A Rather English Marriage

Albert Finny and his co lead are superb,acting at its best!!!! A story and performance to remember. I think it fits the over 50-55 year old set best. Just wonderful entertainment with brilliant script. I will see it again...and again Dr G Catapano

A modern television classic set in the Eighties, A Rather English Marriage tells the story of two recently widowed men; a brash World War Two squadron leader (Albert Finney) and a retired milkman (Tom Courtenay) who form an unlikely alliance as they come to terms with their bereavements.

The two men miss their wives for totally different reasons, Roy Southgate (Courtenay) is a loyal, devoted husband who spends hours with his wife when visiting her at hospital. Reggie Conyngham-Jervis (Finney) is a philanderer who relies on his wife mainly for her cooking and cleaning skills and sees his hospital visits as time that could be better spent in the pub.

When a social worker sees that each man could be the solution to the other's problems, these two characters (complete opposites plagued by personal problems they try to keep hidden) who were hospital waiting room acquaintances are now brought together full time.

This is the sort of charming, well-written television drama that nobody seems to want to make anymore, the two leads forming an even more effective partnership than they did in The Dresser fifteen years earlier where Finney stole the show.

Courtenay is superbly understated, Finney is more powerful and boisterous and probably the more versatile actor. Their contrasting styles complement each other perfectly.

Although this is mainly a double-act, Joanna Lumley also excels as the gold-digger who has her eye on Reggie's wallet.

However this drama belongs equally to Finney and Courtenay. The final scene with these two grand old men of film and theatre dancing to Glenn Miller's 'Moonlight Serenade' will surely prove to be one of the most lasting and endearing moments in British television.

I was tired and did not expect to stay with this movie, but thought I'd see how it began. The story and the absolutely wonderful performances by Finney and Courtenay kept me absorbed in it till it was all over. This quiet movie was, unexpectedly, to be one of my all-time favorites.

A really wonderful drama. A good plot, elevated hugely by two perfect performances from Tom Courtenay and Albert Finney. They are truly superb as Southgate (working-class) and Reggie ("The Squadron Leader"-staunchly upper-class), two widowers who strike an unlikely friendship to come to terms with life again. Finney and Courtenay truly show exactly what brilliant acting is, and this is comfortably the best original single drama in 1998.

You will enjoy this movie if you step back and watch it like a spoof put together by the actors themselves. Otherwise the story as portrayed in this production is just not logical. There are irritating loose ends and tangents that I found frustrating. However they are all great actors doing a fine job and if you take it as it comes and just accept it as a silly spoof then you will enjoy it. Why an otherwise sensible, financially independent, elderly widower, would move in with an old grumpy, ungrateful, insulting, rake is not well explained. If you are going to write a script at least give good solid logical reasons to support why a character follows a particular course of action. The moment I gave up asking why so and so did such and such I began to enjoy the journey. A few drinks would also help. It is a silly movie that I ended up enjoying. Rosamund Pike - her movie debut - and some others appear for about half a second. One wonders why you would go to the trouble of assembling a cast of actors who may well spend three days on set only to be almost invisible in the final production. Even more outrageous is that very often, some bugger would have spent weeks mulling over who to cast in these invisible roles. We can only hope the invisible ones receive regular residuals ! So grab a stiff drink, relax, throw logic out the window and watch this movie.