L'uomo senza ombra

I watched Hollow Man in theaters and maybe once after that. I remember liking it. All these years later as a much more seasoned movie fiend, I expected this to be outdated, cheesy and bad. Yet I found myself enjoying it from beginning to end.

It barely feels dated. The visual effects are a thousand times better than I expected them to be. The pacing is great with increased intensity through to the climax. There are so many suspenseful scenes as well as creepy ones.

There are a few questionable parts but the movie is way smarter than the usual late 90s/early 2000s movie. It also repeatedly surprised me with the violence. Every time I think something will be implied or will happen off screen, the movie says nope, in your face. I miss when movies weren't afraid and am so sick of all the neutered PG-13 horror movies.

(about 3 viewings, 6/29/2024)

Hollow Man boasts some pretty impressive visual effects and does have an intriguing story. Kevin Bacon plays Sebastion Caine, an arrogant scientist who develops a serum for invisibility. Withholding information from his superiors, Caine tests his serum on himself and undergoes a transformation that is quite visually arresting. It's like an anatomy book come to life. But while Caine's transformation and subsequent experiments with his new found power prove interesting, the movie fails to capture what it feels like to truly be invisible. Caine says to his colleagues, "You have know idea how much fun this is." In truth, we don't. We see Caine slowly going mad and trapping his fellow scientists in the lab when they threaten to go public. But, we don't get any sense of power from Caine. True he does venture out into public and enters the apartment of his very fetching neighbor, but that's about all the real world we see with Caine. It would've been interesting to see Caine in the real world, and what would've been done to capture him. Instead, we have Bacon, Elisabeth Shue and Josh Brolin and a few others mixing it up in a hidden lab somewhere in D.C. While the actors try to make the best with what they have, Paul Verhoeven tries to goose us a little. He succeeds in a few instances, and he does manage to hold your attention for a while, but the ending is the weakest link in the movie. Had there been a stronger ending, the movie would've been a little better. As it is now, it's a good exercise in visual effects territory, but there are so many other possibilities that lay with the story of an invisible human being.

Sebastian Caine and his team have worked tirelessly to develop a formula that can not only turn animals invisible but also bring them back to normal at will. With Governmental pressure on them to show results, Sebastian decides he will be the first human to try the formula. He becomes invisible for a short time, however efforts to bring him back fail and he finds himself stuck. As work continues on the formula, the others in the lab begin to notice him becoming increasingly unhinged.

From director Verhoven the norm is to expect great special effects and violence. He has also been known to integrate themes and good stories into these mainly effects driven films. On this occasion however he fails to really do that and is left with a fast paced and enjoyable film that makes up in effects what it lacks in substance. The plot is pretty basic and never goes deeper – Sebastian's descent into madness is not really a descent so much as a short trip that is not really built to so much as just delivered. In it's placed though, the effects are really impressive and make the film worth seeing simply because, not only are they great, but they are also used very well in the action rather than just being the film in themselves.

The cast is OK but don't really have much to work with in terms of material. Bacon is much more interesting when not on screen than when he is. His character is too thin and he fails to portray any sort of `descent' in his character's behaviour. Shue is pretty good and seems to enjoy running round with a flamethrower. The rest of the cast are OK but basically just act as fodder in the way that a normal slasher movie will have actors to be disposed of as the film rolls.

Overall I really enjoyed this film as it is a very expensive special effects movie which relies on spectacle to keep things moving. The effects are great and take the mind away from the lack of real substance and the action at the end is very enjoyable. A really good special effects movie as long as you don't expect anything more.

Ever since the original Halloween was released in 1978, there have been countless imitation films that desperately, although primarily unsuccessfully, attempt to feed off of the success of that film by copying its premise of a faceless and unstoppable killer. In the late 90s, there have been a resurgence of these films, such as the Scream movies, which started off good and then went sharply downhill with each additional sequel, Urban Legend, and I Know What You Did Last Summer (as well as, God willing, it's only sequel, I Still Know What You Did Two Summers Ago). Hollow Man is a film that takes a fantastic premise and reduces it to yet another of these cheap imitation slasher films.

Sure, the whole invisible man thing has been done before. Done to death, if you include literary examples. But let's face it, the possibility of human invisibility is one of the most fascinating premises that you can possibly tell a story about. The unfortunate thing about Hollow Man was that no one involved with the making of the movie seemed to realize that. What you have here is the development of an invisibility serum (as well as a reversing visibility serum) by a brilliant scientist, who successfully uses it on a gorilla in some of the best special effects scenes to date, and then uses it on himself. Well, of course he uses it on himself, what scientist could possibly resist? And why would any scientist WANT to resist? Well, the reason may be that, evidently, invisibility serum turns even the most intelligent scientists into raving madmen.

The absolutely infinite amount of possibilities for an invisible character are completely ignored here in favor of turning him into yet another bland faceless killer. This time, we may know who it is that's trying to kill people, but what we don't know is why he completely ignores the outside world. This is the greatest scientific discovery of mankind, and this bonehead decides to use it to become a peeping tom and to spy on his girlfriend. This vast and hugely unfortunate simplification of the potential for the story of an invisible man is both bitterly disappointing and more than a little insulting. As Roger Ebert mentions in his review of Hollow Man, it seems that director Paul Verhoeven, who directed such great films as RoboCop and Total Recall, seems to think that his audience is so intellectually dim that they prefer a mindless killer to the incredibly imaginative villain (or protagonist) that Dr. Sebastian Caine could have become.

Hollow Man is an absolutely fascinating display of brilliant special effects, which seem to map out internal anatomy just as good as any medical textbook, and is also a great deal of fun as the visible characters desperately try to make Dr. Caine visible again, but it is a dismal failure on the story level. The film starts out with a gigantic amount of intelligence, both that required for the development of an invisibility serum and that involved in the brilliant premise of the story, but winds up in the end as nothing more than yet another mindless thriller, completely lacking in thought and intrigue.

** out of ****

I've seen Hollow Man twice now, the first time in theaters, where I had the distinct impression that I'd seen a fast-paced thriller that was nonetheless entirely disposable and unfulfilling. Seeing the film again, I had the exact same feeling. Hollow Man is a film of great potential, packed with terrific special effects and a surprisingly engaging cast (the exceptions being Josh Brolin and Elisabeth Shue). So when the movie goes to cliche hell in its final 1/3, you'll be very disappointed even though the action is still entertaining.

Kevin Bacon stars as Sebastian Caine, a scientist working with a diverse crew in an underground laboratory on a military project. The goal: to achieve the power of invisibility, as well as the ability to return to a visible state. Caine, being the egotistical hothead that he is, performs the procedure on himself, but finds he is unable to return to his human state. With Caine growing further and further mad, the rest of the crew try to find a way to revert him back to his normal state, not knowing Caine is beginning to prefer his invisibility and will do anything to keep it.

The first half-hour of Hollow Man is the best, when we're introduced to these wow-inducing, eye-popping visual effects. This is also the point where the story holds the most potential, before devolving into B-grade land. Now, most people seem to agree that the film would have worked a lot better if it had focused on Bacon brandishing his invisibility on the outside world, and there is a ten-minute segment where he does do this, but it's also arguably the film's worst part.

The reason? That's easy, it's because he rapes Rhona Mitra. Apparently, director Paul Verhoeven seemed very satisfied with just presenting this rape, as if though to make a statement about man's human nature and what we'd do if we didn't have to face up to the consequences. That's fine and all, I'm for a little depth here and there, but it disturbs me that he doesn't address Mitra's character further. Here's a woman who's been raped by an invisible man, and we're simply supposed to accept this scene and not wonder about the effect this will have on her psychological state (think about it this way, unless the military goes public with all the invisibility stuff, there's no way she wouldn't know if she'd be attacked again). This is where the movie truly goes awry.

The last half-hour is essentially Caine going around, knocking off all the lab workers, and while it's uninspired material, it's still rather exciting to watch, if only because Verhoeven is a skilled action director who really knows how to make us squirm and cringe at the sight of blood and guts. But by the time it's all over, though I found myself mildly entertained, there was still a bad taste in my mouth from the filmmakers' poor decision-making and routine route they chose for the film.