Dopo essere stato ipnotizzato dalla cognata, un uomo inizia a vedere visioni inquietanti del fantasma di una ragazza e un mistero inizia a svolgersi intorno a lui.Dopo essere stato ipnotizzato dalla cognata, un uomo inizia a vedere visioni inquietanti del fantasma di una ragazza e un mistero inizia a svolgersi intorno a lui.Dopo essere stato ipnotizzato dalla cognata, un uomo inizia a vedere visioni inquietanti del fantasma di una ragazza e un mistero inizia a svolgersi intorno a lui.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 5 candidature totali
Jennifer Morrison
- Samantha
- (as a different name)
Recensioni in evidenza
I have always admired and marveled at Kevin Bacon's versatility as an actor. From the likable fish-out-of-water guy who trips the light-fantastic through a piece of fluff like FOOTLOOSE, to putting everything on the line to play a pedophile in the unnerving THE WOODSMAN, there's hardly anything he can't - or won't do - to show his amazing range.
That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.
He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.
Obviously, the old adage "be careful what you wish for" went right over Tom's head.
At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.
A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.
In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.
When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...
That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.
He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.
Obviously, the old adage "be careful what you wish for" went right over Tom's head.
At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.
A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.
In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.
When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...
When I review a movie I don't go into plot; you can read that anywhere. I'm a screenwriter myself so I tend to write about idiosyncratic things that you'd not look for, but your mind sees. The film has a fresh story, is beautifully lit, artistically shot, and is worth the watch. In the trivia section, one of the contributors has it exactly correct: what they would do is slow the film speed down as much as possible and have the actress walk as normally as she can. Then they speed the film up to regular speed and all the little mannerisms come out in an eerie sort of ghostly ethereal way. It's not used much - Hitchcock would have loved this technique. Lots of fortuitous things happen, like when Bacon kicks a bucket through a window which was accidental but Bacon had the presence of mind to stay in character thus the shot made the movie. The direction was better than average the acting better than average. Ileana Douglas is always good Bacon is usually good or Erbe is underrated and too seldom cast so you had the makings already of a film that you knew had potential. Add the weird twist and Jennifer Morrison, AKA Doctor Cameron from the show "House", and you have a movie that is great to watch on a rainy Sunday afternoon. I recommend it.
This creepy thriller concerns about a family, when the marriage goes to a party into a calmed neighboring, happen weird events. Tom (Kevin Bacon, Sleepers) being hypnotized by his sister in law(Ileana Douglas), then, he winds up with clairvoyant abilities that link to disappeared teen girl(Jennifer Morrison, today famous by House). These faculties also have traumatized his young boy( similarly to kid in ¨The sixth sense, he isn't only one seeing dead), carrying the fear under his frail shoulders, but he can communicate with the deceased adolescent and presumed missing. Tom and son's visions lead to have problems with his wife(Kathryn Erbe, Law and Order) and friends(Kevin Dunn, secondary in Gozzilla). It leads to unexpected and breakthrough twist ending about what's happened before.
The movie packs suspense, tension, shocks, grisly horror and eerie scenes when the ghoul appear. The film takes accent as the suspense as well as the terror. Provides an imaginative, highly original and well-knit screenplay by David Koepp, also director, and based on novel by Richard Matheson. Sinister and mysterious atmosphere is finely made by cameraman Fred Murphy. Creepy music score fitting to the horror film by James Newton Howard, he's habitual maker of frightening atmospheres such as ¨Sixth sense, Devil's advocate¨ and composer of all films by Night Shyamalan. The motion picture is well directed by David Koepp, a famous screenwriter(Zathura, War of the worlds, Spiderman, Mission impossible) and occasionally director(Secret window,The trigger effect). The flick will like to terror fans because gets decent scares and intense sequences of horror.
The movie packs suspense, tension, shocks, grisly horror and eerie scenes when the ghoul appear. The film takes accent as the suspense as well as the terror. Provides an imaginative, highly original and well-knit screenplay by David Koepp, also director, and based on novel by Richard Matheson. Sinister and mysterious atmosphere is finely made by cameraman Fred Murphy. Creepy music score fitting to the horror film by James Newton Howard, he's habitual maker of frightening atmospheres such as ¨Sixth sense, Devil's advocate¨ and composer of all films by Night Shyamalan. The motion picture is well directed by David Koepp, a famous screenwriter(Zathura, War of the worlds, Spiderman, Mission impossible) and occasionally director(Secret window,The trigger effect). The flick will like to terror fans because gets decent scares and intense sequences of horror.
Actually, I found this movie more satisfying than "Sixth sense". It doesn't have a stunning payoff like "sixth sense" (what film does?), but until the, in some ways hasty, conclusion, it's well made, scary and, since I have a knowledge of occult things through a good friend, rather believable. Kevin Bacon is credible in his part and so do Illeana Douglas. Kathryn Erbe however is stuck with nothing to do for large chunks of the movie. Effectively and atmosphericly shot, with some effective jolts that made me jump. To some, the conclusion may be a little simple and drawn-out, but I thought it was satisfying and filled to the brim with suspense. I find that the digging in the cellar/garden is a nice build-up for the finale, not that it goes on forever as a previous reviewer stated. It's only one thing that bothers me about the ending, and it is that too little is explained and a few threads of the story are totally abandoned. But that's only a minor complaint. For the most part, this is a creepy, interesting, well-made, scary and well played little thriller.
Stir of Echoes is a very good horror thriller in the traditional sense. It's the story of a guy who gets hypnotised and develops precognitive psychic abilities which he can't control.
Kevin Bacon is excellent and shows he can be a leading man, while the rest of the cast performs well. Sets, special effects and cinematography are all very good - nothing flashy but solid.
It has shocks and suspense, especially in the first half, and although it could be accused of being a little clichéd, it never strays too far into the 'seen it all before' category.
The second half of the film turns into a more traditional thriller but still holds up well, unlike similarly themed movies such as 'What Lies Beneath.' This is because it is pleasingly short, lasting around 90 minutes (the correct length for a film of this type). There are some plot strands that aren't explained, but this can be forgiven because of the film's running time.
Although not mind blowing, it has a decent payoff at the end and left me satisfied that I'd just watched a good movie. Not a great one, but a good one. Pick this one up cheap on DVD.
Kevin Bacon is excellent and shows he can be a leading man, while the rest of the cast performs well. Sets, special effects and cinematography are all very good - nothing flashy but solid.
It has shocks and suspense, especially in the first half, and although it could be accused of being a little clichéd, it never strays too far into the 'seen it all before' category.
The second half of the film turns into a more traditional thriller but still holds up well, unlike similarly themed movies such as 'What Lies Beneath.' This is because it is pleasingly short, lasting around 90 minutes (the correct length for a film of this type). There are some plot strands that aren't explained, but this can be forgiven because of the film's running time.
Although not mind blowing, it has a decent payoff at the end and left me satisfied that I'd just watched a good movie. Not a great one, but a good one. Pick this one up cheap on DVD.
Lo sapevi?
- QuizIn the scene where Tom gets angry after digging in the backyard, and kicks the bucket towards the wall, it was not supposed to hit and break the window. This was a "happy accident", and it was used in the film, as Kevin Bacon stayed in character, and continued the scene.
- BlooperDigging in the basement he uses an air compressor when the Jack-Hammer is a Bosch Brute, an electric model.
- Versioni alternativeOn the DVD director's commentary, David Koepp states that for the home video release, the two scenes where words appear blurred on a theatre screen were blurred even more with digital effects. He states that this is because on video, what the text said was obvious well before it should be known to the audience.
- Colonne sonoreNothing But The Shell
Performed by Steve Wynn
Written by Steve Wynn and Eric Ambel
Courtesy of Zero Hour Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Ecos mortales
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.142.914 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.811.664 USD
- 12 set 1999
- Lordo in tutto il mondo
- 21.142.914 USD
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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