Spirit - Cavallo selvaggio

Why do people who already have a preconceived notion of what is an acceptable amount of tenderness in a film write reviews for films like "Spirit"? I have one message to anyone with a blindly scathing opinion of this film: if you just don't like children's films, or if you have the rigidness of mind that makes it impossible for you to go back to a time of greater innocence, DO NOT REVIEW THIS FILM! Please.

That said, I can continue that "Spirit" is extraordinary. The animation is technically impressive, from the opening shot to the locomotive scene at the end. The storytelling is straightforward and pure, yet has many totally original moments that combine with the more formulaic, tried and true story elements. Objectively speaking, you can see that a great deal of time and money went into making the movie something that would stand a little taller than its competitors.

Sadly, "Spirit" suffers from its subject matter in a way unfair to the film itself. The film will likely appeal more to the sensitive (read: women, girls and young boys) than a general audience. The story is about a horse, and that means it is NOT likely to have lots of guns, swordplay, singing animals, characters saying, "It's all my fault", or distinct good vs. evil. My word, what happens when someone is courageous enough to make a movie that so deviates from tried and true storytelling devices? The answer: they don't make as much money as the recyclers at the Mouse.

"Spirit" was outshone and outmarketed by "Lilo and Stitch" and did not have nearly as long a run as a result. Guess who lost out because of that? You did, very likely. I saw this in the theater and on home DVD. "Spirit" loses an enormous amount of its power going to the small screen. The opening panoramic, long shot behind the eagle is reduced to a clever camera trick. And the experience of being engulfed in the thunder and masterfully recreated power of the galloping herd of mustangs is reduced to a moment of natural drama and little else. If you missed this movie during the summer of 2002, it is little wonder why you might overlook (or worse, pan) this magnificent milestone in animation.

See "Spirit" with an open mind. Enjoy its fresh take on the Bambi/Kimba/animal adventure tale. If you can, watch it with *children* so you can get a glimpse at the magic that they can easily see in this superior film. When it's over, take a moment and imagine what imagination and heart went into creating this film.

And if you still cannot decide favorably on it at all, watch "Scary Movie" or something that appeals better to your sense of intelligence and taste.

There's no song and dance numbers, and the ponies don't break out into song whenever they're blue or lonely. That's enough to rate this film very highly. The storyline has a lot of symbolism in it, from the captivity of Spirit as well as that of the other horses, and the 'lessons' the movie tries to teach us in the bad guy vs the good guy, the bad guy being Army, and the good guy being Lakota. You'll like the movie. It'll make you think, and your kids will adore it.

Looking for a movie with cutesy talking horses that the kiddies will love? Then Spirit is probably not the movie for you, it is instead one of the nicest animated features to come along in a long time to not have Disney written all over it. No, the horses do not talk and they shouldn't as the whole story is told from a horse's point of voice in a wonderful narrative. In fact there's not a lot of pointless dialog to weigh down the movie at all.

Instead it's filled by a wonderful score by Hans Zimmer and songs by Bryan Adams who admittedly I wasn't a big fan off except for (Everything I Do (I Do It For You) and Star) but the songs he did for this movie especially Here I Am, Get Off Of My Back, Can't Take Me, Brothers Under The Sun and Sound The Bugle made me download the soundtrack from Walmart.com the next day.

The main reasons I liked this move would have to be the beautiful drawn animation, mixed with an endearing story with some comedy elements and a wonderful soundtrack. Spirit is simply fun and enjoyable for the whole family no matter what their age.

Whether it is the best Dreamworks movie is up for debate, but it is a long way from being their worst. Along with The Prince of Egypt, one of the most powerful, evocative and stirring animated films I have seen along with Watership Down, Spirit:Stallion of the Cimarron has to be Dreamworks's most ambitious film to date. It is also visually stunning, and do I think it is underrated? Yes, I do. I am going to do something I have not before in my earlier reviews, I am going to talk about each element of the film and talk about them in sufficient enough detail(or at least I will try to):

ANIMATION: My goodness! The animation in this film is absolutely stunning! No, no, can I change that to gorgeous? I cannot count the amount of times I sat there awed at the audaciousness of the backgrounds, the vibrancy of the colours and the swiftness of the character movements especially on Spirit himself. I know I have raved about how amazing the animation was in Prince of Egypt and Over the Hedge, but seriously the sheer beauty of the animation here makes this for me the most beautiful visually of the Dreamworks movies.

MUSIC: For this movie, I have read reviews not only on IMDb but also from critics that the songs and score here sucked. Can I be obliged to disagree? I admit at 17 I prefer classical music, but the songs from Bryan Adams I thought were lovely. They had nice melodies and meaningful lyrics that do try to convey a message, Here I am was amazing. I also liked the orchestration. Hans Zimmer has done better work, and I admit the sounds used in the orchestration were unusual they were somewhat effective as well.

STORY: When criticising this film, this is the element that gets bashed most. Critics complain that the story is slow, lacklustre and not compelling enough. Okay, it isn't the most fast moving story or one driven by humour and excitement, though there is evidence of both. This film for many reasons is somewhat more mature and ambitious than most of the other Dreamworks films, I think the only other Dreamworks movie that surpasses it in terms of ambition and maturity is (predictably) The Prince of Egypt. The story here is driven by themes of love, courage, following your heart and freedom and they are explored acceptably. Admittedly, it wasn't always as in-depth as it could've been, but some scenes like the scene with the train really did have an impact on me, and the romance between Spirit and Rain was cute. I wanted Spirit to succeed, even when it looked impossible.

SCRIPT: I liked the maturity and heart of the script here. And I also liked the fact it was delivered in the perspective of Spirit, I like films that are told through the perspective of a character from the film, it offers a whole new perspective on things. Spirit isn't the first film to be told in the perspective of a character, Black Beauty and Watership Down are prime examples and the Rankin'/Bass special Rudolph the Red Nosed Reindeer had a snowman telling the story. That said, the script is very reflective and beautifully written.

VOICES: Very little to complain about here. Matt Damon was a nice choice for Spirit/The Narrator. I have also heard complaints that Damon was bland and dragged the movie down, and I also do disagree with that. I have heard much worse voice acting, and as far as I am concerned(not trying to sound opinionated) but Damon did a good job. And I liked the character of Spirit, he was brave, handsome and loving, quite possibly my favourite character. Daniel Studi was appealing as Little Creek, and James Cromwell plays the mean Colonel with crusty demeanour.

In conclusion, this is an underrated film, that deserves more praise. It isn't one hundred percent perfect, but I do think there are worse animated movies out there, that are nowhere near as ambitious, as well animated or as brave as Spirit:Stallion of the Cimarron. It isn't easy taking on ambitious projects, and I applaud ANY film that tries. 9/10 Bethany Cox

I liked this movie a lot. The animation was well done and the romance was cute. I liked most of Bryan Adams' songs and the Hans Zimmer score was excellent. What a lot of people don't realize is how well it relates to the Heart of Darkness/Apocalypse Now themes (what happens when so-called "civilization" invades someone elses home, what does it mean to be "civilized" etc.). The opening scenery and music were very stirring. The film is a lament to an America that was once beautiful.