre script, but it was tolerable. Actually, it was more than tolerable, it was actually fairly good, not the acting, by any stretch of the imagination, but it served its purpose. In my opinion, it's a great movie to watch on a slow/rainy weekend evening. I went into this film with little to no expectations and ended up being pleasantly surprised. I was sure by the reviews that it would be terrible, instead I found myself thoroughly satisfied. While TIC is no "Cruel Intentions", it's of the same genre. Spoiled rich kids, doing bad things to each other and sucking in the lowly outsider in the process.

"In Crowd" has the same atmosphere and draw as any soap opera today, but the cheesy drama of soaps seems to translate well to a certain niche, but it DOES have a niche. Expect nothing more than a two hour version of "All My Children" and you won't end this film angry. I say give it a chance. If anything it'll end up on your guilty pleasures list.

This beach-club teen murder mystery was pummeled by the critics and lasted about three weeks in theaters before beating a hasty retreat to the rental market. Like all films that foster extreme comments and establish preconceived expectations, this one failed to live up (or should I say down) to them. It wasn't great, but it wasn't anywhere near as bad as its critics say it was.

The story was actually good, in a puerile way. What I liked about it was that it accurately portrayed the immature backbiting and excessive preoccupation with superficialities that are common among teens. In certain ways, the story was predictable. It was easy to foresee that Adrien (Lori Heuring) was kidding herself if she thought there was no ulterior motive behind Brittany's (Susan Ward) open acceptance of an outsider into the group. What was cleverly presented and not so obvious was Brittany's motive.

The production was TV quality. Director, Mary Lambert has mostly TV credits on her resume and didn't push the envelope. The acting was mediocre at best. Both Lori Heuring and Susan Ward were passable but unpolished and they lacked subtlety. The rest of the cast was far worse.

This film will probably find a niche with teens and twenty-something young adults, but I don't think it is camp enough to attain cult status. I rated it a 5/10. It's not terrible, but it really doesn't distinguish itself in any meaningful way.

Sloppy, bad movie. But, and it's a big but, it is a curious glimpse of how mind-bogglingly oblivious some people can be to how lucky they are, of how treacherous young women can be when it comes to their territory, of how stupid young men can be, of how a social group can be seen as responsible for the abuses of one individual within that group, especially when that group is the one in power.

But, and this is another big but, there are far more satisfying explorations of such topics, that offer something beyond prurience.

Too bad, because I have been hopeful of Mary Lambert ever since Pet Sematary which, though not a highwater mark in any genre, did explore in a gratifying way how deep people's needs and wants can run, and how that can sometimes manifest in absolute and utter resentment within and between the sexes.

It also had a neat sense of humor underlying it all, which does not always balance well in a horror flick.

Come on, Mary, where's the good stuff?

All the girls in this film slither around like snakes (or feral felines moving in for the kill), and Lori Heuring, the main girl, looks like a deranged cross between Madonna and Jewel (with her twisted little smile and semi-crazed eyes), and the guys are either drunk, stupid or a dazed combination of the two. And these are some of the GOOD POINTS of the movie! High camp at its most pleasurable.