Il Virginiano

This smoky dark western is filled with wonderful music designed to carry the mood from the beginning with the cello theme repeated in various forms throughout the movie as well as some very interesting pieces that were indicative of the times. The scenery and vistas are a delight. Some of the "Virginians" witticisms are quite noteworthy and I'm tempted to make use of some of them in my every day speech. It was fun to see a short appearance from James Drury (the actor as the Virginian in the TV series).

As many movies have set a tempo to our image of westerns, so has this wonderful movie in its own unique way. This is not the old shoot-um up western but a great drama lead by Bill Pullman and Diane Lane and their interaction with the other characters in the movie.

I'm still hoping that my only copy of this movie as a VHS will be replaced by a DVD someday.

I've seen many of the VIRGINIAN movies over the years from 1924 to the present and this one is more descriptive and the acting is great by Bill Pullman. Naturally with newer settings and color it is better, but the older ones, 1929 with Gary Cooper and 1946 with Joel McCrea had their merits.

...but quite different from the book. I saw this film first, then read Wister's novel, which was reminiscent of the better Zane Gray tales, in their portrayal of the real West and what westerners were like.

Bill Pullman did a fine job, as star and director, but I have to wonder why they made a number of pulp western-y changes. The shootout in the book was simple and powerful, compared to the film's version. The book had examples of rude horseplay and one-upmanship that was the basis of Trampas' hatred for the Virginian, and went deeply into what kind of a man you had to be to survive out in the West of that time.

In some way this gives you the best of both media: see the film first, for the enjoyment it provides, and then dig up a copy of the novel for an interesting, considerably different version of the story.

I've always liked Bill Pullman as an actor, so I was anxious to rent this movie when it came out on video (it was originally a TNT production). I wasn't expecting it to be quite this good, however, and I was very impressed by Pullman's superb directing (he directed, produced, and acted). The cinematography (it has that late-90s western hue and tone to it) was excellent, and the music was also very good.

There were several aspects of the film that were very much like "Lonesome Dove" (it even co-starred the lovely Diane Lane), which can only be taken as a compliment. Anyway, this was an extremely enjoyable modern western.

Released in 2000, "The Virginian" was the fifth movie version of the 1902 novel by Owen Wister. Bill Pullman directs and plays the titular character, a cowboy promoted to foreman on a remote Wyoming ranch. He falls for a schoolmarm newly-arrived from back East (Diane Lane) who's shocked by the "uncivilized" violence and justice she observes. John Savage plays the best friend while Colm Feore plays the main villain. Harris Yulin and Dennis Weaver are on hand as the big ranch owners.

This is the only film version of the story I've seen and, I'll be honest, it's a hard movie to catch a grip with. To appreciate it you have to bear with the first half, paying close attention to the mumbling dialogue, which paves the way for a worthwhile second half. Also keep in mind that this isn't a rollicking shoot-'em-up Western; it's more of a realistic drama in the Old West with flashes of Western staples, like hanging rustlers and saloon confrontations. It has the look and tone of 2003' "Open Range," but lacks the budget, since it was made-for-cable (TNT). While I love rousing Westerns when they're done right, like 2002's "American Outlaws," I prefer the more realistic approach, like 1990's "Dances With Wolves" or 1992's "Unforgiven." "The Virginian" is similar in tone and locale to these movies, but is hampered by its TV-budget.

The good news is that the locations, cast, cinematography, score and plot are all top caliber; unfortunately, the low-budget is glaring at times. For instance, there's a scene where the cowboys are forced to bring some horses down a steep hill and the entire sequence comes off awkward. I'm sure director Pullman felt the same way and tried his best to make it make sense in the editing room. With a higher budget he could've taken more time shooting that particular scene or done reshoots, but with the limited funds he had to make do with what he had. There are other scenes where I had to stop and think, "Okay, what's really going on here" and was eventually able to figure it out. This occasional lack of clarity was probably the result of cramming a 300-page book into a 95-minute movie.

The above explains my relatively low rating (6/10), but I'm still giving it a marginal thumbs-up because the movie's very worthwhile if you're willing to put in the time and effort. Somewhere during the second half I stopped TRYING to like it and was involved with the story and appreciated the filmmaking (photography, music, actors, etc.); I was just focusing on understanding the dialogue.

The schoolmarm and the government agents represent the encroachment of civilization to tame the West and men like the Virginian. The former succeeds while the latter can't handle the sometimes savage environment and suffer accordingly. While the protagonist understandably falls to the charms of the former the failure of the latter leaves him no recourse but to carry out justice, Western style.

The film was shot in Alberta, Canada.

GRADE: B-