Aggiungi una trama nella tua linguaAn American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in Afr... Leggi tuttoAn American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in African art, arrives in the same hotel. The two meet in the hotel's abandoned restaurant and ... Leggi tuttoAn American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in African art, arrives in the same hotel. The two meet in the hotel's abandoned restaurant and decide to set off in finding an evening meal, which becomes problematic immediately when t... Leggi tutto
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Alex Cox obviously directed this movie just to keep busy. The screenplay feels written by some smart-ass looser who thinks he is Samuel Beckett. Subtlety is nowhere to be found. The cinematography is atrocious. It's a film full of pretense. Cox thinks he makes an important social statement when in fact his view is banal and childish. He tries to experiment, but he fails, not only because he has produced an ugly film, but because he doesn't understand that experimental cinema is meant to take the art a step further. It's not meant to be used as a cheesy effect. Well, he doesn't seem to understand the substance of experimentation just like he didn't seem to understand the substance behind cult when he made Repo Man. He thinks he's above that stuff and he can easily use them to do whatever he wants. That's the reason why he never gets into the whole thing. Experimentation though, is not easy. It requires true vision, not some pretentious need to just differ. It also requires knowledge of the medium and while Cox has that knowledge, he uses it just to prove that he can do it too.
But to be fair, there are moments where the whole joke seems to work and actually provoke some laughs (mostly because of the performances). The scene, in which the two businessmen meet while waiting for the waiter in the restaurant, is well shot (and terribly light) and is maybe the only proof that Cox is a good director.
Tod Davies has created here something very similar to Richar Linklater's Before Sunset. I'm dropping names here because it seems this film has seen a very limited audience so anyone not sure of seeing it, if you enjoyed the ones I've mentioned above, you'll like this.
The humour is delicate and fleeting and usually works pretty well but luckily there's much more to enjoy here than a few laughs. It's a peculiar little film following two men in 'Liverpool' searching for a place to eat and seemingly never achieving their aim. I suppose it has to be seen. Recommended certainly.
And, just as fortunately, those movies continued to be as creative as the films that made him famous. Three Businessmen is a charming, thoroughly original movie about two men who meet in a hotel dining room. They talk awhile, but when service appears not to be forthcoming, they set out into the streets of Liverpool in search of dinner. And they talk. And that's about it.
Out of this slim premise, Cox and Tod Davies have fashioned a brilliant and memorable film. It never fails to capture your interest -- either intellectually or visually -- and as soon as it was over, I wanted to watch it again (not unlike my reaction when I first saw Repo Man, oh these many years ago).
This is definitely one to check out if you want something a little "off the beaten track" but not too self-consciously artsy.
Lo sapevi?
- QuizThe movie consists of nothing but master shots.
- ConnessioniReferenced in Corman's World: Exploits of a Hollywood Rebel (2011)
- Colonne sonoreGhost Riders in the Sky
Written by Stan Jones
Performed by Debbie Harry
Produced and Arranged by Dan Wool
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