Omicidio a Manhattan

For those of you who are offended that this movie insinuates nothing happens on Staten Island--get over it-nothing does. I'm a NYC paramedic and I know of what I speak. Chris Noth played this character very realistically. I think Dick Wolf made good use of a great character and an excellent actor. I would also like to give kudos to the 34th Avenue Bowl in my old neighborhood. Chris, why didn't you tell me? We could have hung out! Jeanine

I'm not sure how captivating this movie would be for those who didn't love Mike Logan from the first 5 years of "Law & Order". I *think* Chris Noth did a brilliant job conveying Mike's sense of loss, despair, and alienation, but then again, I've missed him sorely from the series. But, even without that background, "Exiled" is a tightly-written and well-acted police procedural, tracking between Staten Island (the scene of Mike's exile) and Manhattan (his lost and desired home), and through the stormy emotional terrain of Mike's mind. The case -- a murdered prostitute -- is far less important than the things it leads them to: a sociopathic mobster and a crooked cop in Mike's old precinct, and even those aren't quite as compelling as the battle Mike fights with his own obsessive desire to get back to his old way of life. In the end, that desire demands more than Mike could ever have dreamed... and the end of the film is painfully real. The Staten Island Ferry visually dominates the film, as is appropriate, as it symbolises Mike's in-between state. And the contrast between the suburban streets of Staten Island and the city (especially for those who remember the episode "God Bless the Child" and Mike's comments about small-town policing) were well done. In fact, the movie was filled with resonating triplets: Staten Island-the ferry-Manhattan; Cragen-Stopher-Van Buren (Mike's bosses); his three partners (past and present); the three women (the wife, the victim, the sister)... and these added to the depth. In short, this is far, far more than a long L&O episode.

My wife and I are rabid Law and Order fans, so when they reran this the other week on my day off, I was excited to see it for the first time. I think the series is generally as good as ever overall (some ups and downs), but I agree with several other reviewers here that the classic years were those with Chris Noth and Jill Hennessy.

I have to say, having skipped it when it premiered, I really enjoyed the film. I thought it was a fantastic opportunity to see the familiar settings with a new pair of eyes (Noth's), to the point that I could forgive it some character inconsistencies (e.g., I had a hard time recognizing Lenny Briscoe). It also explained for me where Profaci went (other than over to the Sopranos).

Some remarks on comments by other viewers:

1) The latina maid

The numerous cast changes this series has undergone has given ample opportunity to show that cops don't like having to work with new partners. Logan didn't know there would be a spanish-speaking maid, and he didn't know Rey, so why would he bring him along?

Also, I can't speak for New York, which I wouldn't be surprised to find has a realistic policy for dealing with multilingualism, but we must remember that the L&O franchise is overseen by Dick Wolf from Los Angeles. Here in Occupied Mexico, a shocking number of the non-latino minority (particularly cops) display what I can only describe as clueless pride in knowing NO spanish whatsoever.

2) Staten Island

Having never been there, I can't speak to the endless disdain other New Yorkers express toward S.I. as a boring backwater. It's immaterial to the plot, however. From early on in the movie, it's made clear that the reason Logan is working petty crimes is that in his banishment, HE WAS NOT ASSIGNED TO HOMICIDE. 'Kay?

If you are a huge Law & Order fan, I recommend catching this film when it comes around again. Otherwise, I don't know what your interest would be.

All right, all right, I was ecstatic as the next L&O junkie when I heard that Chris Noth would reprise his role as Mike Logan. I looked forward to this movie for months, lying to every friend, family member, and creditor I have that I was absolutely, positively, unavailable that particular Sunday night. I even told my roommate that he was going to have to live without the X-Files for 1 week.

Mulder and Scully, you never looked so good.

It wasn't that this was a bad movie. It's that it took the easy way out in many cases, which is something Law and Order never does. It was a paint-by-numbers cop drama, and didn't try to be anything else.

I won't spoil the plot by pointing out the various pointless twists--let's just say that anyone with a nodding familiarity with the genre will see the ending a mile away. What really struck me was how hard the writers were trying to make this a "one-lone-cop-against-the-bureaucracy" story.

That might have worked with brand new characters, but we've all watched Mike Logan, Lennie Briscoe, Anita Van Buren, and Jack McCoy for years. We know how they're going to react to situations and to each other. Logan's difficulties with McCoy in this film are plausible--they were never all that friendly during their one year together. But his confrontation with Briscoe seems forced, and the mutual animosity with Van Buren is way out of left field. Logan risked his career for her at one point--over Briscoe's objections. So how exactly does she label him "self-absorbed"?

All in all, it left a bad taste in my mouth. The characters and the actors both deserved better.

A few years after Chris Noth left the cast of Law & Order on television, he and Charles Kipps came up with the idea of a television special to reunite him with his audience. Chris is in a precinct in Staten Island, under the jurisdiction of Dabney Coleman, and with Dana Eskelson as a partner. He desperately wants to get back to his old territory, so he fudges the details of a homicide so he can crack the case and earn a transfer.

The opening credits will reassure you that all the Law & Order cast members you know and love join Chris Noth in the movie, but in reality, they have glorified cameos. Jerry Orbach has maybe eight minutes on screen, Sam Waterston and S. Epatha Merkerson probably have five minutes each, and Benjamin Bratt has less than two minutes. But it's still fun to see them—it wouldn't be Exiled: A Law and Order Movie without them! If you love the series—really, who doesn't?—you'll probably want to watch this TV movie. It's extremely similar to the episodes, minus the absence of any courtroom scenes. There's a murder, colorful suspects, snappy banter, and a few one-liners that make you groan and chuckle at the same time.