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5,2/10
4336
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Aggiungi una trama nella tua linguaWhat should have been a romantic getaway turns into one hilarious debacle after another when Michael's woman dumps him in the desert where he gets carjacked by a teenager and he is taken hos... Leggi tuttoWhat should have been a romantic getaway turns into one hilarious debacle after another when Michael's woman dumps him in the desert where he gets carjacked by a teenager and he is taken hostage in a stickup at the local Sip and Zip.What should have been a romantic getaway turns into one hilarious debacle after another when Michael's woman dumps him in the desert where he gets carjacked by a teenager and he is taken hostage in a stickup at the local Sip and Zip.
Eduardo Yáñez
- Rodrigo
- (as Eduardo Yañez)
Recensioni in evidenza
HELD UP (2000) *1/2 Jamie Foxx, Nia Long, Barry Corbin, John Cullum, Jake Busey, Michael Shamus Wiles, Sarah Paulson, Eduardo Yanez, Julie Hagerty. (Dir: Steve Rash) Jamie Foxx is a definite up and coming star in the making.
Witness his eponymous WB tv series, his stint on the ensemble Fox hit, 'In Living Color' and last year's dramatic acting debut in Oliver Stone's bone-crunching look at pro football as a cocksure, divaesque quarterback in 'Any Given Sunday.' That's what makes it all the more difficult to figure out why he squandered his naturally given gift in this lame fish-out-of-water comedy.
Foxx stars as a put-upon guy named Mike who's traveling cross country with his sexy girlfriend Rae (the luscious Long, equally wasted) only to wind up in a podunk backwater Arizona desert town, North Butte. After a quarrel due to Rae learning Mike has spent nearly every dime into the vintage Stuedebaker they're tooling around in leads a seriously angry Rae to leave Mike to his own resources as she bums a ride in a pick-up of good ol' boys to head back to the local airport for the first plane back home to Chicago.
Chagrined Mike winds up facing a firecracker string of bad luck from getting his classic ride carjacked, to being left with fifty bucks and finally being held up in the convenience store he's been dumped at. There is the meat of the action more or less as Mike uses his sarcastic tone to great effect in negotiating with the dim novice robber Rodrigo (Yanez) who can't command two thoughts at the same time. Among the hostages include a local gal named Mary (Paulson, an uncanny Kelly Preston look-alike), a leather capped biker (Wiles) so engrossed in his magazine reading he barely notices the crime except to pontificate on every germaine item that pops into conversation a la Cliff Clavin of 'Cheers', and the world-weary store owner Jack (Cullum, late of the cult tv series 'Northern Exposure'), who has an answer for everything as well.
To gum up the works is the local sheriff, Pembry (Corbin, also from 'Exposure'), who has an ax to grind with Mike for ruining his little league baseball game which is still in progress as he tries to command his inept squad of Barney Fifes including his by the book deputy Beaumont (Busey, son of Gary) who provides the official rules of negotiation by the FBI from its cellophaned shrink wrapping.
Foxx does the best with the dog-eared hoary plot such as it is and does his own riff on this ill-advised comedy attempt of 'Dog Day Afternoon' with not much at risk and a pedestrian pace by the director Steve Rash. The one running gag of a kid in the store thinking Mike is Puff Daddy is the atypical type of humor strung out for a laugh.
The only thing that's held up is the audience's patience and the tight leash the film has on its star's true talent.
Witness his eponymous WB tv series, his stint on the ensemble Fox hit, 'In Living Color' and last year's dramatic acting debut in Oliver Stone's bone-crunching look at pro football as a cocksure, divaesque quarterback in 'Any Given Sunday.' That's what makes it all the more difficult to figure out why he squandered his naturally given gift in this lame fish-out-of-water comedy.
Foxx stars as a put-upon guy named Mike who's traveling cross country with his sexy girlfriend Rae (the luscious Long, equally wasted) only to wind up in a podunk backwater Arizona desert town, North Butte. After a quarrel due to Rae learning Mike has spent nearly every dime into the vintage Stuedebaker they're tooling around in leads a seriously angry Rae to leave Mike to his own resources as she bums a ride in a pick-up of good ol' boys to head back to the local airport for the first plane back home to Chicago.
Chagrined Mike winds up facing a firecracker string of bad luck from getting his classic ride carjacked, to being left with fifty bucks and finally being held up in the convenience store he's been dumped at. There is the meat of the action more or less as Mike uses his sarcastic tone to great effect in negotiating with the dim novice robber Rodrigo (Yanez) who can't command two thoughts at the same time. Among the hostages include a local gal named Mary (Paulson, an uncanny Kelly Preston look-alike), a leather capped biker (Wiles) so engrossed in his magazine reading he barely notices the crime except to pontificate on every germaine item that pops into conversation a la Cliff Clavin of 'Cheers', and the world-weary store owner Jack (Cullum, late of the cult tv series 'Northern Exposure'), who has an answer for everything as well.
To gum up the works is the local sheriff, Pembry (Corbin, also from 'Exposure'), who has an ax to grind with Mike for ruining his little league baseball game which is still in progress as he tries to command his inept squad of Barney Fifes including his by the book deputy Beaumont (Busey, son of Gary) who provides the official rules of negotiation by the FBI from its cellophaned shrink wrapping.
Foxx does the best with the dog-eared hoary plot such as it is and does his own riff on this ill-advised comedy attempt of 'Dog Day Afternoon' with not much at risk and a pedestrian pace by the director Steve Rash. The one running gag of a kid in the store thinking Mike is Puff Daddy is the atypical type of humor strung out for a laugh.
The only thing that's held up is the audience's patience and the tight leash the film has on its star's true talent.
"Held Up" is one of the those movies that doesn't require a whole lot. It is an enjoyable comedy that played like a comedy of errors.
Jamie Foxx is one comedian that is really funny. I don't think "Held Up" could have been made without him. I enjoyed how Foxx mixed the comedy with scenes of drama. It gave a nice balance to a light-hearted and good natured film. Everyone plays a comedic part in this film from Barry Corbin to Nia Long and Jake Busey. "Held Up" is just good fun.
I have to say that this is not the best film made, but I disagree with those who call "Held Up" the worst movie made. I give this film a 7 out of 10.
Jamie Foxx is one comedian that is really funny. I don't think "Held Up" could have been made without him. I enjoyed how Foxx mixed the comedy with scenes of drama. It gave a nice balance to a light-hearted and good natured film. Everyone plays a comedic part in this film from Barry Corbin to Nia Long and Jake Busey. "Held Up" is just good fun.
I have to say that this is not the best film made, but I disagree with those who call "Held Up" the worst movie made. I give this film a 7 out of 10.
There are a couple of these movies you catch on cable that manage to sneak some real wit and sympathy into a no-man's-land of stylistic boredom that doesn't even earn the name B-movie ( where this kind of movie is concerned, it's always 1986. )
There are rules to watching a movie like this. You never call them by their real name, because you can't remember their real name, but are to be referred to instead by embarrassed asides to your girlfriend that go entirely ignored while she flips through a Zagat guide, such as "I saw this piece of s--t with Burt Reynolds and Sinbad that was actually kind of funny." Also, you never watch them from beginning to end, but catch them in the middle. Failure to obey this law could result in a meteoric drop in self-esteem and feeling of productivity. That feeling like "the day's being wasted."
The art of a car-wash movie consists of brushing against cliché then pulling back at the last moment. The trick isn't to get you to laugh, but to keep you smiling internally. It's all in the delivery. When Jamie Foxx first encounters a vaguely hostile Little League team and says "Children of the corn," it could very easily come off like a hokey black pop-culture reference to get the Magic Johnson Cineplex crowd roaring. But in this movie, he says it quietly, as if to himself, with a girlishly shocked tinge to his voice. The result is that you find yourself chuckling about the line a half-hour later or after the movie has ended, instead of while it's happening. Most of the jokes here work like that.
And Jamie Foxx is so charming in this film. He looks "street" enough but acts the ninnyhammer as well as Woody Allen, and there's a refreshing lack of explanation about why he's such a nerd. Who else can play the badass, the geek, the samaritan, the tormented artist, the preening genius, and every shade in between, and never coast on the support and shared background of a presumed black audience? There is no pandering in Foxx's performances, no trace of the veiled minstrel show that otherwise plagues most black performers who fall back on those tricks for easy laughs.
A prescription: If you don't believe me that there's a finesse to making even a good bland film, then watch Legally Blonde 2 back-to-back with this one and learn the error of your ways.
There are rules to watching a movie like this. You never call them by their real name, because you can't remember their real name, but are to be referred to instead by embarrassed asides to your girlfriend that go entirely ignored while she flips through a Zagat guide, such as "I saw this piece of s--t with Burt Reynolds and Sinbad that was actually kind of funny." Also, you never watch them from beginning to end, but catch them in the middle. Failure to obey this law could result in a meteoric drop in self-esteem and feeling of productivity. That feeling like "the day's being wasted."
The art of a car-wash movie consists of brushing against cliché then pulling back at the last moment. The trick isn't to get you to laugh, but to keep you smiling internally. It's all in the delivery. When Jamie Foxx first encounters a vaguely hostile Little League team and says "Children of the corn," it could very easily come off like a hokey black pop-culture reference to get the Magic Johnson Cineplex crowd roaring. But in this movie, he says it quietly, as if to himself, with a girlishly shocked tinge to his voice. The result is that you find yourself chuckling about the line a half-hour later or after the movie has ended, instead of while it's happening. Most of the jokes here work like that.
And Jamie Foxx is so charming in this film. He looks "street" enough but acts the ninnyhammer as well as Woody Allen, and there's a refreshing lack of explanation about why he's such a nerd. Who else can play the badass, the geek, the samaritan, the tormented artist, the preening genius, and every shade in between, and never coast on the support and shared background of a presumed black audience? There is no pandering in Foxx's performances, no trace of the veiled minstrel show that otherwise plagues most black performers who fall back on those tricks for easy laughs.
A prescription: If you don't believe me that there's a finesse to making even a good bland film, then watch Legally Blonde 2 back-to-back with this one and learn the error of your ways.
Held Up is a movie that will only be liked by those few hard-core Jamie Foxx fans. Yes, it has its funny parts, but they are few and far between. The idea of a man being dumped by his woman, then having his car stolen, and then actually being caught in the middle of a robbery is somewhat ludicrous.
Jamie Foxx is funny in the movie, as he is in all his movies, and with a little help from the sexy Nia Long, who by the way you almost forget is IN this movie, together they make the movie almost bearable. The problem with Jamie Foxx's movies is that they have no feasible plot, and they just stick any comedic situations in to just try and buy a laugh from the viewers.
Now don't get me wrong, I do think that Jamie Foxx is funny, I just think that he needs to choose his scripts better. This movie is a sad attempt at creating a believable storyline. If a movie has `lucked out' and made you laugh a couple of times does it make that movie a good movie? NO! And all the laughs in the world couldn't save this one. Steer clear of this Jamie Foxx flick, and let's just hope that the soon to be released `Bait' will be better. Don't count on it.
Jamie Foxx is funny in the movie, as he is in all his movies, and with a little help from the sexy Nia Long, who by the way you almost forget is IN this movie, together they make the movie almost bearable. The problem with Jamie Foxx's movies is that they have no feasible plot, and they just stick any comedic situations in to just try and buy a laugh from the viewers.
Now don't get me wrong, I do think that Jamie Foxx is funny, I just think that he needs to choose his scripts better. This movie is a sad attempt at creating a believable storyline. If a movie has `lucked out' and made you laugh a couple of times does it make that movie a good movie? NO! And all the laughs in the world couldn't save this one. Steer clear of this Jamie Foxx flick, and let's just hope that the soon to be released `Bait' will be better. Don't count on it.
To the point:
I rented this DVD last night and was totally prepared for the simplest level of entertainment.... and was still disappointed. We turned it off. I chuckled a couple times, but the movie was going nowhere and Jamie was being wasted on some really, really, really bad dialogue. They all were. Dumb and Dumber looks like fine art compared to this.
I rented this DVD last night and was totally prepared for the simplest level of entertainment.... and was still disappointed. We turned it off. I chuckled a couple times, but the movie was going nowhere and Jamie was being wasted on some really, really, really bad dialogue. They all were. Dumb and Dumber looks like fine art compared to this.
Lo sapevi?
- QuizWas originally to be filmed under the title Inconvenienced in 1995, with Douglas Keeve directing and Rob Schneider, Lisa Kudrow and Janeane Garofalo starring, until Schneider dropped out just four days before filming began. Robert Downey Jr. was approached to replace him, but the film eventually fell apart, resurfacing in 1998 with Jamie Foxx in the starring role.
- BlooperWhen the sheriff asks for the book and it is removed from the cellophane the book is blue. In later scenes it is a light tan.
- ConnessioniFeatured in TrimarkPictures.com Promo (2000)
- Colonne sonoreSave the Drama
Performed by Sean-T, JT the Bigga Figga, San Quinn
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- How long is Held Up?Powered by Alexa
Dettagli
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.705.631 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.911.007 USD
- 14 mag 2000
- Lordo in tutto il mondo
- 4.705.631 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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