Shinobi no mono

Raizô Ichikawa plays Ishikawa Goemon, a legendary bandit hero in this Japanese trilogy set during the reign of Oda Nobunaga--the man who nearly conquered all of Japan during the 16th century (before this, the country was split into many disunited kingdoms). The problem with this is that after I researched about the real life Goemon, I found that very little is known about the man and so over the years Japanese plays and movies have taken great liberties with who the man MIGHT have been. In this movie, Goemon is a ninja--though other sources I read didn't make mention of this nor did I read about him trying to assassinate Nobunaga, but another man (Hideyoshi)--but this isn't even certain.

In this film, the ninjas are not just lone agents of death or spies but are an organized group led by an inscrutable man whose real goals and machinations are a bit hard to follow, as he plays so many different angles. The one fairly constant thing about the boss is his desire to see Nobunaga die, as he apparently represents a threat to their way of life. Initially, Goemon is give great responsibility and power within ninjadom (Is that a word? Well, it should be if it isn't.). However, Goemon is too proud and not especially careful (even though his father warned him) and he falls into a trap--a trap that obligates him to personally murder the seemingly indestructible Nobunaga.

I'll be honest here--the plot was so convoluted and hard to follow at times that I had to struggle to keep watching. This is NOT the easiest Japanese series for a Westerner to follow--not nearly as easy as Ichikawa's "Sleepy Eyes of Death" series or Kitano's "Zatoichi" series. Now this isn't to say it's bad--just a bit tougher to follow--and I already DID know quite a bit about Nobunaga and his dream of forcibly unifying Japan.

Overall, while you'd think this is a big action movie, it isn't. Sure, there's some fighting but the emphasis is much more on the behind the scenes stuff and the conniving--not the battles or even many of the assassination attempts. I liked the movie but was far from in love with it. I will have to see the final two films to see what I think of the overall product, though I do love the idea of a story so big it takes several films to complete (such as the epic "Samurai" series from the 1950s).

There has been many movies about a legend in the Japanese ninja history of Goemon, this is the first movie from 1962 and also gave inspiration to the James Bond movie you only live twice and it's show that Japanese actors are 10 years a head of time when it comes to dimensional acting, as in the west were use to schooled dialogue, Japan had their actor play out their role with their hearts.

Goemon is a young ninja of his clan and a man with a future. But he is also weak for women specially the wife of his leader. But later his life turned apart when his father is killed by his own powder and the wife is also killed. The leader is blaming Goemon for all this bad events but he spare his life, in one condition to kill an evil lord that threat to destroy all ninja clans. Goemon agrees but only to find out he has been fooled by his own leader.

Every time I see these black and white movies from Japan I'm surprised that the acting feels like today. The acting at that time was good but it was 1950s good but in Japan the acting feels new like today even it's from 1962. I give a big applause to Japanese acting and this movie is no exception. Fantastic acting and choreography and strong plot and a must have for all ninja lover. 10/10

I suppose many of us would have loved the romanticism associated with ninjas, with their famed skills of invisibility, swordsmanship, cunning and a whole host of weaponry and gadgets that add to their element of surprise. If you'd think you know a lot of their modus operandi, then perhaps The Ninjas, aka Shinobi No Mono, would contribute to that wealth of knowledge, and at the same time dispel some of the myths and stories that add to the stature of these masked assassins.

If you'd wonder what a ninja does when out of his mask, then the film would have painted a rather mundane picture of the practicing ninjas, who hone their skills in enclaves, and frankly look no more like your usual Samurais, except sans status, and honing their skills ala rebels in hiding at their fortified base, and being skilled assassins for hire to Samurais who need someone to do their dirty work for them (yes, even back then you can outsource your dirty laundry), as they themselves are bounded by the honor code of bushido.

The movie doesn't waste time in building up a proper background, but throws you thick into the action. With characters loosely adapted from history, you have Oda Nobunaga, a ruthless warlord on rampaging victories across Japan in an effort to unify the country. Needless to say such aggression doesn't sit well with the able bodied, and 2 clans of ninjas are pitted against each other to see who can carry out a successful mission to stop the warlord. The story centers upon Goemon (Raizo Ichikawa), an up and coming, though ambitious and impatient ninja, who is recognized and granted a promotion (to the back office, away from the battlefield, as an accountant!) but in a moment of lustful folly, becomes the pawn of his master Sandayu (Yunosuke Ito), pledging his life to his master's bidding.

So begins Goemon's mission, which includes a ruining of his reputation, and committing acts which defy even the ninja's code of conduct (yes there is one!). In fact, we learn and observe many rules and regulations of ninja-dom, what with the need to disfigure oneself prior to death, and how torture must be endured and death always an option. All these get interpreted through Goemon's ultimate shame in living with his guilt, up until he meets a prostitute called Maki (Shiho Fujimura), who gives him new cause to live, setting the stage for the truth of his double-headed master to be revealed.

Shinobi No Mono was credited as the first film to popularize the ninja series of films, and had relatively low key special effects, decided to root itself in more realistic elements, rather than have things like tunnelling through sand dunes, and blink and you miss puffing of smoke. Secret passages, booby traps, poison and darts still remain staple, but don't expect any fancy swordplay as targets get dispatched rather quickly. If you're looking for a climatic ending, then you'll likely be sorely disappointed, as everything goes into a big shebang, lacking in any mano-a-mano opportunities.

That said, this film is still rather enjoyable for its shedding of light on these mysterious group who operate in the shadows, and it's not always they have to dress up in black for their operations. It'll look rather dated, but somewhat a refreshing change from current films in its presentation sans the easy way out using tons of computer aided imagery.

I saw this film back in the late 1990's when I was a college student. After recently watching the Kyoshiro Nemuri films and being impressed with Ichikawa Raizo, I was curious to try the Shinobi No Mono series, even though I had a vague memory of not caring much for this first film.

On re-watching this first film, I remembered why I was not overly taken with the film. It is slow going with a lot of intrigue but very little action, much different than the Kyoshiro Nemuri films. Raizo is still good though. He plays Ishikawa Goemon, a young Iga ninja. At the start of the film, he has ambitious dreams of becoming the master of his ninja clan. After engaging in an affair with his master's neglected wife, Goemon is exiled from the clan and given two tasks. The first of these is to commit robberies to help the clan with expenses. The second is to kill Nobunaga Oda (played by Tomisaburo Wakayama from Lone Wolf and Cub), a cruel warlord that is the target of several ninja clans. The film has a lot more plot, including a prostitute that Goemon falls for and a rival ninja that Goemon fights (in the film's two best scenes).

Shinobi No Mono is a well shot, well made film that only occasionally grabs me. It is also problematic that the hero is mostly absent from the film's action climax (which leaves many plot threads unresolved). Viewers knowledgeable in Japanese and/or martial arts history will get more from the film than casual viewers. While I can't say that I dislike Shinobi No Mono, I must admit that I do prefer Revenge of the Ninja with Sho Kosugui as ninja films go. Call me a philistine.

Very exciting and entertaining ninja flick, perhaps the first, and on those grounds it still holds up today. The side-plots and drama are, respectively, a little confusing and soap-opera-y but the scenes of ninjas climbing walls and stealthily assassinating folks have been hugely influential and are still way more thrilling than most action movies made today.

7½ out of 10.