VALUTAZIONE IMDb
7,5/10
56.921
LA TUA VALUTAZIONE
Due ragazze adolescenti in una piccola città svedese. Elin è bella, piace ed è annoiata dalla vita. Agnes non ha amici, è triste ed è segretamente innamorata di Elin.Due ragazze adolescenti in una piccola città svedese. Elin è bella, piace ed è annoiata dalla vita. Agnes non ha amici, è triste ed è segretamente innamorata di Elin.Due ragazze adolescenti in una piccola città svedese. Elin è bella, piace ed è annoiata dalla vita. Agnes non ha amici, è triste ed è segretamente innamorata di Elin.
- Regia
- Sceneggiatura
- Star
- Premi
- 19 vittorie e 8 candidature totali
Rebecka Liljeberg
- Agnes Ahlberg
- (as Rebecca Liljeberg)
Josefine Nyberg
- Viktoria
- (as Josefin Nyberg)
Recensioni in evidenza
10Muslinca
If you believe that movies can change or really add something to make you look at life and its challenges in a different way, this movie is undoubtedly one of those which do change things! Unlike the most other movies FA moves in a mostly pure and true way. There's barely heart-melting music to evoke emotions, but strong intensity. Watching the movie, you want it to go on forever, and when it's over, you nevertheless feel perfect happiness because you've witnessed life as it is: wonderful, sad, funny and challenging. The scene when the girls want to go to Stockholm is one of the most wonderful scenes I've ever seen. An absolutely cold atmosphere and the chilly night seem to have expelled life from this little city in the middle of nowhere, but the glances of Elin and Agnes and their few words are as alive as possible. The few seconds in the car are as if they had already succeeded in getting out of their emotional misery, as if they were in Stockholm, and yet the surroundings are still the same, the same unbearable cold light and the same endless darkness beyond the street. It's not the spot that is different, but the girls themselves. For a moment they feel the enormous strength of life and love. For a moment they know where they belong to. For a moment everything is perfect. I'm in love with that scene. Sometimes words can be beautiful, sometimes authors strike divine chords, sometimes painters create mystery and dreams, but only movies can unite movements and words, glances and silence. A smile and the hurting silence, one single word spoken with the glance of love. Movies can have such an incredible power, but rarely do they get by using it. FA does! It changes, maybe it changes things of which I didn't even know they exist, there's possibly not even a word to name them. This movie is just pure, and no rational explanation or critic can keep up with its emotional intensity. Don't understand it, love it!
This movie has most of the things that a typical teen movie always has: archetype characters, feel-good ending, a huge score to reinforce emotional response.
But it does it much better from the acting (not Disney robots), to the cast (not all perfect beatiful people, just normal people), to the score and script and dialogue.
It is very good and very likeable and sweet (I watched it 10/15 years ago and I still remember a lot of it and how I felt after watching it).
But it does it much better from the acting (not Disney robots), to the cast (not all perfect beatiful people, just normal people), to the score and script and dialogue.
It is very good and very likeable and sweet (I watched it 10/15 years ago and I still remember a lot of it and how I felt after watching it).
Usually when I flip through the channels and come across a foreign film, it's either an unrealistic sexual crazy flick or a Gerard Depardieu period piece with WAY too much dialogue....this sure was a pleasant surprise.
I'll admit-I'm skeptical when it comes to any movie anymore, much more so when it deals with teens, as so many films on adolescence are completely unrealistic. I started watching this expecting a false move any second now. .....A-any minute.....
But no. In fact, the beautiful acting was the first thing that took me by surprise. Everyone did a tremendous job..especially the character of Agnes...but everyone did great.
The second thing I noticed was the direction, which moved perfectly at all the right times. As someone mentioned, "directed with love", this certainly was...the characters set the pace and the tone...the camerawork let them do that.
The final thing.....the language. How glad I was that I got to hear those heartfelt Swedish sounds, spoken so earnestly, yet so carefully, like Nutella on toast! (Is that Swedish OK, well you get the idea, no? =)
I'd recommend this film to anyone...but even if you're like me, with a bit of ADD who likes to hide from anything "artsy", you will be pleasantly surprised!
I'll admit-I'm skeptical when it comes to any movie anymore, much more so when it deals with teens, as so many films on adolescence are completely unrealistic. I started watching this expecting a false move any second now. .....A-any minute.....
But no. In fact, the beautiful acting was the first thing that took me by surprise. Everyone did a tremendous job..especially the character of Agnes...but everyone did great.
The second thing I noticed was the direction, which moved perfectly at all the right times. As someone mentioned, "directed with love", this certainly was...the characters set the pace and the tone...the camerawork let them do that.
The final thing.....the language. How glad I was that I got to hear those heartfelt Swedish sounds, spoken so earnestly, yet so carefully, like Nutella on toast! (Is that Swedish OK, well you get the idea, no? =)
I'd recommend this film to anyone...but even if you're like me, with a bit of ADD who likes to hide from anything "artsy", you will be pleasantly surprised!
This was one of the best lesbian movies i ever seen. I can personally relate to the characters, and i believe that they portrayed young teen lesbians very realisticly, that is how we really are folks, none of that hollywood blonde bimbo stuff, that was real. There was nothing fake about this movie and i think the actresses were awesome! If you're looking for a real quality movie, i suggest you give this movie a chance!!
That scene in the car. That scene brought back every hope and dream I could remember as a 15 year old in love with a girl in my class I would never have. It was a validation of all those wonderful daydreams you had at that age and the hope that sprung from them. It was a moment that would send that pang in your heart to heights it's never known.
You're never in love like you are at that age - and when you watch a film like this where you can become so completely involved in the life and emotions of a girl like Agnes - and see her greatest hope realized after a day of humiliation and pain - your heart soars. In fact, I can't think of a moment in a movie that is as perfect as this one.
There's a universal quality to the feelings this film evokes that will pull in everyone who has a heart. I'm many years beyond high school - and of the opposite sex of the two protagonists in the film - and I still can't help but identify completely with this movie. Much of this has to do with the two actresses in the lead roles. Where did this director find these two phenomenal actresses? Rebecca Liljeberg has such a quiet and powerful range. Watching her react to other characters is one of the great pleasures of this film. Alexandra Dahlström takes a role that, in anyone else's hands would be either shallow or unbearable, and makes a character so complete, beautifully vulnerable and full of life you can understand why everyone loves her. These two girls - they are so wonderful, expressive and real you just want to hug them.
I saw this film when it came to New York, loved it then when i saw it once during what seemed like only a two week run, then recently remembered it and rented it. I have seen it 5 times since and I'm sure I'll see it many times more. It is a film that transcends gender, sexual orientation and age.
And for all you English language folks out there (I'm one of you), the subtitles will not be a drawback. In fact, watching this film in it's native language brings you even closer to these characters when you realize how familiar life is as a human being, no matter where we're from. How much we all have in common when it comes to matters of the heart. It's a nice little extra to be reminded of, since it's something we sometimes tend to forget.
My praise cannot be more genuine, heartfelt and complete. Get this film. Your day will be made by it. You'll be telling your friends about it. In a busy life where there's a lot of distraction, you'll remember for a moment how wonderful it is to be alive and in love - and how that's worth everything in the world.
You're never in love like you are at that age - and when you watch a film like this where you can become so completely involved in the life and emotions of a girl like Agnes - and see her greatest hope realized after a day of humiliation and pain - your heart soars. In fact, I can't think of a moment in a movie that is as perfect as this one.
There's a universal quality to the feelings this film evokes that will pull in everyone who has a heart. I'm many years beyond high school - and of the opposite sex of the two protagonists in the film - and I still can't help but identify completely with this movie. Much of this has to do with the two actresses in the lead roles. Where did this director find these two phenomenal actresses? Rebecca Liljeberg has such a quiet and powerful range. Watching her react to other characters is one of the great pleasures of this film. Alexandra Dahlström takes a role that, in anyone else's hands would be either shallow or unbearable, and makes a character so complete, beautifully vulnerable and full of life you can understand why everyone loves her. These two girls - they are so wonderful, expressive and real you just want to hug them.
I saw this film when it came to New York, loved it then when i saw it once during what seemed like only a two week run, then recently remembered it and rented it. I have seen it 5 times since and I'm sure I'll see it many times more. It is a film that transcends gender, sexual orientation and age.
And for all you English language folks out there (I'm one of you), the subtitles will not be a drawback. In fact, watching this film in it's native language brings you even closer to these characters when you realize how familiar life is as a human being, no matter where we're from. How much we all have in common when it comes to matters of the heart. It's a nice little extra to be reminded of, since it's something we sometimes tend to forget.
My praise cannot be more genuine, heartfelt and complete. Get this film. Your day will be made by it. You'll be telling your friends about it. In a busy life where there's a lot of distraction, you'll remember for a moment how wonderful it is to be alive and in love - and how that's worth everything in the world.
Lo sapevi?
- QuizAlthough set in the Swedish town Åmål, not a single scene was actually shot there. All exteriors were filmed in Trollhättan, almost 100 miles away.
- BlooperWhen Agnes' disabled friend comes to the birthday party, a door bell is heard. However, when Agnes father answers the door the friend is at the bottom of the stairs in her wheelchair and is clearly unable to get to the bell beside the front door.
It was probably her driver who did press the door bell and left before he/she was seen.
- Curiosità sui creditiAt the end of the credits, there is a picture of two hearts with "COCO" between them. Coco is the name of director Lukas Moodysson's wife.
- ConnessioniFeatured in Bag om filmen 'Fucking Åmål' (1999)
- Colonne sonoreI Want to Know What Love Is
Composed by Mick Jones
Performed by Foreigner
Med tillstånd av Warner / Chappell Scand. AB / Warner Music Sweden
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Dettagli
Botteghino
- Budget
- 9.000.000 SEK (previsto)
- Lordo Stati Uniti e Canada
- 169.331 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.110 USD
- 17 ott 1999
- Lordo in tutto il mondo
- 219.331 USD
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By what name was Fucking Åmål - Il coraggio di amare (1998) officially released in India in Hindi?
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