Aggiungi una trama nella tua linguaTommy finds a cursed mirror and a diary in an attic in the new house they moved in. The mirror starts to give Tommy horrible and gruesome visions as his crush keeps rising from the dead.Tommy finds a cursed mirror and a diary in an attic in the new house they moved in. The mirror starts to give Tommy horrible and gruesome visions as his crush keeps rising from the dead.Tommy finds a cursed mirror and a diary in an attic in the new house they moved in. The mirror starts to give Tommy horrible and gruesome visions as his crush keeps rising from the dead.
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I am a huge Ittenbach fan, I love Premutos and Burning Moon was pretty cool as well. Ittenbach himself stars in this movie. The version i have is not subtitled and is in german, so i have no idea what is going on. Its starts in the past with some guy killing a little girl, later on Olaf finds this mirror and it somehow starts crazy stuff. First his girlfriend is hit by a car and she later comes back to life. This is the part of the movie where you know Olaf is inspired by Sam Raimi's Evil Dead. He tries and tries to kill her again, but she keeps coming back. Olaf finally turns into a sort of demon and kills everybody off. There is even a cool scene in hell, while not as graphic as Burning Moons Hell Sequence, it still has some cool gore scenes. If you like Gore, then check this movie out, as well as other Olaf Ittenbach movies . Don't expect to come away from this movie knowing the whole story unless you know german. Great movie!
For all ultra-gore fans, "Black Past" its a "Z" home-made flick, the screenplay is ridiculous, but who cares, what we care, is the ultra gore and sadistic scenes.
Its Olaf Ittenbach first flick, and i think thats is pretty good, for an ultra amateur movie. The special effects are superb, the acting is terrible, the footage too, but the all point of this flick is too shock with brutal graphic violence.
If you like "Black Past", i recommend: "Burning Moon" and "Premutos" (two flicks from Olaf Ittenbach), "Evil Dead"(Sam Raimi), "VS3:Infantry of Doom"(Andrea Schnnas)
Its Olaf Ittenbach first flick, and i think thats is pretty good, for an ultra amateur movie. The special effects are superb, the acting is terrible, the footage too, but the all point of this flick is too shock with brutal graphic violence.
If you like "Black Past", i recommend: "Burning Moon" and "Premutos" (two flicks from Olaf Ittenbach), "Evil Dead"(Sam Raimi), "VS3:Infantry of Doom"(Andrea Schnnas)
After moving into a new home, Thommy (played by German splatter-meister Olaf Ittenbach) finds an old mirror in the attic which causes him to suffer from violent visions before eventually transforming him into a bloodthirsty demon.
This was Olaf Ittenbach's first horror movie, and he starts as he means to go on, delivering rudimentary direction, lousy writing and awful acting, but making up for the film's many technical shortcomings with loads and loads of enthusiastic and well-executed splatter.
For a long while, the most horrific things about Black Past are Ittenbach's monobrow, mullet and moobs -- but hang on in there, because Olaf eventually gives gorehounds what they want, namely bucket-loads of stomach-churning special effects.
The first splattery set piece sees Thommy dismembering the reanimated body of his dead girlfriend Petra (Andrea Arbter), a scene clearly 'inspired' by Sam Raimi's classic The Evil Dead. It may be very derivative, but it's done extremely well -- although it pales in comparison with what follows, a gory vision that involves some brutal genital mutilation and other assorted nastiness.
Having ripped off Raimi, Ittenbach proceeds to imitate Lamberto Bava's Demons with Thommy's transformation into a hideous toothy monster. And this is where things get really messy... Demon Thommy uses scissors, knife, machete and chainsaw to chop up his family and friends, Ittenbach's camera lovingly capturing every nauseating detail.
Eventually, Demon Thommy is defeated by his friend Frankie (André Stryi), who plants an axe in his possessed pal's abdomen (causing his entrails to slide out) and then sends him crashing into the cursed mirror. With the mirror broken, Thommy disintegrates in another scene inspired by The Evil Dead.
6/10. Black Past is by no means a good film, but the impressive effects kept this particular gorehound happy.
N. B. This film must have the slowest scrolling end credits that I have ever seen.
This was Olaf Ittenbach's first horror movie, and he starts as he means to go on, delivering rudimentary direction, lousy writing and awful acting, but making up for the film's many technical shortcomings with loads and loads of enthusiastic and well-executed splatter.
For a long while, the most horrific things about Black Past are Ittenbach's monobrow, mullet and moobs -- but hang on in there, because Olaf eventually gives gorehounds what they want, namely bucket-loads of stomach-churning special effects.
The first splattery set piece sees Thommy dismembering the reanimated body of his dead girlfriend Petra (Andrea Arbter), a scene clearly 'inspired' by Sam Raimi's classic The Evil Dead. It may be very derivative, but it's done extremely well -- although it pales in comparison with what follows, a gory vision that involves some brutal genital mutilation and other assorted nastiness.
Having ripped off Raimi, Ittenbach proceeds to imitate Lamberto Bava's Demons with Thommy's transformation into a hideous toothy monster. And this is where things get really messy... Demon Thommy uses scissors, knife, machete and chainsaw to chop up his family and friends, Ittenbach's camera lovingly capturing every nauseating detail.
Eventually, Demon Thommy is defeated by his friend Frankie (André Stryi), who plants an axe in his possessed pal's abdomen (causing his entrails to slide out) and then sends him crashing into the cursed mirror. With the mirror broken, Thommy disintegrates in another scene inspired by The Evil Dead.
6/10. Black Past is by no means a good film, but the impressive effects kept this particular gorehound happy.
N. B. This film must have the slowest scrolling end credits that I have ever seen.
I jumped into Olaf Ittenbach's content with The Burning Moon and I was surprised with it. But, this one, oh boy this one is way bloodier, heavier, and intense. Scenes of brutal mutilation and insanity wrapped up in a mirror to another realm that shows us what insanity really is.
Olaf stars in this neat little gore feature and his acting is sublime for an independent horror from the late 80s. Not to mention making all of the gore effects himself and directing the movie. It truly shows what you can do if you put your mind and passion into it.
Olaf stars in this neat little gore feature and his acting is sublime for an independent horror from the late 80s. Not to mention making all of the gore effects himself and directing the movie. It truly shows what you can do if you put your mind and passion into it.
Among the other German homemade-splatter videos, Ittenbach's BLACK PAST is one of the best: very well done, especially if you consider all the limits of the video technology at that time. The same can be said about the special effects, entirely done by Ittenbach himself: they're quiet impressive and realistic, not like the red paint and cardboard used by Schnaas in his debut video (of the same year) VIOLENT SH*T. The cinematography and the acting are on a amateur level, but this is obvious and we can't blame it. The story is maybe a little bit slow at the beginning, but its short running time (something like 45 minutes) gives it a good rhythm and keeps it away from becoming boring.
Lo sapevi?
- ConnessioniReferenced in The Burning Moon (1992)
- Colonne sonoreSixty Nine
Composed and arranged by Norman Bates
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Dettagli
Botteghino
- Budget
- 2000 DEM (previsto)
- Tempo di esecuzione1 ora 25 minuti
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