Vendetta

African Americans were not the only group lynched in the US. In the 1890s, there were six lynchings of Italians, three of them in Louisiana. This is the story of one such lynching in New Orleans.

After the emancipation in 1865, the power in New Orleans imported Sicilians to replace the African American. After a time, they came to regret this decision, as the Italian population grew to about 30,000 by 1890. They, particularly James Huston (Christopher Walken), set about trying to play the two factions of Sicilians (the Machecas and the Provenzanos) against each other.

It should be noted that politically correct terminology is not used for the two races.

Since the Sheriff (Andrew Connolly) wouldn't go along with the Mayor (Kenneth Welsh) and the other leaders, he was disposed of. Another policeman (Luke Askew) reported that "dagos" did it and riots ensued. Six men were pointed out by a "witness" that was intimidated by the police.

A "trial" was held, but the results weren't what the town expected, so they took matters into their own hands, stirred up by the Mayor with threats by Huston that it will be done "with you or without you." Of course, many more were murdered in the real event that took place, but this is a movie.

Huston got what he wanted.

No wonder this movie was never exhibited in theaters, after all, who would believe a Hollywood movie plot that doesn't portray Italians as belonging to the mafia? This movie is a good reminder that every group that has ever existed has had its problems and it's persecutors, and that the animosity usually boils down to economic reasons. Every group has something to be resentful about, the successful ones are those that put the past behind them and look to the future. I do have trouble with the title though, unless of course it was meant as an ironic title, since there was no Vendetta in the main plot. Christopher Waken stands out with another great performance, he is totally believable in his role, and his acting doesn't disappoint.

This movie could have been much better if it hadn't brushed over the personal lives of the characters, but I think the filmmakers had to decide on whether to concentrate on the factual story or an in depth character study of the immigrant experience. Had they decided to pursue both in this case it probably would have made an excellent mini-series

The story is great, and the actors are very good too. I guess I like the story more than the acting. Though it has no happy ending, but it feels real. Wonderful movie.

I loved the movie! It had a great story behind it, and the acting was terrific! As a member of the City of Kingston, I was proud to have lived in the city during the filming period! but then again, thats just my opinion, go rent it, and judge it for yourself, not everyone has the same taste in movies. I was absolutly Superb! Enjoy the show!

Theodore Roosevelt was contemptuous of races and nations he considered inferior. When a mob in New Orleans lynched a number of Italian immigrants, Roosevelt thought the United States should offer the Italian government some remuneration, but privately he wrote his sister that he thought the lynching was "rather a good thing" and told her he had said as much at a dinner with "various dago diplomats . . . all wrought up by the lynching."

This was the attitude of America in 1891. The New York Times on March 14, 1891, published an article describing the events in this film with the following headline: CHIEF HENNESSY AVENGED; ELEVEN OF HIS Italian ASSASSINS LYNCHED BY A MOB. The attitude of the whites in New Orleans can best be summed up by the comments from one businessman, "I would rather have a thousand Chinamen, than one Italian.

This information is critical to understanding the movie, the truth of which is well documented. It was not just African Americans that suffered lynching after the Civil War, many Italians suffered the same fate across the country, but mostly in the South.

Timothy Prager's script hewed very closely to Richard Gambino's book. The performances were outstanding, particularly Christopher Walken, Joaquim de Almeida, and Clancy Brown, in the short time he was on screen. Alessandro Colla and Megan McChesney provided a romantic distraction amid the chaos. This was their only screen roles, and they did very well.

I am grateful to Alan DiFiore, Mark Israe,Sue Jett,Gary Lucchesi,Tony Mark, Nicholas Pileggi, and Gary A. Randall for making this important film.