VALUTAZIONE IMDb
7,1/10
5930
LA TUA VALUTAZIONE
Tre amici vengono coinvolti in una vita di gravi crimini.Tre amici vengono coinvolti in una vita di gravi crimini.Tre amici vengono coinvolti in una vita di gravi crimini.
- Premi
- 5 vittorie e 5 candidature totali
Nezâ Selbuz
- Tänzerin auf Hochzeit
- (as Neza Selbuz)
Monique Akin
- Junge Frau im Reisebüro
- (as Monique Obermüller)
Recensioni in evidenza
"Kurz und schmerzlos" means as much as "quickly and smoothly" and is a German underground drama by young Turkish film maker Fatih Akin. Shot in the suburbs and industrial area of Hamburg, Akin's home town, it was a big hit in German repertory cinemas in 1999.
The film shows the life and fate of three young foreigners - Turk Gabriel, Greek Costa and Serb Bobby, all of them dreaming of love and money in the bleak surroundings of social welfare, crimes, industry, unemployment and cultural minorities. Of course it won't take long until the friendship of the three outsiders is about to break apart when Gabriel becomes a henchman for a local gangster boss, and a journey through violence and despair begins for all three of them...
There are no special effects, no visual games, there is just pure "adrenaline acting" - except for Ralf Herforth ("Knocking on Heaven's Door") as gangster boss Muhamer, all actors are unknown newcomers, but with a great impact and brilliant performances. There is much realistic violence in it than can be felt in every second, and you really need to watch out for some contemporary American or Japanese underground stuff to find something similar. And the sound track is very good, too.
But the movie shows also the social milieu and the problems of national minorities in a Western country like in the works of British film maker Hanif Kureishi ("My Beautiful Laundrette"). Watch out for this example for great contemporary German cinema, and although "Kurz und schmerzlos" avoids all the visual styling of "Lola rennt", it has the same impact and power like that international box office hit!
The film shows the life and fate of three young foreigners - Turk Gabriel, Greek Costa and Serb Bobby, all of them dreaming of love and money in the bleak surroundings of social welfare, crimes, industry, unemployment and cultural minorities. Of course it won't take long until the friendship of the three outsiders is about to break apart when Gabriel becomes a henchman for a local gangster boss, and a journey through violence and despair begins for all three of them...
There are no special effects, no visual games, there is just pure "adrenaline acting" - except for Ralf Herforth ("Knocking on Heaven's Door") as gangster boss Muhamer, all actors are unknown newcomers, but with a great impact and brilliant performances. There is much realistic violence in it than can be felt in every second, and you really need to watch out for some contemporary American or Japanese underground stuff to find something similar. And the sound track is very good, too.
But the movie shows also the social milieu and the problems of national minorities in a Western country like in the works of British film maker Hanif Kureishi ("My Beautiful Laundrette"). Watch out for this example for great contemporary German cinema, and although "Kurz und schmerzlos" avoids all the visual styling of "Lola rennt", it has the same impact and power like that international box office hit!
Don't know why somebody wrote this ridiculous Nazi AND Porno thing, but most definitely he hasn't seen or understood the movie. Great actors, intriguing story, great soundtrack. Haven't seen anybody ( including my turkish buddies ) who didn't love this movie.
The best German movie I have ever watched as it is very realistic. It brings back memories, as I too was a member of a three-guys gang. After moving to Jordan and then coming back to Germany after 2 years, I too was out of all the trouble and wanted to stay out of it. This movie reflects my life. Not 100%, but the friendship between me and my friends is portrayed as if I was looking into a mirror.
Why this movie was a failure at the German box-office will always be a mystery to me. Fatih Akin, the director, was obviously influenced by Martin Scorsese's and Brian DePalma's first movies but he didn't try to imitate them. Instead he made one of the first movies which truly celebrates the 'Multikulti'-society that Germany has become (At least in the larger cities).
You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.
To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.
You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.
To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.
I found it by chance in my library. I nearly forgot it, since the time I taped it off from French ARTE channel. Yes, you can compare it with a Marty Scorcese - MEAN STREETS - like tale. Petty hoodlums in Germany, mostly from immigrant descent: Turkish, Serbian, most of them brutal, violent volks. It is not in the Quentin Tarantino style either, it refuses to copy the new fashion of this period, trying to imitate Tarantino's way of story telling or filming at all costs. It sounds very realistic, the acting more real than life. It grabs your attention and the characters, despite what they are, remain poignant, gripping. Excellent social crime film.
Lo sapevi?
- QuizIn the scene where Bobby slaps Alice, Aleksandar Jovanovic really slapped Regula Grauwiller on director's demand without her knowledge to intensify the scene and add authenticity.
- BlooperAs the camera tracks in to Bobby and Muhamer, the camera and its tracks are reflected on the front door of the car.
- ConnessioniFeatures Drunken Master (1978)
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Dettagli
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- Lordo in tutto il mondo
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