Una storia vera

It takes patience to get through David Lynch's eccentric, but-- for a change-- life-affirming chronicle of Alvin Straight's journey, but stick with it. Though it moves as slow as Straight's John Deere, when he meets the kind strangers along his pilgrimage we learn much about the isolation of aging, the painful regrets and secrets, and ultimately the power of family and reconciliation. Richard Farnsworth caps his career with the year's most genuine performance, sad and poetic, flinty and caring. And Sissy Spacek matches him as his "slow" daughter Rose who pines over her own private loss while caring for dad. Rarely has a modern film preached so positively about family.

This is not a movie for fans of the usual eerie Lynch stuff. Rather, it's for those who either appreciate a good story, or have grown tired of the run-of-the-mill stuff with overt sentimentalism and Oprah-ish "This is such a wonderful movie! You must see it!"-semantics (tho' she IS right, for once!).

The story unfolds flawlessly, and we are taken along a journey that, I believe, most of us will come to recognize at some time. A compassionate, existentialist journey where we make amends för our past when approaching ourt inevitable demise.

Acting is without faults, cinematography likewise (occasionally quite brilliant!), and the dialogue leaves out just enough for the viewer to grasp the details od the story.

A warm movie. Not excessively sentimental.

A beautiful and very emotional "Harry and Tonto"-styled movie experience as Oscar-nominee Richard Farnsworth (playing the real-life Alvin Straight) decides to travel on his old riding John Deere mower from Iowa to Wisconsin to see his ailing brother (Harry Dean Stanton) because his driver's license has been revoked, he doesn't like public transportation and he has no one else to drive him. The two brothers have not been on speaking terms for many years and now the clock is literally ticking on one last chance for them to see one another and hopefully make amends for past mistakes. Sissy Spacek gives one of her finest performances as Farnsworth's slightly mentally retarded daughter and the supporting players are all real and heartfelt caricatures of America's heartland. Outstanding film-maker David Lynch (to me the finest living American director, along with Martin Scorsese) goes totally out-of-character with a 180-degree turn from whacked triumphs like "The Elephant Man", "Blue Velvet", "Twin Peaks: Fire Walk With Me" and "Mulholland Dr.". He quietly and methodically creates a G-rated family film that has deep messages for people of all ages and backgrounds. He paints a picture of America where the old ways of life are still the most important. Farnsworth (who is a total revelation) was in excruciating pain throughout filming due to terminal cancer and terrible arthritis. Notice he stands very little in the movie and he is almost always filmed from the waist up. Sadly this would be his final performance as he committed suicide shortly after his Oscar nod. He did become the oldest nominee ever in the Best Actor category, but really that will become trivial as time passes and his role will be the thing that shines brightly forever. Truly a legacy production for all involved. 5 stars out of 5.

I have always been a fan of David Lynch and with this film Lynch proved to critics that he has the talent, style, and artistic integrity to make films outside of the surreal aura that he's become known for in the past decade. As much as the film is G-rated, it's pure Lynch in style, pacing, and tone. The film moves at a masterfully hypnotic pace and is filled with scenes of genuine emotion and power.

The cinematography is terrific, as is to be expected from a Lynch film, and the transitional montage sequences are breathtaking. It's also very refreshing to see a film where the characters are all friendly, kindhearted folk and not unmotivated characters that are clearly labeled as being either "good" or "evil".

Richard Farnsworth turns in a beautiful performance as do the rest of the cast, most notably Sissy Spacek in an endearing performance as his daugher, and Harry Dean Stanton in a small but infinitely crucial role.

With this film, David Lynch proved to critics that he could make a powerful moving motion picture just like he did in the 80's with 'Blue Velvet' and 'The Elephant Man'. Critics seemed to lose faith in the past decade after he produced such surreal films as 'Twin Peaks: Fire Walk With Me' and 'Lost Highway' but with this film he showed that there was method to FWWM and LH, and it looks as if critics finally caught on with his recent film 'Mulholland Drive', considering the high praise it's received and the Oscar nomination for Lynch.

'Straight Story' is to me one of the most moving motion pictures I've ever seen. It's a loving story about family, friendship, and the kindness of strangers. I would highly recommend it.

No matter where you are on your journey, the meanders past, present and still to come, you'll take something from this endearing tale about an elderly man and his adventures on a very long journey to see his brother by mini tractor. Meeting and interacting with numerous people on his way, who each have a relatable story to share, along with a few the old timer shares with us - you're left feeling reflective on your own directions, what they mean and where it is they're taking you, and those around you too. Beautifully performed, filmed and scripted, it's never too late to rebuild bridges broken, or indeed, build new ones into the future.