Red Dirt

"Red Dirt" is not quite like any film –independent or otherwise – to have come out in some time. Some seem to have been disappointed that this wasn't a great southern "romance" either straight or gay and others seem to have been unable to connect with the characters.

While the premise is easily recognizable and perhaps, predictable even, what Purvis did was take a standard situation - and give it a spin all its own with fresh, inviting characters.

I feel Mr. Purvis captures perfectly a small town in the deep South. Deadly silence punctuated by birds, wolves, crickets, locust, rain. Then there are the crazy southern women (all 4 women in this showed signs of madness) always with deeply hidden and long held secrets. All of these women exhibit a wondrously wide (and wild) range of emotions from instability to madness to wise.

One of the most touching elements of the film was the bonding connection between Emily and Aunt Summer, with Em's final "goodbye" an arrestingly beautiful film moment.

The gay repression angle works perfectly here, both men quiet about it, but Griffith actually socially naïve and stunted enough into thinking what is going on between he and Lee is strictly friendship. His unhinging and rage were moving.

Comments about Karen Black's being "all over the place" are correct, but this is not a bad thing. Her character is just that – emotionally unstable, a lifetime of guilt over her secret which is what is driving her mad. We see that pent up madness within her coming out in her dramatic loony-tune sequences and her escape into music makes perfect sense.

To those who complained about a lack of romantic ending, I can't imagine a more classically "romantic" then this; rage, revelation and confusion subsiding into sadness, forgiveness, self-awareness and acceptance . . . as the sun streams down on a glorious southern evening.

Physically, as well, this is a stunning film, the photography breathtaking, the colors vivid and true.

I did not, quite honestly, expect to enjoy this film at all. Instead I found myself drawn in, touched watching these self-imposed alienated characters trying to connect with another human, and ultimately I found myself deeply moved.

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If you enjoy being spoon-fed at the theater or in front of your television, then this movie isn't for you. If you are offended by a subtle gay storyline however non-offensive it may be, then perhaps a night out at Hooters would be better suited for you. But if you think you might enjoy a movie with interesting Southern characters, set amidst some fine beauty from the southern part of the U.S., then this flick might be for you. The direction IS just fine and I was pleasantly surprised at how much I liked the characters. Karen Black is a real treat here.

This film is getting a lot of (-) comments, and I can see their point of view, BUT, it's better than the're saying. True it's slow moving, but that captures the essence of the story. These are frightened and careful people, trapped in a backwater, and, though unstated, the brutality of Conservative Christian bigotry has great influence on their behavior. The love between the two guys didn't come from nowhere: from the first time they saw each other there was an electric current between them. The shower scene was almost explicit: Griffith COULDN'T KEEP HIS EYES OFF LEE!!!!. and the gay shop-keeper knew instantly there was something. And while the ending was overtly disappointing, I believe that, down the road (pun intended) they're going to get together. Acting was mostly good, but Walton Goggins was HOTTTTT. Watch him on "The Shield" and see what a good actor he is. All in all, I enjoyed the film, but WHAT WAS that short on the DVD?

Red Dirt is a story with two main themes: claustro- and agoraphobia, literal in the case of our protagonists' dotty Aunt Summer, and more abstract in the portrayal of cousins Griffith (desperate to escape town) and Emily (resigned to sharing her female relatives' fate of never leaving); and the difficulty and pain of expressing love, and changes in love. When a stranger, Lee, comes to stay at their farm, he acts as a catalyst that eventually brings all their secrets out of the woodwork, and it hurts as much as it sets everyone free.

In today's world of determinist sexuality and identity politics, it's clear why this film goes down like a ton of bricks with some people - many won't find it satisfying to watch a story of people falling in (and out) of love with no neat labels that can be attached to their desires. Even more disturbing to some will be the hint that love and sex are not the same thing. Yet this is exactly what I found so moving about this film, and such a welcome change from the teenager-coming-out stock of gay films that, despite being of some value to those that need them, have become tedious to those that no longer do. Fond as I am of man-on-man action, and not being much of a romantic, I was therefore very surprised to be so moved by a film simply about love, and not to have to suffer through another truckload of big-city gay clichés.

The acting, cinematography and photography are all superb - I could have done with a little less of the weepy soundtrack but really that's a tiny quibble.

There are several holes in the story of this movie... if you're one of those people who gets hung up on that, move along. If you're able to immerse yourself into something and just enjoy it, then I would recommend this movie... quite enjoyable.

I'm not a fan of it being billed as a "gay" movie; when Lee Todd enters the world of Griffith and Emily, and their slightly crazed Aunt Selma, Griffith for the first time has someone that he can consider a friend (besides his beautifully controlling cousin Emily, who desires more than mere companionship and will try anything she can to keep him in their native small Mississippi town).

I don't think the words "gay", "queer", or "homosexual" ever enter this movie; while the characters develop a love that is self-admittedly stronger than friendship, that's really what this movie is about. Griffith's frustrating love and sense of responsibility for his crazed aunt, Emily's obsessive blinding love for Griffith, and Lee's protective love of Griffith...

Add in an interesting subplot of a dark family secret (that had so much more potential that it actually delivered) and it's an interesting concept.

Having grown up myself in a very small rural town where few people ever leave, I related to the movie and thought that even if the story was a bit weak, it was still beautifully delivered.