Aggiungi una trama nella tua linguaTwo young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly make her their sex slave.Two young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly make her their sex slave.Two young thugs kidnap a young girl and keep her in the basement of an old warehouse where they forcibly make her their sex slave.
Sandra Sinclair
- Joanna's Friend
- (as Sandy Sind)
Ted Cooper
- Carl Walker Sr.
- (non citato nei titoli originali)
Marti Litis
- Martha - the Maid
- (non citato nei titoli originali)
Recensioni in evidenza
Amazing Friedman production, generally considered to be the first 'roughie', so it's black and white soft-core sex. Plus because there were restrictions as to how much sex action could be seen, we get violence instead. Great irony as others have noted that you couldn't show too much loving but you could show hitting. This is a bit slow in places and the cars, the girls and the guys all look more 50s than 60s but the flesh, the fashions and talk of 'kicks' brings us more into the period. The extent of slapping and spanking is astonishing and the sleaziness of the kidnapped girl's basement surprising. Friedman reckons this would get an 'R' rating today - he's living on another planet if he thinks it would even get made. Excellent key trash movie.
Shown usually in a double feature DVD, Scum of the Earth was definitely more entertaining than The Defilers but I found them both equally tragic in how horrible films like this were made.
Something Weird doesn't do much with fixing the print which is jumpy and bad but it's still well worth a look if you love sleazy drive in fare. The film captures an awkward age between the sexual revolution and the early century moral values. "We need a CAPER!" & "I said KICKS! KICKS! not chicks, sheesh, next you'll be suggesting BEER!" Good movie for those who like this sort of thing.
Terrible acting but yet still interesting to watch.
Something Weird doesn't do much with fixing the print which is jumpy and bad but it's still well worth a look if you love sleazy drive in fare. The film captures an awkward age between the sexual revolution and the early century moral values. "We need a CAPER!" & "I said KICKS! KICKS! not chicks, sheesh, next you'll be suggesting BEER!" Good movie for those who like this sort of thing.
Terrible acting but yet still interesting to watch.
When the "nudie-cutie" and nudist camp films began to lose popularity, filmmakers like Russ Meyer, Doris Wishman and Dave Friedman began to add a little violence to the mix and shoot in black & white to get the look of old stag films. A simple tale of the abduction and abuse of a girl from Minnesota by two thugs looking for "kicks." Sure it's distasteful but Byron Mabe is very good as the more twisted of the pair of abductors, which is all the more remarkable when you consider that he was hired as part of the crew but stepped into the lead role immediately after the original actor froze in front of the camera. The DVD commentary by Friedman is a very informative and entertaining talk about the making and distributing of exploitation films like this and the hilarious array of characters he worked with in those days.
Saw this on DVD (along with SCUM OF THE EARTH) and was actually expecting it to be even sleazier after reading about it. The main character is a complete sociopath but this was fairly well-made. Good music some of the time and the acting was decent, especially Byron Mabe (who directed some films). The lead girl looked perfect and was completely believable (not from acting; just being the type). A 5 out of 10. Best performance = Byron Mabe.
This would have been completely unwatchable in color, but B/W lends itself to this kind of material. The barbarous freedom of the two young men is pretty frightening (especially in '65). I've seen a number of 60's "exploitation" flicks and this one scores some points (acting, mood, cinematography) and slightly better than most. THE AGONY OF LOVE is one of the better ones with Pat Barrington.
This would have been completely unwatchable in color, but B/W lends itself to this kind of material. The barbarous freedom of the two young men is pretty frightening (especially in '65). I've seen a number of 60's "exploitation" flicks and this one scores some points (acting, mood, cinematography) and slightly better than most. THE AGONY OF LOVE is one of the better ones with Pat Barrington.
The Defilers (1965)
** (out of 4)
Friends Carl (Byron Mabe) and Jameison (Jerome Eden) have a lot of great things going for themselves and especially when it comes to women. They've slept with most of the ones in town but when they meet Jane (Mai Jansson) they have different plans for her. Those plans include kidnapping her and forcing her into a warehouse where they're going to hold her as a sex slave. THE DEFILERS often gets called one of the best "roughies" from this period and I will admit that it's a notch or two above most but it's still far from a "good" film. I've always found these roughies to be a rather strange genre but what's even stranger is how popular they were back in the day. The female abuse here is all over the map but there's an early scene where a woman doesn't behave so the guy pulls her panties down right there and spanks her very violently. There are a few other scenes of women being slapped around but there's nothing overly graphic here. The rape sequences all take place off camera so there's nothing like that either. There is plenty of female nudity all around as every woman in the cast takes her clothes off at some point. The performances aren't all that bad and there are a few good touches from the director. THE DEFILERS isn't the greatest film in the world but it's certainly not the worse either. Fans of the genre should enjoy it.
** (out of 4)
Friends Carl (Byron Mabe) and Jameison (Jerome Eden) have a lot of great things going for themselves and especially when it comes to women. They've slept with most of the ones in town but when they meet Jane (Mai Jansson) they have different plans for her. Those plans include kidnapping her and forcing her into a warehouse where they're going to hold her as a sex slave. THE DEFILERS often gets called one of the best "roughies" from this period and I will admit that it's a notch or two above most but it's still far from a "good" film. I've always found these roughies to be a rather strange genre but what's even stranger is how popular they were back in the day. The female abuse here is all over the map but there's an early scene where a woman doesn't behave so the guy pulls her panties down right there and spanks her very violently. There are a few other scenes of women being slapped around but there's nothing overly graphic here. The rape sequences all take place off camera so there's nothing like that either. There is plenty of female nudity all around as every woman in the cast takes her clothes off at some point. The performances aren't all that bad and there are a few good touches from the director. THE DEFILERS isn't the greatest film in the world but it's certainly not the worse either. Fans of the genre should enjoy it.
Lo sapevi?
- QuizShot in five days.
- BlooperAs Carl and Jameison drive away after dropping Jane off in the Valley a boom microphone shadow is plainly visible on the car and road.
- ConnessioniFeatured in The Laughing, Leering, Lampooning Lures of David F. Friedman (1992)
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Dettagli
Botteghino
- Budget
- 11.000 USD (previsto)
- Tempo di esecuzione1 ora 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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