Short Sharp Shock

Kurz Und Schmerzloz (or Short, Sharp Shock for the English title) from the Turkish writer/director Fatih Akin is a German drama that takes place in Altona, a well known neighbourhood of Hamburg, the westernmost urban borough to be more precise. I've been there several times so I recognized some places which is always enjoyable. The story was also recognizable at times, reminded me my youth years when friendship was the most important thing in the world. It's an interesting drama, easy to follow, and well acted. All foreign and unknown actors to me but they were all very convincing. It's not a high budget movie but it's well made, which proves that you don't always have to have a high budget to make a good movie.

Why this movie was a failure at the German box-office will always be a mystery to me. Fatih Akin, the director, was obviously influenced by Martin Scorsese's and Brian DePalma's first movies but he didn't try to imitate them. Instead he made one of the first movies which truly celebrates the 'Multikulti'-society that Germany has become (At least in the larger cities).

You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.

To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.

"Kurz und schmerzlos" means as much as "quickly and smoothly" and is a German underground drama by young Turkish film maker Fatih Akin. Shot in the suburbs and industrial area of Hamburg, Akin's home town, it was a big hit in German repertory cinemas in 1999.

The film shows the life and fate of three young foreigners - Turk Gabriel, Greek Costa and Serb Bobby, all of them dreaming of love and money in the bleak surroundings of social welfare, crimes, industry, unemployment and cultural minorities. Of course it won't take long until the friendship of the three outsiders is about to break apart when Gabriel becomes a henchman for a local gangster boss, and a journey through violence and despair begins for all three of them...

There are no special effects, no visual games, there is just pure "adrenaline acting" - except for Ralf Herforth ("Knocking on Heaven's Door") as gangster boss Muhamer, all actors are unknown newcomers, but with a great impact and brilliant performances. There is much realistic violence in it than can be felt in every second, and you really need to watch out for some contemporary American or Japanese underground stuff to find something similar. And the sound track is very good, too.

But the movie shows also the social milieu and the problems of national minorities in a Western country like in the works of British film maker Hanif Kureishi ("My Beautiful Laundrette"). Watch out for this example for great contemporary German cinema, and although "Kurz und schmerzlos" avoids all the visual styling of "Lola rennt", it has the same impact and power like that international box office hit!

It is truly a shame that this film was overshadowed by the overhyped Lola Rennt. I really enjoyed this film, which has a grit to it that can only be present with realistic characters. Watching this film, it was easy to identify with the characters, whose feelings and emotions are real (unlike many a Hollywood flick).

Ralf Herforth is convincing as the Albanian gangster Muhamer, and the other unknown actors do a great job portraying their characters.

There are German films that aren't relationship comedies or delve into recent history. This film is a gangster melodrama, set in the Turkish community of Hamburg Altona. We care about the fates of the colourful, not-always-do-goods, emphasise with their struggle against the life they live. KURZ UND SCHMERZLOS manages to reach a rare quality: it feels "real".