La dea del successo

I know that most people are very demanding of the movies they watch. That being said, I guess I'm not one of them. I have owned "The Muse" for about three years, and I usually watch it about once a year, after being reminded of its existence on cable/HBO. I always enjoy it every time I watch it. I think Sharon Stone portrays her character with class and humor; not to mention that she is one of the most stunning women ever to be in motion pictures. While I do think that by the end of this movie, you'll probably have had enough of Albert Brooks' whiney, monotonous voice, some of his lines and "sound effects" are rather funny. Andie MacDowell is a beautiful woman, and while her characters are never really memorable, I feel she is a good actress, and entertaining to watch in movies.

This movie is a light-hearted, film of mindless entertainment. Certainly, it is not one for the "Hall of Fame", but if you're looking for an amusing story, with attractive scenery (who doesn't like looking at Hollywood mansions), and a plot you don't have to race to keep up with, "The Muse might be for you.

Albert Brooks at his best. Very very funny. The short appearances of James Cameron and Martin Scorcese are hilarious, but the best laugh I had in years was the short conversation of Albert Brooks (Steven) with Mario Opinato (European man) at the party. Although it already passed 30 minutes from that scene I was still laughing, and still do whenever I think of it. Despite Brooks latter works, The Muse is somewhat inferior, but still hilarious... and what´s the point in a comedy? To make people laugh, and I sure did laugh with this one.

Albert Brooks has long been one of the most underappreciated filmmakers working in the movie industry today. Less acerbic, but often just as funny as Woody Allen, Brooks looks at the world through a slightly askew, charmingly off beat prism, invariably placing himself in the center of his films as the average Joe persona put-upon by the daily frustrations and absurdities we all face as we struggle to make it though our often harried modern lives.

His latest charmer, "The Muse," provides even more of a fantasy insider's view of Hollywood than Steve Martin's recent "Bowfinger." Brooks portrays a fairly successful screenwriter who is suddenly experiencing steady rejection of his most recent script as studio after studio turns thumbs down on the project. Driven by desperation, he enlists the aid of a tempermental Muse, played winningly by Sharon Stone, an actual descendant of Zeus who moves her way around the Hollywood bigwigs, inspiring hit movies as she goes - or so her many devotees think. Part of the fun of the film comes in the latter portion of the film when doubt is cast on the validity of her credentials, which speaks humorous volumes about the state of mental health in that crazy land known as Hollywood.

In fact, the film is at its freshest in scenes in which Brooks gently skewers the crass insensitivity, lack of creativity and general madness of the movie industry itself - and he has enlisted quite a number of major Hollywood big shots to appear in amusing cameo roles that mock their own self-importance and that of the business they are involved in. Despite the occasional thudding one-liner, Brooks' script floats along much like a muse itself, fluffy, amiable and charming. The lovely Andie MacDowell, as Brooks' understanding and supportive wife, adds immensely to this air of breezy likability.

"The Muse," unlike so many modern comedies, manages to captivate and entertain without working itself up into a frenetic frenzy and without breaking into a sweat. This is a film, rather, to relax into and simply let the author take you where he wants you to go. The journey, luckily, is a fun one.

Albert Brooks's The Muse may be under-rated, but I found it OK. Brooks has always made movies that are good for a feel-food time, and this is a good example. Brooks plays a troubled writer who needs help to get his edge, so he gets a Muse (Sharon Stone is not her best, but good at being annoying) who inspires to do things. Cute comedy has many cameos some movie buffs might find hilarious. I find it entertaining. Cameos include James F. Cameron, Jennifer Tilly, Rob Reiner, Steven Wright (not as himself but he gives the funniest part as Stan Spielberg) and in the best cameo of the year, Martin Scorsese as himself, who interests Brooks in a remake of Raging Bull "Thin and Angry." Worth a gander, but not as many laughs as Bowfinger. A

Albert Brooks makes a Decent Attempt with his 1999-comedy 'The Muse'. Its a light-hearted film, that doesn't tax your brains.

'The Muse' is a comedy about a neurotic screenwriter & his modern-day muse.

'The Muse' is entertaining, but only in portions. While the first-hour is funny & well-paced, the second-hour takes a dip. The Writing isn't tight, nor is the pace. Brooks's Screenplay succeeds in the first-hour, but later-on, everything slows down. Brooks's Direction, on the other-hand, is very well-done.

Performance-Wise: Brooks can never be doubted as an actor. He's exceptional, as always. Sharon Stone enacts the nagging/materialistic chick delightfully well. Andie MacDowell is natural to the core. Jeff Bridges is winsome in a cameo. Martin Scorsese & James Cameron are fun in one-scene appearances.

On the whole, If you want to get Amused...Watch 'The Muse'.