Vijeta

A movie made much ahead of its time. The story, plot and delicate handling of a young guy and how he changes with his age. The portrayal of his inner characters and relationship with parents very delicately shown.

Also the old days airforce campus shooting is a bliss. It is very nostalgic to see the old aircrafts on reel of a mainstream movie.

They showed war so well too and aircraft dog fights were make believe too.

Surely a movie made way ahead of its time.

It is not often that a Indian military film gets everything right.

From the Kirans to the Oorials and their MiG-21s, to the Vijayantas and the 25 pounders, Vijeta has them all.

I will not repeat what the other reviewers have said but I endorse them all.

A magnificent film, it tells the coming of age story extremely well while never once falling into the trap of trying to be all things to all people.

If you think a Hindi film is all about singing and dancing and choreography, Vijeta will provide you with a new perspective.

An excellent story, well acted and with a strong message, Vijeta is a real classic that deserves to be better known.

Even though made in 1982, it puts the later movie Border to shame and is better made than the pretty decent Lakshya.

Vijeta (winner) is a very touching as well as very inspiring movie which portrays the journey of a youth from boyhood to manhood. It is the story of Angad (Kunal Kapoor) who is the son of Nihal Singh (Shashi Kapoor) and Neelima (Rekha). Angad has a tense and troubled childhood because of his father's self-pitying and guilt-complex soaked attitude to life and in turn a highly defective and counter-productive fatherly treatment to him. Home is no better than hell for him because of the ever-present tension between his parents the background of which is his father's being infidel to his mother sometime in the past. As a result of this situation, the kid Angad is not able to grow-up like a normal child.

In the verbal duels taking place between his parents, Angad who has been made a Sikh by his mother, takes the side of his mother because of his deep-seated dislike for his father. But his father is genuinely concerned for his future seeing the lack of self-confidence in him. This fear of the father is all the more intense because he looks upon himself as a sufferer and a loser in his life. Going through his teens, Angad is not finding any ray of hope and enthusiasm in his life until one day a visit of his maternal uncle Arvind(Om Puri) who is a militaryman, takes place and then after spending some time in the military environment, Angad decides to join the Indian air-force and goes ahead with his intention despite opposition from his nagging father who is over-concerned for him.

But joining the armed force is one thing and doing something worthwhile is another. The old demons of childhood haunt Angad and he remains apprehensive of taking risks though he aspires high - dreaming to become a fighter-pilot. However under the strict training of the air-force instructor Mr. Verghese (Amrish Puri) with the womanly love of his daughter Anna (Supriya Pathak) coming to him, Angad slowly but steadily starts growing up at the mental level and taking real steps into manhood. And then the moment for him to prove that he has actually come of age, arrives when India is caught in a war with Pakistan in 1971. And quite expectedly, our hero who is no longer a boy, emerges a winner (VIjeta) to the boundless delight of his parents especially his father as well as to the inner satisfaction of himself.

A man, really or perceptually, may be a winner in life or a loser in life but if he looks upon himself as a loser or a sufferer in life, he should not allow the same to affect the upbringing of his generation next. The little ones who are like clean slates or lumps of clay, need to be nurtured with utmost care and the demons of the past of their parents / guardians should not be allowed to ruin first their childhood and then their adulthood which largely depends upon the fact how their childhood has been spent. Vijeta underscores it quite emphatically.

Husband and wife may be having grudges against each other due to one or more reasons and some of them may not be resolvable also because you cannot unring a rung bell and life does not have any UNDO command like a computer has. But they have to understand one thing loud and clear that one has to move on in life especially when the future of a kid who is innocent and has nothing to do with the past of his parents, lies ahead for taking care of. The parents of the hero of Vijeta come to understand it quite gradually after spoiling the childhood of their son by their defective approach. Thus this tale is not only of the hero's coming of age, it is also of his parents' coming of age.

The movie does not bore at any place though the pace of the narrative has been deliberately reduced by the director in the post-interval session but that slow pace suits the movie well and truly speaking, enhances its impact upon the audience. Since a realistic filmmaker has directed the movie, except for the expected climax, there's nothing filmy here. Everything appears to be real though the conversations of the characters living in the military milieu appear to be a little more intellectual than they should have been in real life.

The storyteller has been quite successful in carrying the audience alongwith the characters of the story and the things happening to them or happening because of them. That mental connection of the audience who is able to relate to the characters and starts longing and praying for the hero to ultimately emerge as a winner (Vijeta), is a great achievement for any filmmaker. Vijeta is a movie which sensitises, moves, touches, energizes, delights and finally conquers the spectator.

Full marks to the art director, the cinematographer (director Govind Nihalani himself), the editor, the costume designer (Shashi Kapoor's wife and the hero's real life mother - Jennifer Kendal) and the action director for creating a completely realistic environment on the screen for the story of the movie. Ajit Verman's musical score is admirable. Mainly it's the song in Raag Bhairavi - Mann Anand Anand Chhayo sung by Asha Bhosle and Satyasheel Deshpande which remains with the audience.

Performances are outstanding. Kunal Kapoor could not play a successful innings as an actor in Bollywood but for this role, he appears to have brought his heart out. Supriya Pathak was very pretty in her youth and she has excelled on the acting front also. Shashi Kapoor and Rekha have entered the skins of their characters. The same can be asserted about the other cast members too.

I recommend this extra-ordinary movie to all those who are fond of viewing quality cinema.

1980S was a good time for parallel Hindi cinema. Many great films like ARDHSATYA, TRIKAL, AAROHAN were made at this time ,VIJETA is such a film. A film on how life really is in NDA. there is nothing melodramatic in its treatment. Its as relevant today as it was in the 80s. the young people will really identify with kunal kapoors character. the anguish,the confusion and the constant scoldings that his father (the character played by his real life father Shashi kapoor)gives him. every one has done a good job ,but the true revelation for me was shashi kapoor who has given a superb performance. he was ably supported by rekha who plays his wife. young kunal kpoor also gave a satisfactory performance but falters sometimes.

the flight scenes were very realistic. a total entertainer ,this film can be described as a boy's journey into manhood,conquering his fears and coming out the winner.

Today I watched URI. It reminded me of Vijeta which I had seen 20 years back during my college days. If you want to really enjoy movie based on Army then watch Vijeta. No other movie can beat this. This is best war movie ever produced by Hindi cinema which will put all other movies like Border, Uri to shame. So must watch for every Indian Army fan.