Gregory's Two Girls

There are many things that can be said about Gregory's Two Girls but i'm afraid not too many of them are good. This film cannot be compared to the original Gregory's girl in any way. This film lacks the charm ,comedy and script that the first film has and the only thing this bore has in common with Gregory's Girl is that it stars the very average John Gordon Sinclair . In this movie he tries to be funny but with a lousy story only manages to look like a poor version of Mr Bean. Another problem about this film is the way the Gregory Character changes as the film goes on. At the start of the film he a such a crush on the school girl that he even has a wet dream about her ( did we have to see the wet patch?)as the film goes on he loses the urge to be with her to the extent that the film has no meaning whatsoever and turns into a stupid , dull story about fighting human rights. Yawn. 5 out of 10.

This film is a travesty, and isn't fit to keep company with the superior original. The plot is an absolute mess, and the film is way too long. Everytime they're struggling, they desperately inject a sentimental reminder from the first film.

"Gregory's Girl" is one of the top 10 British films of all time, this one is awful.

A shift in outlook is neccesary to enjoy modern British films, one that somehow allows them to be seen in their own right and for their own qualities rather than by the criteria that American films are judged. Britfilm has to try hard to be gritty and finds it hard to make it, but at warmth British films can lord it over their otherwise overwhelming competitor.

This film fails not in its content but only in attaching itself to the predeccesor, so allowing it to be all to easily seen as the work of star and director somewhere near the end of their tethers. It's a couple of decades later, Gregory teaching and this time with two girls on his mind. He teaches at his school railing against human rights abuses. When students he's fired up find abuses in their midst he must face whether he's just all talk.

This is a subversive film in that there's not the usual worldly character of any American movie that you expect to do whatever he does, but a naive man boy who may still put everything on the line for principles. Maybe. It's certainly no protest-by-numbers though, being too warm. Where U.S. film may seem realistic because they're urban and gritty, this and other British films of recent years - those that don't try to match America for visceral thrills - are real because British humour reveals truths.

Forsyth returns to the site of the small-scale comedy that made his now-battered name with this somewhat ambitious but messy and incompletely developed chronicle of a teacher who talks about responsibility and activism but practices only stagnation, until the discovery that a local computer company is manufacturing torture devices for Third World dictatorships - and the galvanizing influence of a pupil about whom he has erotic fantasies - bring him to belated life. It's easy enough to see what Forsyth had in mind, but the movie isn't at all well integrated - the Big Ideas float like patches of oil on a stagnant loch. The two girls of the title are both merely wet dreams of different kinds (the movie attempts to forge a parallel between his political/social and his personal maturity - the latter of which is achieved by having actress Kennedy hang around in desperation until he's ready for her "ripe" charms); the movie gets its biggest laugh from the well-timed use of the word "beaver"; the happy ending is a total cheat; even the setting isn't particularly well evoked...on the whole it's not likely to significantly revive Forsyth's reputation.

He COULD never end a movie well...they always came to a grinding, heart-deadening halt.

But we forgive, given the actors, the characters, unselfconscious dialogue and charming natural feel. The wealth of talent from the Scottish theatre groups at the time.

The unsatisfactory phone box or Caracas sign marked a depressing end to otherwise enjoyable movies.

The original Gregory's Girl outpaced The Clash of the Titans. Perhaps deservedly so, but that movie had a structure...and a proper ending.

I think the fact that the deadening halt came quite early in this movie reveals its quality. Which is a shame given the quality of the actors. I believe Carly McKinnon stopped acting after this - I wish her well in Toronto - but she had that natural feel from earlier films and the makings of a very fine performer.

Add to this the uncomfortable - and uncomfortable in the 80s - creepiness of some of the themes and I don't think we have a winner here.

That, and the approaching-the-original "Weather Report on Diazepam" soundtrack, left me feeling entirely empty.