Ram Teri Ganga Maili

Naren is a simple man and son of an influential businessman in Calcutta. He goes to Himalayas on vacations and meets Ganga a local Himalayan girl. They fall in love and get married. Naren decides to go home and gain his family's confidence before he can take Ganga home. Naren comes back home and finds that his father has fixed his marriage with an ambitious politician Bhagwat Chowdhary's daughter. Naren sends Kunj, his maternal uncle and his well wisher, to fetch Ganga but Ganga, now pregnant, has already left alone from Himalayas to Calcutta. The whole journey of Ganga from Gangotri to Calcutta depicts the poor condition of women in the Indian society.

First half of the film is perfect for toilet breaks, cigarette, pop corn and probably grocery. How long can you tolerate two bad actors that too together? Movie begins when Ganga leaves Himalayas for Calcutta. Ganga, traveling from Gangotri to Calcutta, represents river Ganga which starts from Himalayas and through northern plains reaches Calcutta and merges into Bay of Bengal. River Ganga is revered by Indians as god from ancient times. River Ganga get polluted on its way and the first bank which pollutes river Ganga is Haridwar and so Ganga (Mandakini) tastes her stint with fate in Haridwar. By the time she reaches Varanasi Ganga loses its purity. River Ganga flows almost like sewer water after that and that's what happens to the protagonist. She is sold bought raped and beaten by the time she reaches Calcutta. I find this film extremely romantic and spiritual. It talks about the fate of millions of innocent girls sold in India and the medium it uses is mind blowing. This film always reminds me of Bicycle thief. Sica used a bicycle to expose post world war Italy and Raj Kapoor has used a river to expose the double standards of Indian culture. At one point in time Ganga sleeps in a funeral house and consoles herself saying that dead ones are better than those living. Characterization is brilliant for example Kunj visits brothels but he loud mouths about it. Manilal is a pimp, a gray character, becomes a blind man to trap Ganga. Raj Kapoor says a lot through Manilal's black goggles. Some of the scenes are very bold. In one of the scenes Ganga, in a train to Varanasi, is feeding her infant son while men look at each other and smile.

Acting wise Raza Murad and Saeed Jaffery are brilliant and soul of the film. Rajiv Kapoor couldn't do worse. 'Mandagini' could and she did. Music of the film is exceptional. All the songs except for 'Sun Saiba' and 'Main Hee Main Hoon' are beautiful and meaningful. I think it's the best score by 'Ravindra Jain' so far (better than even 'Nadiya Ke Paar' and 'Chitchor'). Lata Mangeshkar's voice is beginning to crack by this time and so male versions are an automatic preference. This film was released in the same year as 'Tawaif' and so best Dialog and story awards were given to 'Tawaif' ( a very well deserved ones too) else this movie would have got those too other than best film, best director, best art director and best music. I think this is Raj Kapoor's best film if not 'Prem Rog'. Prem Rog outshines this film because of the actors (of course Rishi Kapoor in 35 mm is magic) and topic but RTGM has high points and is more dramatic. I think Raj Kapoor should have stayed away from the nudity in this film as most people saw only nudity in this film (you can tell by the reviews only) but Raj Kapoor was a businessman too so he had to do his marketing bit. This film was a huge hit. Looking at the unchanged condition of India I guess Raj Kapoor was a good seller. He sold a movie against nudity with nudity. Reminds me of Goddard's 'Contempt' but that's how it is and will be. A must watch for spiritually bent Indians.

What's new, I don't think anyone doubts Raj Kapoor's phenomenal talent in terms of filmmaking. Ram Teri Ganga Maili is overwhelming in its beauty, in how well it captures the extraordinary picturesque views of the Himalayas, the stormy rivers of the waterfalls, and what not. The cinematography is perfect, and the setting is very impressive, creating a rather extravagant film. Raj Kapoor keeps his obsession with the female body and with showing nudity to a most conservative censor board, and does it as aesthetically as he always did, with some highly suggestive transparent clothing, shots of full breastfeeding.

In terms of writing the film has a stronger first half - great romantic portions and all you'd expect, but the execution, the dialogue and the acting by the smaller actors is very bad. It is further ruined by embarrassingly absurd action scenes, which make one lament that someone of the stature of Raj Kapoor succumbed to the cheap dishum dishum of the times. Then also the caricature villains take the credibility of the story down. It is exactly the same kind of problems that Kapoor's previous venture, Prem Rog, faced. A very pretty film to look at but very melodramatic and stereotypical in its portrayal of the suffering heroine.

And coming to the heroine and the film's main protagonist - Mandakini is exactly a reflection of the film itself - she is stunning, and her beauty is captured with great mastery, but performance-wise she falters and wavers between refreshing and charming and then very weak and struggling with too much drama. But who cares, when you have such an unusual beauty, much can be forgiven. The casting of Kapoor's youngest son Rajiv as the male lead is exactly like the casting of Rishi Kapoor in Bobby a decade before, and although he is okay and does okay within the context of the film, it's nothing special.

The film's other highlights include some nice supporting turns, especially by the great Saeed Jaffrey who gets great lines and a nice role. Kulbhushan Kharbanda and Sushma Seth are also very good. But the winner of the film after all is another person, a woman whose name is Lata Mangeshkar. This legendary singer's phenomenal voice does wonders to the film and gives it much of the charm that the script doesn't. My favourite number is "Sun Sahiba Sun" which is a pleasure to listen to. I wish the film matched the beauty of the music and the photography. Ram Teri Ganga Maili is Raj Kaoor's final but far from his finest.

It's a very emotional story of Ganga...from gangotri to the sangam. This movie relates the story of a Girl to the holy river Ganga. I think that it is difficult for Non-Indians to relate with movie but Indians must watch it.

The power of the movie lies in it's story and emotions. Kudos to the Showman. Mandakini (ganga) has also done a great work. But there was no need of nudity in such a movie. If it was not there, then more people would've watched this movie.

The movie is also reflects the black side of the Politics in India that contains people who just look for the benefit of their family. They have nothing to do with the Country. But their real face never comes in front of public.

It's a;so a true love story that shows that love is not the name of getting someone in your life, it is the sacrifice for the happiness of your loved ones.

Please watch this movie if you are an adult and an Indian.

Undoubtedly one of the finest films made by the original and only Showman Raj Kapoor. Clearly the showman has adapted to changing times and yet manages to captivate the audience interest with his master story telling skill.

The showman has moved a level up since Mera Naam Joker and his subsequent movies like Satyam Shivam Sundaram, Prem Rog and RTGM (with an expectation of Bobby) clearly depict the subtle message encoded.

You would require more than one viewing in order to see understand the underlying message of how the purity of the river Ganges originating from Himalayas gets compromised as it travels through the strata's of the society until its finally reaches Kolkatta.

The dialogues are very powerful and thought provoking (Saeed Jaffery gets meaty ones!!!). Songs which are the highlight of every Raj Kapoor movies do not disappoint. Moving away from L-P, he first time he teams with Ravindra Jain (music & lyrics) churning songs which will be remembered for years. Lata gives her as usual her best for the showman.

In terms of the casting Mandakini is an absolute let-down. She is the main protagonist and any other actress with the potency of parallel cinema would have had this movie recognised on international levels. Rajeev Kapoor is no great shakes either. Its only the supporting cast which halo the short-comings of the lead performers and they are Saeed Jaffery, Raza Murad, Sushma Seth, Khulbushan Kharbanda, Krishan Dhawan and Rajesh Viveck (in a blink-and-miss role).

The visuals of the beauty and serenity of Himalayas and the dirty and murky Kolkatta is captured with equal aplomb.

Sadly the last movie from the greatest showman but definitely he left his mark with this movie.

After reading Mr. Murali-s comments I decided to write my own opinions on this movie as the former one is extremely shallow.

this movie could be called a typical Indian love story...rich boy poor girl, cannot marry! but at the time of the release created a lot of controversy simply because of the sexual content in the movie.

simple acts such as a mother breast feeding her baby were frowned upon which showed that the Indian public was not ready for such boldness just yet. in another scene the lead actress was shown bathing under a waterfall...in a flimsy white sari and nothing underneath. this was typical of the director Raj Kapoor who wanted his actresses to look glamorous i.e. sex symbols.

I will not take anything away from the movie in terms of acting as every one did a superb job.