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Taal

  • 1999
  • T
  • 2h 59min
VALUTAZIONE IMDb
6,6/10
6258
LA TUA VALUTAZIONE
Anil Kapoor, Akshaye Khanna, and Aishwarya Rai Bachchan in Taal (1999)
Businessman Manav falls for aspiring singer Mansi, but their romance faces an uphill climb when Manav must depart and Mansi's suave manager moves in.
Riproduci trailer1: 36
1 video
27 foto
DrammaMusicaleRomanticismo

Aggiungi una trama nella tua linguaBusinessman Manav falls for aspiring singer Mansi, but their romance faces an uphill climb when Manav must depart and Mansi's suave manager moves in.Businessman Manav falls for aspiring singer Mansi, but their romance faces an uphill climb when Manav must depart and Mansi's suave manager moves in.Businessman Manav falls for aspiring singer Mansi, but their romance faces an uphill climb when Manav must depart and Mansi's suave manager moves in.

  • Regia
    • Subhash Ghai
  • Sceneggiatura
    • H. Banerjee
    • Sachin Bhowmick
    • Subhash Ghai
  • Star
    • Akshaye Khanna
    • Anil Kapoor
    • Aishwarya Rai Bachchan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    6258
    LA TUA VALUTAZIONE
    • Regia
      • Subhash Ghai
    • Sceneggiatura
      • H. Banerjee
      • Sachin Bhowmick
      • Subhash Ghai
    • Star
      • Akshaye Khanna
      • Anil Kapoor
      • Aishwarya Rai Bachchan
    • 41Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 22 vittorie e 9 candidature totali

    Video1

    Taal (1999) Trailer
    Trailer 1:36
    Taal (1999) Trailer

    Foto27

    Visualizza poster
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    Interpreti principali42

    Modifica
    Akshaye Khanna
    Akshaye Khanna
    • Manav Mehta
    Anil Kapoor
    Anil Kapoor
    • Vikrant Kapoor
    Aishwarya Rai Bachchan
    Aishwarya Rai Bachchan
    • Mansi
    • (as Aishwarya Rai)
    Alok Nath
    Alok Nath
    • Tarashankar Manhuja
    Amrish Puri
    Amrish Puri
    • Jagmohan Mehta
    Sushma Seth
    Sushma Seth
    • Nani
    Mita Vashisht
    Mita Vashisht
    • Prabha Manhuja
    • (as Mita Vashist)
    Saurabh Shukla
    Saurabh Shukla
    • Banerjee
    • (as Saurab Shukla)
    Jividha Sharma
    Jividha Sharma
    • Ilavati Manhuja
    Tanya Mukherjee
    • Shanno
    Supriya Karnik
    Supriya Karnik
    • Shakuntala Deepmohan Mehta
    Prithvi Zutshi
    Prithvi Zutshi
    • Deepmohan Mehta
    Manoj Pahwa
    Manoj Pahwa
    • Santram
    Rajesh Khera
    Rajesh Khera
    • Brijmohan Mehta
    Mithilesh Chaturvedi
    Mithilesh Chaturvedi
    • Rambhajan
    Puneet Vashisht
    Puneet Vashisht
    • Shaukat
    Akash Karnataki
    • Siddu
    • (as Akash Karnatki)
    Vinod Raut
    • ACP Karen Singh
    • Regia
      • Subhash Ghai
    • Sceneggiatura
      • H. Banerjee
      • Sachin Bhowmick
      • Subhash Ghai
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti41

    6,66.2K
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    Recensioni in evidenza

    9RajnishDahiya

    A musical treaty to Hindi Speakers.

    I just watched the movie, after 11 years of its release; got totally involved in the movie. It was stunning, especially considering the fact that I already knew the story. Although any bollywood fan can predict the story, but interesting part is its execution, its flow. One thing that may disappoint you is one of the metaphor used for love(sharing cold drink). I am not a great fan of love at first sight, but in this case simplicity of characters and naturalism of dialogues/thoughts will force you to digest that. Apart from being wonderfully musical it seems to me the most romantic movie of the decade, rich in family values, close to reality in many aspects. I would say it is must watch for any romantic musical person. I am gonna buy the DVD as soon as my pocket allows me.
    rg-22

    a terrible, terrible movie

    What the heck is a digital floppy camera - and where did they get one with as high a resolution as in the movie? One of the many mysteries of life.

    Taal is an average movie. With slightly above average music in the generic mould of A R Rahman.

    Subhash Ghai's extensive use of Coke jars throughout the movie, and the hotchpotch of scenes and plotlines stolen from other Hindi movies makes for jarring viewing.

    Some very strange things go on in the movie, starting with the casting. Aishwarya Rai, while made of plastic, is beautiful, but rustic she is not. 'Dehati' women (and my knowledge of them may be flawed) seldom sport plucked eyebrows, immaculately waxed legs and shaved armpits. Though of course the alternative would mean audiences would have little to whistle at, so perhaps it is best to let that pass.

    Akshaye Khanna's acting seems to consist of making weird faces - an absolute ham, if there ever was one. I'm saddened to see a person of Alok Nath's acting talent reduced to roles such as this. One can expect little else from Amrish Puri, who plays his stock-in-trade with all the same expressions that we have come to live from other brainless flicks. 'Mogambo' all over again.

    The movie itself boasts of pathetic lyrics (where do they get the inspiration for this tripe?). Subhash Ghai's guest appearance jars more than an ST bus on the road to Pune.

    The only saving grace is Anil Kapoor's acting. Akshaye Kumar would do well to take lessons from him - just the right amount of hamming for the most part (although the sentimental drivel being pushed across as acting by the others seems to affect him too in the end).

    To summarize: this movie should never have been made. Take a few scenes from Hum Aapke Hain Koun, Dilwale Dulhaniya and Bombay and paste them together instead. Not that the result would be any better.

    Also, the concept of using the Coke bottle for indirect kisses is lifted from Salman Rushdie's book, 'The Moor's Last Sigh.'

    The problem is, audiences in India have become so used to worse films that rotten pig-kidneys like this movie become hits and the standards stay low all the time.
    jungleking

    the loadest taal(beat) in ghais career

    a fresh feel, a fresh look, a fresh concept

    Taal is a great movie. Great story, great performances, great songs and great look & feel. It should be the utopia of modern Indian cinema and it should represent what all movies should aspire to be like. This can be classed as one of the best, if not the best movie ever made by Subhash Ghai.

    The cast is great, including the supporting cast. The star of the show is Ashwaria, whose portrayal of a simple village girl coming to terms with love, hurt and pressures of modern life is excellent. It was probably the role that helped her to shed her Barbie doll image and her acting was very natural, full of character and spot on. It was good to see the transformation from the first half where she is the small town girl, to the second half where she is a reputable icon. Akshaye was great in his role as Manav, a determined, strong headed, love bitten guy. Akshaye always gives sound performances and never lets you down as in this case. Anil Kapoor is fab in this role. His comedic side always hit the right note (best part being the rules of life!!). Alok Nath & Amrish Puri gave good performances and really do support the movie.

    The story is simple, to the point and not extra bits added in. Manav sees Mansi and is smitten by her and slowly she develops feelings for him (through some fab songs like Taal and Ishq Bina) and then he goes back to the big city. She follows him and is cast aside by his family. Becoming more determined she pursues a sing job, becomes really good. Her career is helped by Vikrant who also has feelings for her and proposes to her. The climax helps to bring things together.

    If one was to think of something bad to say about Taal, then they will be thinking for a long, long time.
    9homegnome1

    Good for apparent reasons

    The plot of this film is the usual bollywood fare, poor girl, rich boy, disapproving family. The acting and the script are the usual yada yada. So what makes this movie incredible? It is A MIND BLOWING AUDIO/VISUAL TREAT! At the end of the movie, I was frozen! I could only exhale a modest "WOW". Someone pulled out all the stops for choreography, costuming, scene dressing and location! Your eyes and ears will thank you! The overwhelming beauty of this film together with the fantastic rendering of songs makes you want to get up and dance. Scene after scene make you want to gasp. I highly recommend it. Only Aishwarya Rai could have done this, her eternal beauty with the backdrop of India are the show stoppers. Must see!
    8nikil185

    One of the finest movies Made till Date ! Simple yet so grand :)

    I remember watching taal when i was kid , And Aishwarya Rai was everywhere owin to her two hit Movies - Hum dil de chuke sanam and Taal .

    Taal Is all in all a Pure musical !! Its a journey of a girl With Music Playin a Important role in the backdrop hence the name Taal.

    The movie starts with AISHWARYA Rai (Mansi) a beautiful small town girl with great voice who meets AKSHAYE KHANA (Manav) a Rich down to earth guy . Now the same old Status problem arises and Mansi and Manav's Parents are logger heads and have a heated Fight which results the Couple SplttinG . Mansi Is approached to be a lead singer by A Leading music Composer ANIL KAPOOR (Vikrant) who also owns a Music company . Mansi becomes a overnight star , Manav Tries convincing Mansi all this time to come back to her . Now Vikrant proposes Mansi and Mansi agrees to marry him But Somewhere down her heart even she knows she loves Manav and isn't over him . Now What does Manasi Do ?? Will She Marry Vikrant and Kill her love for MANAV OR Will she Get back to Manav is the basic plot of the movie ? This movie has been made amazingly well it is possibly Subash Ghai's Best Work . The music by A.R REHMAN is the best part of the Movie . Aishwarya Steals the show completely its her movie all the way , Akshay khanna is great Too , Anil kapoor is funny and goofy and plays his part exceedingly well.

    Taal is a simple story which looks so pure on the screen and even the cinematography Is not over the top grand its just about perfect .

    A must watch for People who think Bollywood is all about stupid Dance - Around - The - Three Flick .

    Altri elementi simili

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This was the first Hindi motion picture to appear in the Top 20 Box Office Charts in the USA.
    • Blooper
      Mansi leaves Vikram and runs to Manav. While running she holds her long flowing skirt in hand. It should be remembered that a little while ago Mansi's hands were bleeding when she cracked a glass with her bare hands. However when she held her skirt there were no blood stains were left on it.
    • Citazioni

      Vikrant Kapoor: To become rich it is important to have greed.

    • Connessioni
      Featured in 45th Filmfare Awards (2000)
    • Colonne sonore
      Taal Se Taal Mila
      Written by Anand Bakshi

      Composed by A.R. Rahman

      Performed by Udit Narayan, Alka Yagnik and Chorus

      Courtesy of Tips Cassettes & Records Co.

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    Dettagli

    Modifica
    • Data di uscita
      • 13 agosto 1999 (India)
    • Paese di origine
      • India
    • Siti ufficiali
      • subhashghai.com Cast, credits, synopsis (in English) (India)
      • Vidio (Indonesia)
    • Lingua
      • Hindi
    • Celebre anche come
      • Ритмы любви
    • Luoghi delle riprese
      • CN Tower - 301 Front Street West, Toronto, Ontario, Canada
    • Azienda produttrice
      • Mukta Arts
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 2.020.532 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 591.289 USD
      • 15 ago 1999
    • Lordo in tutto il mondo
      • 2.020.532 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 59 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • DTS
    • Proporzioni
      • 2.35 : 1

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