Alice nel paese delle meraviglie

As you watch the beginning of "Alice in Wonderland", pay close attention to the guests at the tea party. You might notice Martin Short and his companion, a man placing two buns atop his head as if he were, say, a March Hare. Notice also the man flirting with the woman at the end-you could almost call him a scurvy Knave. But enough with the plays on words. This version of "Alice in Wonderland" was exceedingly well done. From the moment Alice falls down the rabbit hole to the moment she catches the apple, we are spellbound by the fantasy the film has woven for us. Part of its appeal is its satirical notions. Consider the "caucus race", where everyone is cheating. Cynics of politics might agree with this. There is also the trial at the end, where the evidence is as insubstantial as a house of cards. One needs to watch the film or read the novel many times to pick up all of the references!

I enjoyed watching Alice's transformation from stage fright child to confident young girl. It was a continuing thread that helped the story attain a greater level of continuity. Yet the most entertaining portions of the film were those with Martin Short, Miranda Richardson, and Gene Wilder, to name a few. They held nothing back, which magnified the absurdities of their characters to the nth degree. Lastly, the featuring of the tea party at the beginning of the film and the end helped tie it together. A well done film.

I love the two Alice books and quite often I find myself looking through the pages, reading some of my favorite parts.

I think for a TV_version, this film works quite well, it is a treat to watch all those celebrities becoming some of the most famous characters in literature. Strangely though, my favorite sequence is the one with Peter Ustinov and Pete Postlethwaite as the Walrus and the Carpenter, probably the only scene in the movie that does not contain CGI.

So, why only six stars? As in most versions, the makers of the movie have mixed all kinds of elements from "Alice in Wonderland" with "Through the looking glass" (Tweedle-Dee and Tweedle-Dum, The Walrus and the Carpenter, The White Knight). It may work, if you really look at the books just as a collection of episodes, but whenever this is done, the makers miss the point of the books. Alice in "Through the looking glass" is quite different from Alice in "Alice in wonderland" and also, there is a completely different composition to the latter book which is explained in the preface and which finds no acknowledgment whatsoever here. I think the makers of this movie again don't understand the books at all and though I enjoy watching these scenes independently from each other, the whole leaves me unsatisfied.

I have gotten used to mixing the Alice stories, Walt Disney has done the same thing and others as well. But what bothers me most about this film it that it turns the whole thing into a story of initiation. Come on.... Alice does not dare to perform a song in front of her parent's guest but after walking through Wonderland she finally does? This is just plain wrong and completely in contrast to the meaning of the books. Why would you want do make sense out of nonsense? The books are meant to portray Victorian stereotypes, make fun of language etc, but not to enrich a child to become more independent and self-assured. Moreover, it does not make sense at all, why Alice should finally be able to sing in front of the others.

All in all, this movie has fine performances and puppets and decent (considering the time it was made and it being made for TV) CGI, is nice to look at but in the end only mediocre TV-entertainment.

I have seen the film it was shown over the easter weekend here and it's great i have seen many of the different versions when I was a child but this one is great the puppets and special effects in just two hours they managed to get two books in and it wasn't that much different to the version made in the 1970's except that one was musical,but it's just the same except for the new bits added on to the story.

I like this version the best out of all versions of Alice in Wonderland. Tina Majorino is rock start as Alice. This version has more action and has better action than both of the Disney versions. This is the version I recommend. If you like the Alice in Wonderland book and want to watch an Alice in Wonderland movie this is going to be your best choice. I think it's more entertaining than the Disney versions. It's longer and has enough time to have good acting and good action. I give this one a higher rating.

I am not entirely sure whether this version is the best version of the book, as I grew up on the Disney film. The book is a real delight, it is admittedly oddball, but it is charming and visionary with memorable colourful characters. That is the same for Through the Looking Glass, I do prefer Alice in Wonderland as a book, but Through the Looking Glass does have a nice narrative and the characters still have their appeal.

Back on target, this TV version is not bad at all. Actually it is decent. The length is rather excessive though making some scenes drag on a bit, and as sweet as it was the subplot about Alice being asked to sing at a party I had mixed feelings about. While it meant that Alice goes on a sort of journey in the film character-wise, it felt somewhat unnecessary. Plus in terms of performances, while I enjoyed the acting on the whole, Whoopi Goldberg as the Cheshire Cat disappointed me. She has the grin and her costume was wonderful, but she should have had more screen time.

However, there is lots to enjoy here. For a TV movie, the visuals are pretty amazing. The sets are really colourful, the landscapes are vivid, the special effects are fairly impressive and the costumes are visionary. And I found the music surprisingly memorable, quite sweet really. I know people have complained of the screenplay being poor, personally I didn't find that. I enjoyed spotting the quotes lifted from the books and the actors seemed to having fun with it. Some of the added lines didn't quite work as well, but they were entertaining. Likewise with the merging of the two books, I for one didn't find that a problem. The director also does a good job making Wonderland as magical, as odd and as dreamlike as it should be, and some scenes were very well directed, especially the Mock Turtle sequence, the Caccus race, the Hatter's tea party, the Walrus and the Carpenter and of course the courtroom scene.

The acting is also very enjoyable. Like Goldberg, Christopher Lloyd as the White Knight could've done with more screen time, but he does a very good job with what he has. Ben Kingsley is entertaining as Major Caterpillar, even if he did have some of the film's weakest dialogue, he delivers very well. Shiela Hancock, while she has been better, was fun as the Cook, a lot of shouting but hey she was fun. Tina Majorino I had no problem with as Alice, I sometimes find Alice in film adaptations bland but Majorino isn't bland, she is appealing and likable. Peter Ustinov is a perfect Walrus, likewise with Pete Postlethwaite as the Carpenter. Gene Wilder does fine also as the melancholy mock turtle, he started off a tad uncomfortable, no wonder with his costume as they are horrible to wear, but once he gets into the role he starts enjoying himself more. My favourite performances though were Miranda Richardson as a suitably shrill Queen of Hearts, Simon Russell Beale in a amusing turn as the King of Hearts and Martin Short as the somewhat eccentric Mad Hatter. Jason Flemying was also a riot as the Knave of Hearts as were Robbie Coltrane and George Wendt as Tweedledee and Tweedledum.

Overall, flawed but perfectly decent made for TV adaptation. 7/10 Bethany Cox