Sexo, pudor y lágrimas

Sexo, Pudor y Lagrimas, is an example of the reality that the mexican couple is living in the finish of the century. I read a coment that said "if Woody Allen were mexican, he was made this picture", i'm agree with that, but as we can see, the mexican industry of movies have a great development in the early 90's, and this picture is one of the better examples of that.

Mexico need more of this pictures, to show the world and the mexican people that in Mexico dont need more "ficheras" pictures

The country has strong culture n even has some religion . but they have soo much american style influence. open minded in relationship.

i found this movie is "cheating wife / spouse" category in different sites. including its also in " swinger " category which is ODD.

dont wanna say many things about the movie but... one thing is kinda stupid and dont understand these moderen or so called open minded people about " husband n wife letting other man (non family member) especially best friends or EX to live or stay with them" . why dont people understand its a bad idea or thinking. never ever.

Lots of murder , divorced , broken relationship happens if they do this.

I didn't find this movie so interesting.

The main conflict takes time to appear, which makes it a bit tedious at first, the way the story is told does not seem interesting to me because the way of the meaning of love unfolds does not seem to me to be the right one, the ending seems a bit disconcerting to me since they are interpreted as toxic love relationships. But the acting is good, the character development is decent, and the humor is funny at times.

It's not a bad movie, but it seems to me that the execution on exposing the meaning of love I don't think it's the right one, sometimes it seems more toxic than love, but it can't be denied that this movie is a starting point for a new era of Mexican cinema.

In Mexico, the insecure writer Carlos (Víctor Huggo Martin) and his mate, the photographer Ana (Susana Zabaleta), are in crisis of relationship, and lodge for a period in Carlos' apartment their common friend and ex-lover of Ana, Tomas (Demian Bichir), who was traveling around the world for the last years. On the building in the other side of the street, the unfaithful executive Miguel (Jorge Salinas) and his sterile wife and former model Andrea (Cecilia Suárez) are having a troublesome life, and they lodge the former passion of Miguel, the zoologist Maria (Mónica Dionne). After confusions and misunderstandings, the women move together to Miguel's flat, while the men stay together in Carlos' place, disclosing secrets and beginning a war of sexes, where some of them will be hurt.

What a delightful movie "Sexo, Pudor y Lágrimas" is! Funny, erotic, dramatic, tragic, very well directed, with magnificent lines, gorgeous and sexy actress and good actors, and a cast that shows an excellent chemistry. One year ago, I saw the same story in the Brazilian movie "Sexo, Amor e Traição" (http://www.imdb.com/title/tt0376873/usercomments-3), but in that occasion I did not know this Mexican original story. The Brazilian remake is basically shot frame by frame, with modifications in the genre story (dramatic in the Mexican, romantic in the Brazilian), but I highly recommend this excellent Mexican dramatic comedy, better and better than the Brazilian romantic comedy version. My vote is eight.

Title (Brazil): "Sexo, Pudor e Lágrimas" ("Sex, Shame and Tears")

In its context, Sexo, Pudor, y Lagrimas IS groundbreaking... I personally dislike the film, but I recognise its importance; seldom had this dialogue been uttered in Spanish in Mexican screens. Yet it is exactly there that the problem lies, I suppose: while some of the ideas espoused are valid, it would be disingenuous to say they are fresh.

A lot of it has a nagging, self-congratulatory feel, and the blend of philosophical reflection with farce would be better left to a seasoned filmmaker such as Woody Allen. For something that aspires to be so authentic, it feels stilted and irrelevant; it brings nothing new to the table. In hindsight, given the film's ambitions, the execution (poorly written characters, contrived situations, overly obvious--show, not tell, right?--points) seems all too... vulgar.

The salvation: good performances, especially from Cecilia Suarez, who provides some of the few genuine moments in this otherwise pretentious mess.