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I liked this movie. It wasn't the best lesbian film I've seen, but it's quite sweet.

I'll get the bad points of the movie out of the way first. My main problem with the film was that the characters weren't really deep. You couldn't really relate to them much as the makers only skimmed the surface of their personalities. I felt the same way with the plot, too. It needed a few viewings before I could really get into this film.

On the other hand. Although a little bland, the characters where still quite sweet. And funny. My favourite being Judy, the loveliest drag-queen ever!

If you like romantic little stories, and are a fan of gay cinema - then you should see this movie.

The problem with Canadian cinema is that most of the time it is pretty good, pretty different from those ugly Hollywood formulas. Another problem is we don't have the chance to see these movies in Canadian theatres, because it is filled with USA. Director Anne Wheeler is from west Canada. It's the third of her movies I see : Loyalties (1986, with fantastic Indian actress Tantoo Cardinal) Bye bye blues (1989) These two have a Canadian cultural edge to it. Not this one : it is universal, but set in Canada. What the three movies have in common is the FEELINGS! They are also very feminine. This one is a romantic comedy, with good acting by Christina Cox and charming Karyn Dwyer. It's fun, human, intelligent. Did I have to say this is a movie about lesbians? Not really : it's just a pretty good romantic comedy. I'd like to see more of Anne Wheeler because I'm sure she's a great talent from Canada. By the way, I'm sure that Canadians from the west don't really know about Quebec's films. Very sad! We make a pretty good lesbian picture too : Revoir Julie. Thanks to miss Wheeler and all the cast.

Before you see Peggy Thompson and Anne Wheeler's "Better Than Chocolate", ask yourself if you want to see yet another lesbian film heavy with issues. I, unfortunately, get easily irritated by movies weighed down with a political agenda, but, fortunately, this one had enough funny charm and emotional content to keep me interested. The framework of the film is your typical girl meets girl, girl almost loses girl because she can't come out to her parents scenario. The very involved subplots, however, create the film's promise.

Lila (Wendy Crewson) is the betrayed house-wife going through a divorce, and mother-cum-roommate (and she's not the only character we get to see cum in the film) of the movie's central character, Maggie (Karyn Dwyer). Aside from the artfully sensual (yummy!) love-making scenes between the main character and her new girlfriend Kim (Christina Cox), the friendship formed between Lila, and her daughter's transgender friend Judy (Peter Outerbridge) makes for some of the movie's most delightful moments.

One character who isn't given nearly enough screen time is Carla (Marya Delver), a gorgeous "omnisexual" (as described by Maggie) feminine biker babe who works at the bookstore that serves as the dramatic hub of the film. She is flirtatious and outrageously forthright with her sexual appetites. Carla seduces Maggie's seventeen year old brother Paul (Kevin Mundy) into exploring new possibilities (after all, "boys like toys, too."). I couldn't help thinking, however, that the writer was, at times, poking gentle fun at her, though with no real disrespect intended.

As an interesting side note, the film steps outside the realm of gender and sexual politics to touch on other sensitive issues. One of those being the role of the artist. Almost all the film's characters are artists in one way or another. From Maggie's window installations, to Lila's forsaken Opera career, to Judy's fantastic nightclub acts, to Kim's paintings, the arts are heavily addressed. In the dialogue between Lila and other characters we see that, as filmmakers, the writer and director have a real grasp on the difficulties of being creators. What is fascinating is that "coming out" as an artist, in the film, is nearly equated with coming out as a lesbian. Aside from the annoying in-your-face rhetorical quality typical of many gay and lesbian films, "Better Than Chocolate" is warmly amusing and appealing to those of any gender or sexual orientation.

This is a wonderful movie rich in both love and life. Maggie, a worldly yet closeted twenty-year-old runs into her new girlfriend Kim, a similarly aged artist-on-the-road, the day before her mother and brother come to live with her and romantic adventure ensues. Maggie's mother, Lila, believes the only pleasure left in the world after her divorce is chocolate, but soon finds there still is more to life. This film covers all the bases of the LGBT spectrum and, while occasionally using stereotypes, is a beautiful way to celebrate diversity. This is one of my favorite movies for the subtle humor and beautiful theme of the movie and I, personally, give it an A+!

Well, what can one say about this film? You could just agree to all the bad critics that have been written about it – that "Better than chocolate" is nothing more but a cliché and an unrealistic fairy tale. Fairy tale's the word: What is cinema supposed to be if not a fairy tale? It's unrealistic; it helps us forgetting our daily troubles and allows us to dream and to bathe in romantic feelings. And these are exactly the reasons I recommend "Better than chocolate" and think that it's a splendid movie, a hilarious comedy and a love story so sweet you just get enchanted by it.

It's a classic: The sweet princess, Meggie, just quit university and preferred becoming part of Vancouver's gay scene, performing in a gay bar (and she's so great in it!) and working in a lesbian book store. Things seem to go pretty fine until the day when Maggie's Mum Lila calls and informs our princess that she just left her current husband and wants to move in with Maggie, bringing Maggie's teen brother Paul with her. The problem is: Mum doesn't know (or doesn't want to know) that her little daughter is gay. Things get even more problematic when one night, after her performing at the club, Maggie meets her knight, who does not wear an armour or ride a white horse, but who is an attractive, tough and cool girl named Kim, rides a funky van and lives on the road, earning her money with drawing portraits. When all the characters mentioned above finally find themselves living under the same roof some days later, things become chaotic and almost grotesque cause it's so obvious that Kim and Meggie are a couple but Lila is simply blind for it.

Mind you, the movie also deals with other interesting characters. We get to know Frances, the neurotic owner of the book shop Maggie works in. There is also Judy, who once was Jeremy, but now is a woman and hopelessly in love with Frances. And don't forget Carla, whose favourite pass of time is sex, who seduces almost every person crossing her way, is an expert in the newest *toys* and digs on Maggie as well as her brother Paul.

Of course it's one or two clichés, I mentioned it before. But if you see how lightly and heart-warmingly the story is told, if you hear the hilarious jokes and one-liners, follow the soft filming of the camera you just can't help forgetting about those clichés and falling in love with this movie. For in the middle of this colourful chaos the love story between Kim and Maggie is the calm and comforting pole, it's told in silent pictures and gentle sounds (which become a bit louder when it comes to … well, the making love part). And this beautiful love story has highlights of its own, and I don't want to reveal even one of them. I can only say that much: A lot of colour and … goddesses ;) (everyone who's seen the movie of course knows what I'm talking about) There is also something else I love about this film: Although it's a fairy tale and most parts of it are simply utopic, "Better than chocolate" can be inspiring and show possibilities: The possibility of an alternative life style and that you can be comfortable with it, no matter what others might think, the possibility to break out of certain expectations society burdens us with and the possibility to love differently. For example when Maggie quits her finance studies to live her dream of being an author. So, besides allowing us to dream, this film also gives incredible hope and this might be its greatest strength.

A word on the cast which is simply – brilliant. And before concentrating on one of the protagonists, who in my opinion stood out, I'd like to compliment the others. There is this young actor playing Paul, who up to "Better than chocolate" has had no acting experience but is very good at what he's doing. There is the sex-ridden but likable Carla. The neurotic Frances – Canada's currently probably most famous lesbian actress and author Ann-Marie MacDonald (and according to director Anne Wheeler the only openly gay actress participating in this movie). The icing on the cake in this film are two profound Canadian actors – Wendy Crewson as Lila and Peter Outerbridge as Judy. Wendy (who is probably most familiar as Harrison Ford's wife in "Air Force One") is just outstanding as the confused, sweet and clueless Mum with a weakness for chocolate. Peter Outerbridge is just incredible as Judy and you really have a hard time to believe that this is his first transsexual performance – he's so great in this role and just a beautiful woman. And now let me point out the person who impressed me most with her performance: Christina Cox as Kim. She's hot, she's sexy, she's tough and cool but at the same time so soft and feminine. I think only few actresses can add so many different facets to their role. I mean, she could have easily played a simple butch, but she adds such charisma and dignity to her character – it's just amazing. There, enough said, she's just great.

The movie's soundtrack is a highlight of its own – Sarah McLachlan with "Ice Cream" for example – and perfectly mirrors the film's young spirit, it's modern, it's sexy, it's dreamy and it rocks. And with this I'd like to give "Better than chocolate" three thumbs up – a summer movie with heart, soul, humour and a lot of love.