Joe the King

My second favorite genre of movies to watch are coming of age movies. This is one of the best I've seen since Stand By Me. There are few other films similar that I'm going to revisit again soon.

All of the actors/characters are great in this. Val Kilmer did a really good job playing an abusive father. Noah Fleiss (Joe) was amazing in this. He was very believable. I actually felt bad for him throughout the movie.

When Ethan Hawke came in, I was hoping that he'd help Joe turn his life around and adopt him and his brother. But what we got is just as good. The mother who was played by Karen Young was great in this as well. And of course Joe's brother Mike, who was also really good in this!

The ending was good and well written. Although, this is definitely one of those movies that could have been longer. I would have liked to have seen what happens to Joe in the juvenile facility and after his six months is up.



The negatives: 1. Joe's friend Ray kind of bugged me a few times. And 2. It needed to be much longer.

Overall, really good film. I highly recommend it! The next coming of age film I plan on reviewing is "King Jack". I will then make a list of the coming of age films I've seen ranked.

Whenever I watch a film like Frank Whaley's Joe the King, it reminds me how grateful I am to have the family I have, the opportunities I have, the privileges I have, and the love had for me. After spending one-hundred minutes with a kid who has almost nothing, I think about myself, and how I have so much more than I can ever want, no so much about the tangible things, but the intangibles like unconditional love, incredible academic opportunities, and a whirlwind of support for what I do. Counting these blessings only becomes easier after witnessing a film like Joe the King.

The film stars Noah Fleiss as the titular character, a fourteen-year-old who has spent his life victim to physical and emotional abuse by his violent, alcoholic father Bob (Val Kilmer) and his short-tempered mother Theresa (Karen Young), who doesn't make up for the lack of attention brought on by his father. Joe's brother is rather kind to Joe, never threatening or unnecessarily assertive, but still lacks that kind of warmth and love that Joe desperately needs in his life. Taunted by his classmates because his father works as a janitor, harassed by drug dealers who are threatening his life because his father won't pay his debts, and left to his own devices, Joe takes on a quiet life of crime, conducting petty heists and stealing from local residents in order to obtain the money he needs. Unlike most kids his age, Joe has a job, which is a cook and bus-boy in a sketchy restaurant. Joe works to buy his mother all the vinyls his father trashed in a drunken rage, while also trying to keep his criminal profile as subtle as it can be without him getting caught.

The idea behind Joe the King is incredibly intriguing, focusing on a young boy who, through all the abuse and neglect, still loves and deeply cares for his parents, which is a rarity in these kinds of films. Normally, we see a young boy or girl hating their parents for putting them under these conditions, which is very understandable. However, Joe's desire to help his dad out personally and repay his mother for something he had no involvement in makes Joe the King unique in the department of coming of age films.

Fleiss is great as Joe, clearly possessing the traits of an actor who can show no emotion or a lot of it, depending on what the scene calls for. Assisted by the likes of Kilmer and Young, he can really do no wrong, showing what life is like being a young boy with little to rely on and no one to trust. Even his guidance counselor (Ethan Hawke) bears a frustrating emptiness in Joe's mind, really proving to himself that he can't trust anyone and only has himself to rely on.

The only issue with the writing (done by Whaley himself) is that the film spends too much time on Joe, so much so that the supporting characters in his life are subtly developed and only given vague and rather broad stereotypes to work off of. Because of this, no one besides Joe really receives development in the film and that's an issue for a film looking to develop multiple different characters in multiple different situations.

Despite this, Whaley overcomes the film's largest task, which is make a character who does wrong, morally reprehensible things sympathetic and emotionally honest, a feat that remains consistent throughout the film. Whaley treads a fine line between committing contemptible actions as a poor, loathsome character and having sympathy for the offender nicely, making Joe a surprisingly sympathetic soul throughout the entire film. Consistently we recognize that he is a good soul doing bad things in order to stay moderately afloat, which is what makes the film strong and stable.

With three directorial efforts under his belt, and a fourth one on the way, Whaley proves that he enjoys glaringly flawed characters, who consistently try to do good by doing bad, which immediately makes for an intriguing story. Lifted up by fantastic performances by everyone involved and a biting, almost unshakeable amount of emotional leverage, Joe the King is equal parts upsetting as it is moving, which, for a first time director, is difficult to achieve. However, Whaley handles the challenge like a true directing veteran.

Starring: Noah Fleiss, Val Kilmer, Karen Young, and Ethan Hawke. Directed by: Frank Whaley.

I've always been a huge fan of Frank Whaley, and I've always found him to be one of the most under-appreciated, really great actors to have emerged in the 1990s. Here in his directorial debut, Whaley paints a deeply moving portrait of a troubled family floundering at the poverty level. Young Noah Fleiss is absolutely heart-breaking as the morally corrupt child of an abusing father, played by Val Kilmer in his most earnest dramatic role. Whaley's movie, drawn from his own life, is a touching, moving indie that should have gotten better notice.

This movie highlights the horrible effects a dysfunctional family life has on a child. Can we really blame juvenile delinquents for their actions? Or are they the product of their environment? Noah Fleiss did a sensitive portrayal of a boy trapped in impossible circumstances. Yet, remarkably so, he was a strong boy, able to withstand the stabs from his father and non-supportive mother, ultimately landing in very serious trouble for trying to do good.

Featured at the 1999 Toronto Film Festival, the directorial debut from the talented actor Frank Whaley "Joe The King" was introduced by Frank's long-time friend Ethan Hawke and the film's main actor Noah Fleiss. Ethan explained that Frank and he had been the best of friends since their work on "A Midnight Clear" together. Frank couldn't present the film because he was only just getting into Toronto at the airport but happily agreed to a Q&A afterwards.

The film portrays with stunning clarity a bleak period in the life of Joe, a fourteen year old boy from a lower class neighbourhood whose father is an alcoholic and works as a janitor in Joe's school. Joe works in a restaurant after school and in all aspects of his life he's surrounded by people who look down on him, talk down to him and sometimes beat on him. It's very difficult to not feel sorry for someone like Joe, he'll likely break your heart. Many of us may have bad childhoods or perhaps recall them as such, but for most, this film will give you reason to feel lucky and fortunate whatever your situation was.

There's not so much a story as there is a stringing together of vignettes of a hellish childhood that brings an authentic feel to each and every aspect of the film. While the film does move along quite slowly, each performance given is a strong building block to assemble what ultimately seems to be an autobiographical account. The world that Joe lives in is so fully constructed and detailed that it's easy to forget you're watching a film and not a documentary.

What was revealed in the Q&A afterwards, was that Whaley wrote this film as a conglomerate of his brother and his own experiences growing up. A statement he almost reluctantly offers, explaining that the original title of the film was named for the street where he grew up. Out of respect for his mother they chose "Joe The King" which turns out to be a fairly arbitrary title. "I hope you're not telling people it's autobiographical," as he mimics his mother's concerned sentiment, at which point he shares that he hopes she never sees the film as it may prove too painful for her.

While the film is not based on a true story per se, that is not what is most relevant. What Joe goes through on a daily basis is what this story is about, what is likely to stir you, and not the pivotal event in the later part of the film. And as a young Joe looks into the camera at the end of the film, holding there for a moment. The question that haunts the viewer is, "What will become of young Joe The King?" The answer stood before us with a microphone in hand, fielding answers from an intrigued audience. Frank Whaley himself is the affirmation to his own film.

Frank in his usual charming way answered questions with enthusiasm and humour at one point recounting the casting of the film. As an actor for many years he has had the pleasure of working with numerous gifted individuals and many of these faces appear in the film. He had more difficulty with casting the younger element of the film as he explained that he "doesn't know any kids". He couldn't have asked for a better young lead than Noah Fleiss to play so convincingly Joe the King. And while I don't see this film breaking box office records or even flying off the video stands due to its depressing, sombre nature, I do believe it will be very meaningful to some people and for others prove how lucky they really are.